Gratitude List 824

(1) Grateful for my lady friend.  If it weren’t for her stabilizing influence, I would have never gotten it together to record the Eden in Babylon demo.   

(2) Grateful that, after all this time, the demo has actually been completed.  Can’t wait to hear the mix.

(3) Grateful that now that it’s over, I will finally have time to give quality time to my daughter.  

(4) Grateful that the money to pay for demo costs came together more-or-less miraculously right in the nick of time, and all of it came from anonymous donations to the pool.

(5) Relieved that I am no longer manic like I was during the 48 hour period of pretty much non-stop preparation for this project.

(6) Grateful that when I got home from the recording session last night, there was no part of me that felt a need to “keep working.”  Instead, my entire being wanted to enjoy my night with my lady friend, and look peacefully into her beautiful blue eyes.

(7) Although, when I was manic, I thought this project was the most important thing in the world, I am relieved and thankful that when I got home last night, I realized that it was no big deal.  

(8) Grateful both for all the years when I slaved away as a servant for the super-rich, and all the years of enduring indignity and dehumanization on the cold city streets.   I have experienced both extremes.  Most people are not fortunate enough to even have experienced one of them.

(9) Grateful that No. 8 above has done nothing but fuel my philosophical fire.

(10) Let the Philosopher now prevail over the Artist.  I’ve got a job to do on this Earth – and nothing can stop me now.

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Is Poverty a Choice?

I occasionally encounter the “poverty is a choice” mentality, but I can’t help but notice that those who say this often have never been poor and have no real idea what the details of poverty are like. There’s something a bit odious about a rich person trying to tell a person who has been poor and disadvantaged since birth that their poverty is a “choice.”

That said, I have chosen to remain poor at this time in my life, largely because I dislike the effects that having a lot of money has had on certain lifelong old friends of mine. I’ve watched them pursue money, property, and prestige — and I have not watched them become happy. Some of them are downright miserable.

I also dislike the effects that having had a lot of money has had on me. There have been times in my past when I had more money than I knew what to do with. I can sit here without money and dream about all the nice things I would do with a few thousand dollars, but the actual reality is that whenever I encounter money upwards of $5,000 or so, it has a tendency to vanish very rapidly. This leads to a lot of anxieties as to who my actual friends are on this planet. They sure do show up when I have money – whoever they are. I think I’ll remain poor, thank you.

As a poor person, I do not have to worry about who my real friends are. Nobody ever asks me for money, because I don’t have any. A rich person often wonders if somebody is actually his friend, or if they only want their money. I don’t have that worry. If somebody happens to like me, I know that it’s me they like – not my money.

wiser still though poorAs a poor person, I get to work on my inner spiritual issues around money without fear of spending a whole lot of it in the process. Nobody is advising me to go on an expensive retreat or pay for long-term psychotherapy, because both those options are financially out of the question. I find this refreshing, because an hour’s conversation with a caring friend usually works better than several sessions with a psychotherapist. Not to mention, the friend actually cares about me, whereas there’s a good chance the therapist mostly wants my money.  And of course, the friend probably won’t “charge” me anything more than the price of a cup of coffee.  

As a poor person, I actually enjoy running out of money on around the 10th of each month and challenging myself to live without money for the rest of the month. I have found that this is not at all an impossibility; and I believe that I have become a stronger person as a result of this challenge.

As a poor person, I have been able to sit down and write an entire musical — book, music & lyrics — about Homelessness in America. I wrote it from the heart, because I felt the themes I was putting into musical and dramatic form.  When I was a working composer, I wrote money for commission.  I felt forced to write songs, and the pressure of deadlines drastically reduced the authenticity of my work.   

My point? It has to do with integrity. As a poor person, I have developed integrity, and I am proud of the person I have become. When I had money, I had no integrity. I only had money.

When I say, for example. that I am looking for money to pay for singers, musicians, and studio costs to create a demo recording of a few songs from that musical, I mean what I say.  The money will not go into pocket, because I have trained myself to live on minimal means. This is a much happier choice than the earlier kind of choice I made, at a time when I had no inclination to detach myself from worldly concerns.  When I was well-off, my life was all about worldly stuff — passing stuff.  My life as a poor person is all about spiritual stuff — everlasting stuff. Does that make any sense to anyone?

