Gratitude List 1195

1. Slept from 9-2a, and again from about 4-8. Am feeling rested.

2. Nice breakfast, Courtyard Cafe, price has gone up to 3.19 with tax now. Two nice cups of Pikes Peak coffee.

3. Beautiful Idaho summer morning.

4. Doppio, quiet cafe, new table, new friends.

5. Record 98 views on Eden in Babylon yesterday:

6. We got at least three good clips from the show Friday night, although they were all early in the night, and we were just beginning to get warmed up by Eleanor Rigby, which was the end of the first set. Nothing from the second set unfortunately, but still a memento of a beautiful evening, for which to give thanks.

7. My daughter should be up soon and we will probably enjoy a nice conversation.

8. Played at the United Church yesterday. Was able to do the Canticle of the Turning and was blessed; I believe others were blessed as well.   Enjoyed the sermon, too, about the Good Samaritan.  

9. Enjoyed playing at the nursing homes again yesterday afternoon.

10. God is Good.

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Eleanor Rigby

The woman who joins in singing on this one is Kelsey Chapman, who is playing Taura, the leading female role in our production of Eden in Babylon.  There’s a kind of a subtle fury in this one; I like the way it came out.

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Norwegian Wood

The event  of the All Beatles show turns out so far to be a very warm gathering of medium attendance.  The Town Elders are there, a great rare appearance.  Then mostly my homeys whom I can identify among the visible audience members, if you wish.  I believe these videos are coming at me in chronological order, and these first two, Can’t Buy Me Love and Norwegian Wood, definitely took place before things got out of hand.   

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Can’t Buy Me Love

I apologize for the delay.  I’ve been waiting for clips from the All Beatles Show to start pouring into my inbox, which moment appears at long last to be now.   I’ll just post them in the order they come.  Here’s “Can’t Buy Me Love.”

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The All Beatles Show

For those of you who have been anticipating a musical offering right around now, you will not be disappointed.  I’ve only been waiting for a relaxed moment to report what’s been happening.

Beatles Logo Clip Art – Cliparts

I just returned from a two hour show where I and multi-instrumentalist Paul Anders were joined by the special guest arrival of vocalist Kelsey Chapman, who harmonized with me on a performance of nothing but Beatles songs for two hours.   Although we didn’t get a video of the entire show, Brandy Sullivan has told me that she has captured four or five key sections.  

My first response was: “Tell me you caught Eleanor Rigby!”  

“That I did,” smiled Brandy.

“Whew!” I breathed a sigh of relief.  It was too magical, between me and Paul when he was on his violin, bowing smooth arco passages throughout.   And the voicings Kelsey and I intuited into our harmonies, and the dynamic peaks and valleys of the piece.  It was one of those times that all musicians live for, when everything comes together, however mysteriously, and by surprise.

It was all in all a very high-spirited, warm-hearted occasion.  At one point the entire building was singing the chorus to “Yellow Submarine” repeatedly.  They got softer and softer, until I suddenly shouted “One more time!”  At that, everybody starting singing “We all live on a yellow submarine!” at the top of their lungs.  It was priceless.

Kelsey did “Imagine” — technically a John Lennon tune — and Dave and I sang harmonies, another one with an almost mystical ebb and flow.  “Lady Madonna” was one of the more rockin’ numbers, as was “Gotta Get You Into My Life.”   Then came “For No One,” “Nowhere Man,” and “The Fool on the Hill.”  Maybe you get the picture.  It got kinda dark.

We closed with “A Day in the Life.”  This, by the way, was a fundraiser, that happened to go quite well — in fact, even better than hoped.  I’ll be posting clips and videos as I receive them from Brandy throughout the weekend.  

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Gratitude List 1192

1. Went to bed early (seven or so) and slept well — possibly too well — till about 4:45am. Was definitely up & about after that. Grateful to have gotten up early, and felt early morning wakefulness and light spirits.

2. Strongly sensing that a lengthy period of isolation and extremely low self-regard has come to an end.

3. Courtyard Cafe, nice Starbucks coffee. Had a large “tastes like morning” from the Sunset, too, which discouraged going back to bed and pulling the covers over my head again, like a slacker.

