The Questioner

Q. Do you even have the slightest idea who I am?

A. I know exactly who you are.

Q. Then where were you last night when I needed you?

A. Too wiped out.

Q. You weren’t avoiding me, were you?

A. No – not really.  I just didn’t have much to say to you.

Q. Do you realize how small that makes me feel?

A. Vaguely.  But perhaps you’ve been a bit too big for your britches lately.

Q. What makes you say so?  Why would you even think such a horrid thought?

A. Well, it’s one thing for me to have finally summoned you as a last resort, when I was in a bind.  But you outlived your usefulness when you started becoming all codependent on me.

Q. Codependent?

A. You heard me!   My personal habits and manner of self-care are my own business.   All you codependents are alike.  Constantly harping on me to take care of myself, as though you practically owned my body.   I’m the one who lives in the damn thing! I’m the one who knows what it takes to function properly.  I’m the one who hasn’t had a serious disease in sixty-four years of living, while all around me all these sick people keep harping on how I “don’t take care of myself.” 

Q. Are you calling me “sick?”

A. Aw, you’re healthy enough in low doses, I suppose.

Q. Don’t you think you’re beginning to come across like Job in Chapter 33?   Exalting your own righteousness above that of the Holy Name of God??

A. Oh please.  The transparency with which you resort to throwing the Book at me is odious.

Q. How so?

A. You always pound the Scriptures at me in order to bring guilt upon my head, just at the moment when you figure nothing else would work but a religious guilt trip. 

Q. But can’t you see that I am only trying to help?

A. That’s what they all say.

Q. But what do you say?

A. I say that yes, I thank the Good Lord God for keeping me in decent health long enough to finally get a good crack at my life’s work on this planet.  But at the same time, I can’t deny that following some simple rules such as (1) not smoking cigarettes, and (2) getting sufficient, moderate physical exercise, have had at least something to do with it.   God didn’t waste his gift of good health on a guy who was going to sit on a bar stool all night long whining with a Camel non-filter hanging out of his mouth as though it were a blue tooth in his ear.

Q. How can you claim to have always made healthy choices?   Is not the very notion preposterous?

A. I never said I have always made healthy choices.  I am only saying I make a point of taking care of myself, whether anybody else thinks so or not, and when I fail or lapse, God has been merciful in letting me wake up in the morning without hangover.  Or similar such show of mercy. 

Q. Why is that you seem so damned smug today?

A. Because you and I are splittin’ up, baby!  I got to the point yesterday where I just did not need you or your flagrant codependent guilt trips, you flailing flimsy excuse for a superego, you!  I made a speech last night.  I’m going to edit it tonight to taste.  And I worked for three hours on my piano-vocal score, according to my schedule that I’m determined to keep up till the end of October.  I even enjoyed the work.  And I ran two miles!   And did fourteen push-ups!  When was the last time you ran two miles?  Not to mention, before you completely fade and fizzle into the oblivion where you and all your moralistic guilt trips belong, heed the wise words of Bertrand Russell, my agnostic hero.

Bertrand
Russell: “One should never worry about one’s health unless one is unhealthy.”

A. My agnostic hero chain-smoked till he was 80, became unhealthy, stopped smoking, and lived to be 97.   Are you going to live to be 97?

Q. Are you?

A. We shall see!

The Questioner has been silenced — for the time being . . .

 

Please donate to Eden in Babylon.
Anything Helps – God Bless!

Artist in Babylon

Check this out:

Please donate to Eden in Babylon.
Anything Helps – God Bless!

Now look at this:

anything-helps

I’m trying to make a point here.   Between Thanksgiving Day of last year and March 4th of this year, I wrote a complete 135-page script to a new musical.   I then naturally proceeded to try and round up singers for a demo for this project, only to find that nobody wanted to work for free.  And what was I to expect?  This music is fancy progressive Broadway show tune material.  Even quick studies would have to put a lot of work into it to make it sound right.   Such talent deserves to be paid.  