If it does, I’m glad. At this point, I think it’s a lot more likely that 1,000 poor people will each kick down five bucks apiece for me to package this musical of mine, than it is that five rich people will each kick down a thousand bucks. When I talk to wealthy people about my ideas, I have to filter though all kinds of annoying perceptions that they think I’m some kind of a “con artist” or “scammer” or “hustler” trying to put one over on them somehow. When I talk with poor people about my ideas, they usually say: “Great idea, man! I hope that works out for you!” Which experience would you rather have? I think it’s a no-brainer, quite frankly.

Poverty in America is not, for most people, a choice. It is a condition. I myself have made the choice to remain poor, because I don’t care for the effects that money has had on myself and others. Therefore any money toward this project goes to my assistant Danielle — because I have a problem with money (obviously!) and she does not.

I will now cease these deliberations, lest I be construed for having a hidden agenda. My agenda is not hidden — it’s about as open as they come. Information on my project is on my home page, in case anyone’s interested in pursuing this theme a bit further.

I’m not a person who wants money or fame. Been there, done that, too old for all of that. I’m a person who wants to get an important message across about Classism in America. I placed my message in musical-dramatic form — because that’s where I’m strong.

Money is where I’m weak. So, while poverty may not be a choice in most parts of the world, it is my choice. Any other choice, in my 65 years of life experience, has led to disaster.

Thank you for hearing me out.

Note: this post was first submitted on the site Quora, which I am acknowledging in honor of their terms of service.  

 

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The Homeless Monologue

This is in response to a Quora question, to the effect of one’s wondering why so many homeless people seem to be talking to themselves quite a bit.  I didn’t contest this perception.  I did my best to explain the phenomenon, and also referenced another writer who had done the same.  

I appreciated the answer of Adora Myers because this is a side not often seen in the homeless equation.

It is true that a person suffering from paranoid schizophrenia will often believe that s(he) is talking with those who are not actually there. It is also true that many schizophrenics, as well as people suffering from severe PTSD and other mental illnesses, are too ill to effectively access treatment, or else they lack privilege which would render treatment more accessible to them. So they wind up on the streets, more-or-less by default. This is a very sad state of affairs.

invisibleHowever, it is also true that people who have become homeless in large urban areas, especially where there is a sizable concentration of other homeless people, will feign or play-act the known symptoms of these mental disorders in order to protect themselves by making themselves more frightening to would-be assailants and thieves.

I know this to be true, because I did it myself. When I was homeless, I walked around a city that contained over a thousand visible homeless people. As I did so, I composed music in my head. This meant playing drums on my pants legs, guitars and keyboards in the air, and singing tell-tale syllabic sounds such as “Bop Bop Bop” in a manner that conceivably could be construed to be obnoxious.  

People frequently told me to “shut the f—k up” but they also had a way of keeping a distance from me. So this “act” worked in my favor.

Incidentally, I would guess that only about 30% of onlookers realized that I was actually a serious musician in the process of composing music. The other 70% shrugged and said, if they knew me by name: “That’s just Andy. He’s one of the local wingnuts.” If they did not know me by name that was reduced to: “Wingnut.”

Of the 30% who perceived I was writing music, I would say that probably 20% of them appreciated what I was doing. The other 10% frequently showed up with smartphones facing me and grim expressions on their faces, giving me the distinct idea they were out to steal my stuff.

So much for life in the Big City. Glad to be indoors — and far away from all that particular noise.

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That’s His Whole Problem!

I’ve been under the weather lately, and I’ve taken to composing music to pass the time.  As I broke out my music notation software for the first time in quite a while, I noticed an assortment of unpleasant feelings associated with the task.   For some reason, I keep thinking that it is wrong for me to be writing music.

Wrong to write music?   Ah, but this makes no sense.   Where does that come from? Arguably, my father, though I’m sure the poor bloke was only trying to protect me from myself.   He would see the delirious obsession overtake me, quite like his own very similar obsession, and he feared for where it might lead. 

Wrong to write music – what do you make of it?   I can somewhat understand the inherent dangers in the “new toy effect” of this amazing music notation software — especially since I first acquired the new toy over ten years ago, and one would think its fascination would have faded by now.  Ah, but no – there is an almost addictive, compulsive quality to the way that I attack the Finale commands with such fervor, almost like playing a video game, or taking a ride in an amusement park.  Too much fun is involved, and escapism.  How can it possibly be good for me?