4. Phone is working again, though dimly. Thinking of the need for a new phone, I also can’t help but think how I actually have held on to this Samsung, ever since it was awkwardly gifted to me, and have not hurled it to the ground in order to stomp it to bits. So a new phone is not out of the question, as it once would have been.

5. Nice of the pastor Jodie to think of me for a 10am Sunday piano playing engagement of some sort; however, I also told her to give me a day to think about it, as I am unaccustomed to people asking me to play piano during the period of a church service. Still, nice of her to think of me; and I noticed I got on with her very well at Theology on Tap.

6. Grateful for the positive spirit of acceptance and belonging that pervades the community wherein I dwell.  The strong sense of community here is a big deterrent to my tendency to want to isolate myself more deeply.

7. Grateful for some of the things I learned on the streets, though others must be shed. Thankful for developing discernment, to absorb what’s of value and discard the rest.

8. Though I’ve not been feeling entirely good about the communication to Dave that prompted the recent suspension of operations, I’ve not until this morning known exactly what it is about it that wasn’t exactly right. Now I see it, and I see that healing is possible.

9. Great that Kathy printed a new vocal score (sans opening & closing numbers) consisting of the most recent pdf files of all the individual numbers, pagination removed, per my request. This can’t help but be useful. Probably there will still be typos on certain pages, but those individual pages can be readily replaced and rebound. And then, the full body of the score will inform my opening and closing enhancements. Also great that she did new covers for the Pinnacle remakes, for I have brought five of them with me, plus two Exiles.

10. Got the interview down to shortly over one hour and posted it here. Information as to actual dates for the reading is no longer factual, but I just posted a disclaimer along with it. The thing is, I know to take the time to do all my particular homework before we reconvene.

And for that, the Howard piano is very strong for the kind of unique syncopation that characterizes the “Sirens” number I am trying to squeeze into Eden in Babylon in place of both versions of “Intervention.” The Baldwin grand can’t even accommodate any of those subtle accents and other distinct articulations. Finale software can pretty much replicate them, but the light action on the grand opposes them. Another good case for hanging on to the Howard.

It was good to get some of J’s things transferred as well. Maybe by now the Harvard Classics have been sent down. But still, my place of residence is dark and dingy and destitute. I’ve had to defer to the excellence of the Howard piano not to wish to succumb to a lingering urge to chop it into firewood. I sometimes wish I were just sleeping outdoors somewhere, and that I just didn’t have to mess with any of this burdensome household garbage. But I guess that’s just my stuff. God is Good.

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A little bit goes a long, long way.  

 

Interview

Earlier I mentioned having been interviewed on a local radio show.   The full three hour show (with all kinds of music clips), is available on the Radio Free America website on this link.   However, one is fairly well mandated to hear out the entire affair, as there is neither a fast-forward nor a rewind control on the player.

Here below on the other hand is a condensed version I’ve prepared for your listening scrutiny.  This one I’ve managed to trim down to shortly over an hour.  The only music clips are the two songs I did at the Open Mike, where I met Fiddlin’ Big Al, the radio interviewer.  The rest of it is my being interviewed about this & that & the other thing:

TalkAndy Pope Interview
06-29-2019

Of course I put in a plug for the musical.  The only thing that’s a downer is that the stated dates are no longer slated, and so the information as to those slots is out of date.    That’s because we’ve postponed the concert reading, which as I earlier suggested I feel is the right choice.

I also feel that a bigger and better production of this show is in the works, involving members of the same team, as well as some new players.  What’s nice in this town is that the ordinary procedures for producing a show within the Theatre Arts realm or that of the School of Music are adjusted in my favor in the unique case of an original musical.  There is a strong sense that a certain community of a Performing Artists is so enamored with the idea that they won’t allow it not to happen.   And this is a great relief.  It’s not just me anymore.  It’s us.  

But aside from all things thespian, there is a lot of material on the recorded interview that may appeal to you in an entirely different light.   I was able both to tell the story about how I got out of homelessness, and how I became homeless in the first place.  And other worthwhile stories have been shared.  I hope you enjoy them.   

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A little bit goes a long, long way.