Q. Where would you like to be?
A. In a place of greater resolve.
A. Yes, resolve. That is to say, resolution.
Q. What is it that needs to be resolved?
A. A dissonant progression.
Q. And how can this dissonant progression be resolved?
A. With a consonant cadence, obviously.
Q. Are you not speaking in strictly musical terms?
A. Not strictly. I use the musical analogy of a resolving cadence as a metaphor to the dissonance that needs to be resolved in my life.
Q. What do you find to be most dissonant?
A. There is discord between the nature of my relationships with those whom I know today in this town, and the nature of my relationships with long-term friends and family in the place where I used to live.
Q. How does that discord sound?
Q. Do you feel you have the power to resolve it?
A. Yes and no. I have creative power, as the composer of my life, to resolve any discord I wish to resolve. That’s the “yes” part.
Q. And the “no” part?
A. I just haven’t found the right chord yet. I don’t believe I can find it on my own. It has to be given to me. In a flash. Once I find it, I will resolve the discord. In so resolving the discord, I will complete this first movement to the Symphony of My Life. And then, on to the Second Movement.
Q. How would you describe the feeling of the first movement?
Q. And the second?
Q. So all you need is a single concluding chord?
Q. How best can you find that chord?
A. By subjecting the dissonance to proper theoretical analysis.
Q. You can do that, can’t you?
A. I can.
Q. Did you not receive very good grades in Music Theory and Composition at the Conservatory?
A. I did.
Q. Well then — what is the proper analysis of the dissonance?
A. It can best be symbolized as 20th Century Harmony morphing into a tension of atonality.
Q. What do you mean by atonality?
A. It lacks a tonal center. In other words, I don’t know what key I’m in. I only know that I’m in a different key than my old friends and family. In fact, they all seem to be singing in the same key. It’s an old key in my experience. A minor key, associated with much sadness and despair.
Q. And you wish to resolve the piece in a major key?
A. Yes. That would end the tumult, and usher in the 21st Century Harmony of Grace.
Q. So how do you get from the chaotic cacaphony of debilitating dissonance to the conclusive cadence of harmonious grace?
A. By reducing the power of the minor key in which my old friends and family members so sadly sing.
Q. You mean — you need to turn down their volume?
A. Now you’re getting it.
Q. But how can you have any power over the volume of their sadness? Can’t you only turn down the volume of your dissonance?
A. By George, I think you’ve got it!
Q. How so?
A. That’s the key! I need to turn down my own volume. They will then therefore turn down theirs.
Q. Will you then find resolution to the dissonance?
A. Indeed I will. For the dissonance will resolve into a major chord of unsurpassed, unprecedented power and joy.
Q. So your major chord will be stronger than their minor chord?
A. Ha! They don’t stand a chance.
Q. And when will you go about turning down this great volume of yours?
A. Hmmm…. good question! Off the top, I’d say, midnight of January 1st sounds about right.
Q. And how far down will you turn your volume?
A. All the way down.
Q. Is this your New Year’s Resolution?
A. It is indeed. Tired of having to prove myself to those guys. They never let me know how they’re doing. All they ever do is give me advice on how I ought to be doing. And their advice no longer pertains to my reality.
Q. Why is that?
A. Because they’re still in the Old Story. They just don’t know it yet.
Q. Why don’t they know it?
A. Because every time I contact them, I only engage the Age-Old Story.
Q. Is this why they never hear the New Story?
A. Precisely. No matter how loud I shout it, it is impossible for them to hear it.
Q. Why is that?
A. Because shouting at them is all part of the Old Story.
Q. And in the New Story?
A. I shout to the heavens. I shout: “Hallelujah!” Out with the Old – and in with the New. The New Story has at last begun.
The Questioner is silent.
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