Escapism . . . I tend to escape the doldrums of life — by writing music.  In fact, I even escape the demands of the music world itself.  After all, I’m supposed to be finding other musicians to play my stuff, aren’t I?   Other musicians are supposed to play my notes; other singers are supposed to sing my words.  Instead, I belabor for hours over this feigned representation of my music, produced by the artificial, heartless software.  I pretend that there’s an improvised saxophone solo between Measures 33 and 48.  But let’s face it, every note of that “improvisation” has been painstakingly fabricated by the workings of my own tomfoolery, trying my best to mislead the listener into believing that there’s actually a sax being played there, rather than a sophisticated electronic fake.

Don’t I have more important things to do?  Aren’t I behind on my blogs?   I’m supposed to be writing about Homelessness, aren’t I?  What’s music got to do with that?

Well, that’s just it.  It’s got everything  to do with that.  And everything to do with this sense of wrongness that engulfs me whenever I try to write music these days.   It recalls a former time, not too long past, when the average person in my life believed that my relationship to Music was the biggest problem I had in life.

whole problem

It was widely thought, seemingly by everybody else but me, that it was a huge problem, this obsession I had with composing music.  It was a conspicuous problem — a visible problem, something that could not escape public notice.   In a way, it was like Homelessness itself.   There was no way I could hide my homelessness effectively from everybody in the city of Berkeley.   No matter how nice I tried to act, how good I tried to look, the cat was out of the bag.  Everybody knew I was homeless.   Everybody knew I was “just one of the local wing nuts.”   So my obsession with composing music, whether I used the software, or whether I only walked about town singing “bop bop bop” and playing drums on my pants legs, was all part of that huge visibility.   I couldn’t hide being homeless; and I couldn’t hide writing music.  So to my observers, they only seemed like two sides of the same coin.

“That’s his whole problem right there! Look at him writing music all day long, while he’s homeless.  No wonder he never gets off the streets!  How disgusting.”

I remember how depressed I would become whenever I encountered this objection.  Even at church, or at the recovery fellowship I attended, there was this idea that “music was more important to him than God.”  And it disturbed me.   I kept wanting to defend myself.  I honestly did not think it was true.  I just happened to be a deeply driven, tightly wound, highly charged composer, who just happened to keep getting all these musical ideas, that he felt a deep need to pursue.  What’s that got to do with God?  Other than that it was His gift?  How would eliminating this huge part of me possibly help me, either to figure out how not to be homeless anymore, or to be a better Christian, or achieve more sobriety, or recovery — why would eliminating music be so essential to my health and well-being?  Wasn’t Music what was keeping me halfway sane throughout all of this insanity?

I still feel the depression of all that.  I start to relive it, even now, while trying to write music again, after all this time.

But it wasn’t like that when I first got to Moscow, Idaho, almost two years ago to this day.  By that time, I had so much music accumulated in my mind, stuff that I had written without the software, that I’d kept track of in my head — I basically couldn’t wait to get it all notated, now that I finally had a computer, and a place to live.   

When I sat in a cafe writing music, I couldn’t help but notice that the reaction of passersby was much different than I’d become accustomed to.   Nobody scowled at me.  Nobody looked over and thought: “There’s his whole problem right there.”

Why not?  Because there was no huge visible problem that people were hung up on trying to determine the cause of.   There was not this thing called Homelessness hanging over me everywhere I went, seeming to demand an explanation.   

My friend Danielle put it nicely once, with this analogy.  “You see a fat guy eating a doughnut,” she said, “and everybody says: ‘that’s his whole problem right there.’   But you see a skinny guy eating a doughnut — the very same doughnut — and nobody squawks.”

“So what’s that got to do with me?” I asked, naturally.

“The fat guy has a visible problem.  He’s fat.  Everybody can see it.  So they look for the probable cause.  As soon as he sinks his teeth into that doughnut, they think they know the answer.  Genetics, upbringing, age, alcoholism — any other factor is thrown by the wayside.  That there doughnut is his whole problem.

“Same thing with you.  You’re homeless.  You’re conspicuous.  Everybody knows you’re homeless, and they wonder why.  As soon as they see you writing music — and all the time, by the way, you must admit it — any time of the day or night, anywhere, for hours on end — they say: ‘That’s it!   That’s his whole problem!’  Socio-economic factors, mental health, company downsizing, landlord owner move in evictions — none of those more disturbing, complex factors need come into play.”