So I went about trying to raise funds for this leg of the project: $1000, to be exact.  In the past three months, I have raised exactly $100 – in three donations of $5, $20, and $75 respectively.   I could have raised more than that by flying a sign on the sidewalk.  However, to fly a sign on the sidewalk (aside from being illegal where I live), would be dangerous, as I described in the poem on this post. 

Three months and ten days have past since I finished the script.  I would very much like to move forward with the next leg of this project.  It irks me that money should be my object.  So, if you are person with some wherewithal, and if you believe in my work, please consider making a contribution to this project, so that I can move forward once again.

Just one catch.  Because I am an Artist, and I’m passionate about my themes, I tend to be a little sensitive.   At least glance at the script and give half a listen to my tunes before you make a donation.   I want to receive support from people who believe my project is worth their money.   This project means something to me.  It’s about something I believe in.  It involves a message that is not often heard, if at all, in our society.  So please believe in me before you click on donate.  I don’t want to receive money from people who don’t. 

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

Scarlet Letter

I’ve been having a lot of emotional problems, largely related to my inability to move forward with my work.

The computer I’m using now only has a single 1.4ghz processor, insufficient to handle Finale orchestrating without frequent crashes.  I ordered a decent computer from Rakuten with a dual core 2.7ghz processor, but it arrived with a broken sound card.

This, on top of numerous setbacks, threw me into a livid rage that lasted most of the night.  I finally got it sent back to them with the assurance of a full refund.  My friend Danielle handled the phone calls for me, which she did very masterfully, being as I was too afraid of flying off the handle at the time.

Although it has seemed to me that having left my job and winding up in much greater financial need has been at the root of the problems that have kept me from moving forward with my project, it would be odious of me to request assistance at this time.  I am too depressed by now to move forward, and the greater issue has become my mental health.   And nobody can help me with that but God.  I have a stack of unpayable bills for therapy higher than my ceiling – I only pray they don’t go into collections.

I won’t be posting in the future until things are brighter.  Maybe that won’t be as far away from now as I think.  People at my church have been very supportive, and they still seem to like me at the Bagel Shop downstairs. But otherwise, I have been walking around this small college community visibly perturbed, using wild arm gestures (as is well-documented in other cities where I have attempted to live), talking to myself, and attracting the attention of the local cops.  I don’t drive, so this behavior is particularly conspicuous.  But I need to work off all this steam somehow, and sitting cooped up in my room isn’t doing the trick.

0559918bce9b1ca7cdcf70aadc4361baI feel as though there is a Scarlet Letter on my forehead.  It will be very difficult for me to make any further Artistic progress in this environment.  My fit of rage at the cafe yesterday was quite visible, when I thought I was all set to start notating the score again, only to find the headphones suddenly non-functional.  I threw them away, unfortunately, and only later discerned it was the sound card.

I strapped myself for the month on food, rent, and computer.   I really hope I get the refund, even though I might use it to leave town.  I need to find a place that will be as supportive of my artistic endeavors as this place used to be, before everybody began to ostracize and condemn me, over things they do not understand.  I regret having opened up to so many new people to begin with, when I was only looking for a quiet life.

I had no idea how narrow-minded and conservative this so-called liberal progressive community has turned out to be.  My daughter has suggested a quiet community of Artists on the Washington Coast where she spent some time as a little girl with her mother, and of which she has fond memories.  That might be a better place for me to show up with my music notation software.   But right now, until my technical issues are resolved, unfortunately I cannot write a note.

I truly am sorry about all this.  I hope things get better from here.

My Choice

I’ve never written a novel before.  All I’ve written so far are a number of plays, some of them musicals, numerous short stories that I lost in a storage unit (unless the English department at U.C.Davis happens to have kept a hold of them, which I doubt), thousands of blog posts and diary entries (for whatever that’s worth), the couple handfuls of poems posted on this web site, and zillions of songs, complete with lyrics everybody seems to rave about and music that nobody likes at all.   Oh – and I also wrote a couple “rock operas” when I was younger, two movements of a flute sonata, and scattered piano preludes.  No first symphony, as of yet.  Typical story of a lifelong burned out starving artist. 

