Awake the Dawn

The team thought it would be a good idea for me to record a bunch of piano-only clips of the songs in the score to my musical EDEN IN BABYLON. This one was done on the famous Green Piano in Rm. 33 (of which I’m certain word must have reached your ears).  The Green Piano is an aging workhorse clunker that’s just perfect for the boom-chuck of musical theatre. And anyway, I read my piece “Awake the Dawn” off of my vocal score, and this is the first time I’ve played the tome from start to finish without missing a beat. A little touch of Edvard Grieg at the end, and we’re in business! Enjoy.

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Nevermore

Interesting version of my age-old song “The Age of Nevermore.” Not sure about the church environment. This kind of music seems out of place. I do like the tone on that piano, though. It’s almost a hundred years old.

Weird how I still look fat even though I’ve lost 15 pounds from running. It must be my “piano posture,” but let’s face it — that’s not going to change. I look thin as soon as I stand up again. :(

Anyway, nice funky version of the tune, I was reading it off of my vocal score for a rehearsal tape. I pretty much want to abandon the Finale orchestrations and just put a five-piece band together — if and when, if you know what I mean.

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Evolution of a Song: Part One

I often proclaim — not without pride — that I wrote most of the music to Eden in Babylon in my head, without a musical instrument, without music paper, and without music notation software.   While this statement is true, it is not true of the entire score.

There are two songs in this show that were actually written a long time ago — in 1971 and 1982 respectively.   They had different titles and different lyrics, but the same music.   Also, half of one song was written in 1984, and 1/4 of another song was also written in that period, around about 1980.   Otherwise, all the songs were written between 2010 and 2016, when I was homeless in the San Francisco Bay Area.

These older songs were obviously written by a much younger man.   So it might be interesting to explore how they evolved and found a place in Eden in Babylon.

One of the songs is “Midnight Screams.”  This song has had three different names.  First it was “Child of No Emotion.” This was the first ballad in a rock opera I wrote in 1971, called Euphoria.  

Ah, how I remember Christmas of 1971.   I came home from U.C. Davis, my brother Steve was there, I sat down at the Wurlitzer spinet on which I learned how to play piano as a little boy, and promptly played the first five songs in Euphoria.

I remember after the fifth song, “Child of No Emotion,” Steve smiled, and in an uncharacteristic departure from his usual inscrutability, I heard the words:  “I love you.”

I don’t recall having reciprocated his expression. I have always loved him, of course, but I was so self-absorbed at the time, I believe the next words I said were:

“How does Euphoria compare to Jesus Christ Superstar?” (This being 1971, the famous rock opera from England was making a big splash in the States.)

“So far,” said my admiring younger brother, “it’s better!”

I’m inwardly laughing, because I happen to think Jesus Christ Superstar is the closest a rock opera has ever come to replicating a true classical opera.   I hold it to be a masterpiece.   But back in the Day, I remember my brother and I, in our youthful arrogance, deciding we were “done” with Jesus Christ Superstar.  He had learned the entire score on his bass, and I had learned it on the piano.  We had played the score so many times together, that one day the two of us ran out in the middle of the street and stomped the two-album set — and we’re talking vinyl — to pieces.

Ah, the fond memories of misspent youth!   

I might contact Steve later on tonight because he’s really good at keeping family mementos, and it’s very likely that the Euphoria libretto is among them.   I can’t remember the last time I saw the text.  Knowing me, I probably lost it in some storage unit somewhere along the line.   Unlike Steve, I’m a minimalist.   (That’s a positive way of framing the fact that I’m very bad at hanging onto things — and very good at being able to hit the road at a moment’s notice.)

While I don’t remember many of the lyrics to “Child of No Emotion,” I do remember that the title figures on the fourth line of each verse, where the words “where the wind is howling” and “desperately prowling” are found in the present-day lyrics of “Midnight Screams.”  

I’ll look for the libretto.   Meanwhile, stay tuned for a sequel.  I forgot all about “Child of No Emotion” until I decided to write an opera in the year 2009.   In 2010, I was fortunate enough to have landed an under-the-table gig in a sleazy hotel on MacArthur Blvd, which is when I dredged up the Child and decided it was now a song with new lyrics, called “Cloaks of Art.”

There’s a story around that one that’s just a wee bit more colorful than a tale of two whippersnappers ripping an old vinyl album to bits.    

TO BE CONTINUED

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The Very Same World

I mentioned I’ve been working on putting together the “interactive score” to my musical Eden in Babylon.   Well, here’s the third number – it’s called “The Very Same World.”  I placed the lyrics below.

Andy Pope · The Very Same World

This must be the day
That the sages always say
Will emerge upon humanity in stages –
Something in the air
Has not one thing to compare
With the air of every other day till now.
Now must be the time
Some call supreme, some call sublime,
Approaching the apex of the ages,
The day when each and every one of us is in our prime,
The combined effect
May well redirect the world.

The Very Same World
That was for centuries
Riddled with travesties,
Hatred and war
Will by and by be
What she was meant to be,
Wholly, authentically
Healed at the core.
Her banners unfurled,
For all the earth to see
Let us give birth to the
World we adore.

This must be the start
Of an Era of the Heart,
Of a full and perfected new creation
All the saints in sight
Will in harmony alight
Upon a new and unexpected place of song
Thus will we ensure
That the faultless and the pure
Will stand fast in the face of violation
We will be strong when we are tested, and we will endure
When the trumpet sounds
And the scourge abounds
Let the clarion
Ring its call upon the world:

The Very Same World
Engulfed in tragedy
Will now see Majesty
Stand at her door.
The Very Same world
That had been torn apart
Will show her golden heart:
Let her heart pour
All over the world
And put an end to shame:
That world will bear the name:
World Beyond War.
That world will bear the name:
World Beyond War.

© 2019 by Andy Pope

 

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