“That is very disturbing,” I agreed.

“Quite so,” she nodded.  “But now?” Now you’re not homeless.  You don’t this big visible problem that everybody’s trying to figure.   Now you can write as much music as you want, and nobody’s going to fault you for it.”

Needless to say, I was quite relieved.   Now if only I could turn back the hands of time, and get them all to see that it was never my “problem” to begin with . . .

Or was it?

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Tuesday Tune-Up

Q. Do you know who I am?

A. Not exactly.  But I don’t think it’s relevant.

Q. So why have you summoned me?

A. Tune-up.

Q. Squeaky wheels, eh?

A. They’re the ones that get the oil.

Q. Are they?

A. I’m honestly not sure.  I’ve tried to believe that.  I’ve read the Parable of the Unjust Judge enough times to have figured it out.   Or the Parable of the Nagging Widow, or whatever they call it, depending on the emphasis.

Q. Do you empathize with the Judge, or with the Widow?

A. I said “emphasis” not “empathize.”  I don’t empathize with either of them.

Q. Then why are you trying to act like one of them?

A. Because I’ve been led to believe that it will work.

Q. What will work?   Nagging?

gavelA. Yes — or so I’m led to believe.  You know the story.  The widow appears before the Judge with some certain request that he at first denies her.   But she just keeps appearing, and showing up in Court, and reiterating her request ad nauseum, until eventually the Judge breaks down and grants her the request, just to get her off his back.

Q. And so you figure that if you nag everybody enough, they’ll eventually break down?

A. More-or-less.  That’s what I’ve been figuring, but it obviously doesn’t work.  I am either never going to get the money to do this demo recording, or I’m going to have to go about it some other way — because no matter how many times I plead, I still see the same hundred bucks in there that I saw a long time ago.   Sure it was encouraging when it first showed up — way back when — but it’s pretty damned discouraging to keep checking the fund site, only to find that nothing has changed.  I finished the musical almost a year ago and have been trying to move onto the next stage since then! It’s frustrating!!!

People set up “go-fund-me’s” for all kinds of things these days, and get the money.  Some of the causes aren’t even worthwhile, if you ask me — yet they still manage to come up with the bucks.  Here I wrote this entire musical, I’m only trying to get basic money together for the next step in the process, and nobody will help me.   Nobody.

Q. But some people have helped you on occasion, haven’t they?

A. Yeah, but they’ve helped me — not my project.   I keep telling people; I don’t need personal help anymore; I’m meeting my own personal needs, thank you.  I’m not sleeping in a gutter anymore; I’m not panhandling – I’m not begging for change on the streets.  I’ve tried to go about this whole thing decently and honestly, but where has it gotten me?

I set up a separate fund for this thing — or rather my friend Danielle did — and we still can’t get any money together.  I’ve been as honest as I can be; and that doesn’t seem to help.   What am I supposed to do?  Turn around and start feeding people a load of bullshit in order to try to get this show on the road?   That would fly in the face of everything I stand for; everything the musical is all about.

Q. Andy, have you ever considered that maybe this isn’t the time to produce your musical?

A. Painfully, yes.  Of course I have.   I’m a  Christian, and I figure God is closing the doors until a time of His choosing, not mine. 

Q. And do you not see His many blessings in other areas of your life?

A. Sure I do!  At times, I am even grateful for them.  But that doesn’t automatically put an end to my frustration.  I spent five years trying to get this script and score finished – through seemingly insurmountable obstacles – in order for it to come to this.   It makes me feel as though I wasted my time on some pipe dream.

Q. Where is your faith?

A. That’s the $64,000 question.   And I’m only asking for 1% that amount.   So – I’ll try this one more time, but honestly, that’s about all I can take of this.   All these stupid donate buttons go against my grain.  Not to mention, they soil the picture of this blog.  I’m about the least materialistic guy on the planet, and they stick out like a sore thumb. I don’t need the gavel of an Unjust Judge to validate my mediocrity.  I’m bigger than that.  I’m better than that!   I’m an Artist!!   I’m an Artist — and I hate money.  I hate what it does to me, and I don’t like seeing what it does in others.  I’m an Artist. Somebody else manage my damn money!! I’m an Artist! I want out.

The Questioner is silent.

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Anything Helps – God Bless!