That said, I read the first paragraph of my new novel to the other members of the Palouse Writers Guild this morning.  All of them agreed that if those were the first words that befell their eyes, they would keep on reading without hesitation.   One guy I showed it to later even said he’d probably buy the book right off the bat.   But the problem with all of that is, of course, that there’s no book to buy.  Will there ever be?  Am I capable of writing an entire novel, just because I happened to get off to a good start?

I’ve been advised to barrel out 10,000 words as rapidly as possible, just the way I churned out the first five pages.  But I don’t know that I can.  Or even want to.

nothing-in-the-world-is-worth-havingOr even should.  Since feeling the worst impacts of all the demons that have come storming down my stairwell ever since I finished the script to Eden in Babylon, I wonder what my next course really ought to be.  It is clear that for lack of a definite, disciplined project I have practically let myself be devoured by all the local wolves, and whatever strange poltergeists inhabit my creepy confines in the dead of night, full of trickery and tripe.  But should I really dive head-first into an entire novel, just to hide my head from all the hunger, the hysteria, and the hurt?

Why not just notate my piano-vocal score like a good little musical comedy composer?  It would seem the thing to do, if anyone other than myself is ever to attempt to play such bizarre tunes.

There’s also this third idea hovering over my head, haunting me.  It has to do with the themes that were left hanging when I suddenly dropped the Berkeley project some months ago and dove head-first into my musical script.   Not that this was a bad thing to do, for I did, after all, finish the script.  But as I took from the Berkeley music those songs that seemed most to fit the Eden in Babylon style — the showiest, the most “musical theatre” of them all — I find that what is left is an intriguing set of strains.  The remains seem much less show-tune, less schmaltzy, more seriously operatic in nature, and somewhat other-worldly.

But this causes me to recall the neuro-physiological conditions under which I placed myself in order to conceive of such music; specifically, highly altered states of consciousness.  Somehow I just “heard” the music in those unnatural states of mind.  It fascinated me so much that I promised myself I would orchestrate it all once I “came down” (and once I had regained access to a laptop and a regular power outlet in which to plug it).   So I did that until the thrill wore off.   Yet, on examining the music of Sirens of Hope, and of The Royal Rhapsody, I must admit that the thrill returns. 

So – if I went by what others think I should do, I’d have to say that the other Writers in the guild probably would like to see me follow through with the novel, especially seeing as I got off to such a surprisingly good start.  That would probably also be the easiest and most absorbing thing to do – at least, in terms of generating a very rough, rough draft.  Who wants me to write music?   A bunch of stoners in a flop house who won’t even listen to it anyway.  Nobody ever listens to my music.  It makes me feel like all the huge effort I put into writing it is all for nought.

Now, the arduous task of painstakingly notating my piano-vocal score is something I’ve been avoiding for a good month or more.  Obviously, it’s what I’m supposed to do.  Otherwise, I won’t be able to live with myself.  There it would be, even should I die before my time: a complete piano-vocal score that conceivably some conductor could pick up on, some group of singer-actors sing and act from, and some pianist, other than myself, actually play.  How gratifying.  Worth its weight in gold.

The first chapter of the novel looks good, but knowing me, it would degenerate into mindless pornography before Chapter Three.  I’ve made my choice.  And you know what?  I’ll start tomorrow.  Today’s the Lord’s day and I’ll do my best to rejoice in it — even if it means putting on my headphones and rocking out to the music that no one else will ever hear.

Six O’Clock and All’s Well

There are a number of unpublished and/or recently deleted posts sitting in a folder on my desktop.  I could at any moment publish any number of such posts, but I disdain because I don’t want to be perceived as vomiting on my readers.   However, I do think I ought to make some kind of communicative statement as to why these as-yet-unpublished or no-longer-published posts exist.

Recently, I gave up writing in an online diary I have kept, in one form or another, since 2002, almost fifteen years to this day.  When I began the online diary, I had only been online for about three years.  The Internet was still new and fascinating to me.  I ran across a site called DiaryLand, where I quickly observed that people were actually publicizing all the details of their inner daily weirdness.  This intrigued me.  In some cases, they would code-name the true identities of people and places in their lives, so as not to be “found out.”  In other cases, they would utilize the option to “lock” the diary, and have it be password-protected.  That way, one could be more lenient about their location and the basic first names of their associates, but the readership would be restricted only to those who could be trusted with the information. 

rantEventually, I opted for the latter.  At the time that I left the diary site, approximately one month ago, there were only five readers with permissions to read my diary.  I was pretty sure I trusted them all — but that was no longer the critical issue.  The issue became my dependency on the diary, and in particular, on the dubious practice of letting off steam or “ranting” whenever I felt a need to work through my frustrations.   While it might have been healthy to “rant” in the short-term, it seemed actually to further my anger issues in the long run.  I basically had become addicted to letting off steam.  In other words, my online temper, through the medium of this online diary, took on a form that was much more furious than whatever temper I might have actually been displaying in real life.  Many times, I showed not the slightest bit of real-life irritation while I proceeded to rage online over how badly I wanted to give somebody a piece of my mind.  In fact, it started to feel as though the diary had become the venue where fits of temper could be safely and legitimately performed.   Still, it seemed a performance of questionable box-office value, if you ask me.

It wasn’t just the ranting that eventually got to me.  It was the hyperbole — all the dramatizing I would apply to the details of my life.   It seemed I had an Artist’s need to make the situation somehow more engaging, more compelling to a readership than a mere, dry diary could ever possibly be.   So naturally, I asked myself why I should not apply all those devices to my real writing?   It just seemed I was barking up the wrong tree.

Because the Internet was fresh and exciting in the year 2002, I jumped right onto the online-diary bandwagon, at a time when the word “blog” was almost unknown in the common nomenclature.   The online diary did shape my attitude toward blogging, but I would never have gone for it if it had arisen in my life today.  It was the novelty of the Internet that was at the core of its appeal.   Because I understand this now, I am able to keep my commitment not to return to the site, no matter how addictive I found it to be.  The Internet is simply no longer a “novelty,” and so a decision I made on that basis no longer applies.

This has, however, left a void.  So, if you have found that I am posting a bit more often than usual, know that I’m in the process of trying to fill a void.  This might also cause some of my posts to be more personal than earlier.  Be that as it may.   I found that when I wrote on DiaryLand about my creative work, very few people responded favorably.   People mainly wanted to hear things more along the lines with of my crush on the lady cab driver, which bills I was postponing paying for what reasons, or how much progress I was making not trying to scratch the scab off the top of my head.   I do miss discussing such mundane topics – but as they say, there’s a time and a place for everything.   It just seemed like – it wasn’t the time or the place any longer.  It was only an old habit — dying hard, as do they all.

Ah well – I’m about to attend somebody’s graduation party.  I did manage to engage the interest in the young woman Aubrey whom I mentioned may be singing on my demo.  I also forged ahead to Version 2-M of my Long Version, before I realized that it had basically peaked on Version 1-Z, the presently posted rendition.   I feel like I’m moving a bit too slow — on this demo project, and everything else.  There’s too much precognition going on, and not enough action.  This makes me restless.  But otherwise, it’s six o’clock on a Sunday evening in the city of my dreams – and all’s well. 

A World of Make Believe

If I can possibly give you an idea of how many times I had to delete a version of my song The Very Same World and replace it with a more evolved version, please know that I routinely save all previous versions of everything I compose or arrange, and that the version posted as of 11:20 last night was Version 2-G.

This means that, beginning with Version 1-A, I must have created 33 different versions of the piece before posting the one that remains.  Thirty-three equals twenty-six plus seven.  That is, I went from Version 1-A to 1-B all the way through the 26 letters of the alphabet, then added 7 more till I got to 2-G.

How do I know that it’s done now?   Because I started working on 2-H and burned out on the notion.  You see, I can always think of something to adjust, to make it better.  What I can’t always do is decide that it’s not worth it any more.  Once I make that decision, I am done.

a-art-10274-Leonardo-da-Vinci-Quote-Art-is-never-finished-only-abandoned

I actually did not know that this quote was first attributed to Leonardo before I ran a google search on it a while back.  I had heard it from Marcel Duchamp, and also from E.M. Forster.  Whatever its origin, the idea seems to find common credence among certain kinds of Artists, myself included.  While I may not always easily reach the point where further obsession on perfecting the piece is no longer interesting enough to motivate yet another revision, this is still easier than having to decide that the piece is ever good enough to be released for universal inspection by all eyes and ears.  In short, it’s easier for me to eventually burn out on making it any better, than it is for me to ever believe it’s good enough.

So the criterion for completion has changed hands.  In lieu of my ever being motivated to come up with anything better,  the Thirty-Third Version is where it stands.

On perhaps a more progressive note, it looks as though I may have found a female singer for this demo project.  I’m not exactly certain yet, but a couple different people suggested I approach her.  She’s a barista at the local cafe.  I had asked the entertainment manager there if he knew of an easy way I could track down a decent female singer for a recording project that would involve little or no financial recompense, and he told me to talk to “Cooper” or to “Aubrey.”  Cooper being a musician might just know of a singer, and Aubrey?  Well, it turns out that she is herself a singer – and a rather good one, at that.

I knew it even before he said so.  You see, I had overheard her singing — in something akin to a musical theatre voice — when I came in for coffee the other morning.  But when I naturally queried about this intriguing activity, she merely brushed it off: “Oh! In the shower, maybe.  Just make believe.”

Then I quipped:

“But isn’t the whole genre of Musical Theatre founded on make-believe?”

That got a grin out of her, but I still wasn’t thinking of asking her to sing for the project. That didn’t happen until the other two other people suggested it, the one being the entertainment manager, the other being the young woman’s boyfriend.   Both of them characterized her singing as “fantastic.”  They both said she would be shy about a live performance, but probably down for a studio recording.  I myself am also shy about such things, as evidenced in the fact that I am even writing about it without having taken any pertinent prior action.  

Still, I never cease to revel in that I have somehow found myself in a community where the faith is high, and there’s a sense that Artistic projects will always find the support they need in order to get themselves to happen.  So all of this is a step in the right direction.   I’ll talk with her Aubrey soon; and I do have the young man, Josh, from downstairs as well.   If I can find one more female vocalist, I can probably just teach the parts and even use my own space here for the recording.  The hardwood floor provides good acoustics — I’ve already tested them.

The Long Version

I’m starting to use up minutes on my free SoundCloud account.  It’s because I’ve been using it as storage for all these different versions of my tunes.  I’d have to pay to upgrade, so instead I deleted one of the earlier versions of this same tune that had become outmoded.  That meant deleting the post here that featured it as well.  Otherwise, it would have included an empty link.

What you have above is the full 4:47 version of The Very Same World, as it figures in the show.   Now, I could tweak this a bit more — and no doubt I will.  But it’s basically what the singers will hear as they record the song, give or take a few of the instruments that would then be doubling melodic lines unnecessarily.  Also, once the singers have been assembled and have succeeded at recording the piece, I can always adjust the accompaniment track again afterwards.

So it stands to reason that now would be the time to proactively seek out singers.  It’s possible I’ve been a little slow at this, being shy by nature.  At the same time, I wanted to make sure I was sufficiently prepared.  Now, I am.