Sacrifices with Strife

I had to go back to the post The Next Step to find out exactly where I had begun to veer off course. For it was clear that I had strayed, and very clear what kinds of elements had characterized the diversion.   I only lacked a decent starting point, in order to resume my course, and avoid those elements that earlier had polluted the purity of my path, and had instead instilled a sense of paralysis and meltdown.   The deleterious elements of which I speak involved, invariably, the ill-timed and often ill-equipped efforts with which I most awkwardly attempted to enlist the allegiance of local talents of various sorts to assist me in some way in promoting my project.

First. there was the concert that never came about.  We had to cancel our earlier show when it came clear that my musicians could not possibly get enough practice to turn in a decent show by the predesignated time.   It was suggested we reschedule; I, for one, insisted we cancel entirely.   My music seemed intimidating to them, and theirs to me.  I would have to listen to them first for a while, and they to me, before thinking about making something like we had all earlier envisioned come about.  So that was rightly set aside.  Instead, I would set about to try and find singers for my demo.

This proved to be only another example of the same fruitless expedition.  It was far more stressful trying to get these singers together than it was to concede that it just wasn’t going to happen.  It would cost money – money that I don’t have, and that I knew not how to get.   As I began to endeavor to raise funds, a part of me that I hate rose into prominence, and I cannot feed that demon inside me in any way if it’s going to lead me to some of the preposterous propositions such as I began to entertain.  I was sickened with myself, infuriated, disgusted, disillusioned with my fellows, disaffected with society, alienated, isolated, self-abnegating, neglectful of my needs, abusive of my body, disfigured, disheveled, mistreated, misshapen, mortified, mutilated, and finally: majorly incapacitated.  I lay on the gurney in the Emergency Room, electrodes probing every pore, as the third EKG in my entire doctor-leery life assured me that this steady chest pain I’d developed was nothing more than pleurisy, and treatable by ibuprofen.

drawing-boardI believe I should leave the rest of the community out of the picture for a while, and dismiss any idea of enlisting their services.  Clearly, this was not the course.  The Next Step reveals exactly where I would be wise to begin.  Aside from talk of organizing a read-thru, which may or may not be necessary (or even wise, considering all I just wrote), the guidelines in that post paint a clear picture of a new starting point that doesn’t involve awkward attempts at creating new associations among my acquaintances, but only involves things that I can do all by myself.  I was thriving when intensely focusing on my music or my script, and their seeing me so thrive is what impressed them from the start — whoever “they” are, which is probably more irrelevant now than I’d ever thought before.

It doesn’t matter who they are, or even what they see, just so long as they don’t see what I’ve been showing them most recently.  “Better a dry morsel,” saith the Preacher, “and quietness therewith, than a house full of sacrifices with strife.” (Proverbs 17:1)

That’s the only house that I’ve been building lately.  It has no sure foundation.  If I sit still, and quietly proceed to notate my piano-vocal score, and look for reasonable revisions to be made in my script in the process, there’s something sure and steady about the construction of that house.  Whatever dry morsels I might chew on throughout, their cost will not be half the cost of what I just endured.   And maybe by the time it takes me to complete that score and second draft, I’ll have a thousand dollars in the bank to invest on hiring singers for the demo, not just trying to round up people in my midst whom I cannot pay and all have better things to do.  I risk being perceived a pest.  This will not do.

DONATE

Let’s throw some chicken gumbo soup into the microwave and make another turkey sandwich.  No sense in doing the town.  The town has just done me.

Six O’Clock and All’s Well

There are a number of unpublished and/or recently deleted posts sitting in a folder on my desktop.  I could at any moment publish any number of such posts, but I disdain because I don’t want to be perceived as vomiting on my readers.   However, I do think I ought to make some kind of communicative statement as to why these as-yet-unpublished or no-longer-published posts exist.

Recently, I gave up writing in an online diary I have kept, in one form or another, since 2002, almost fifteen years to this day.  When I began the online diary, I had only been online for about three years.  The Internet was still new and fascinating to me.  I ran across a site called DiaryLand, where I quickly observed that people were actually publicizing all the details of their inner daily weirdness.  This intrigued me.  In some cases, they would code-name the true identities of people and places in their lives, so as not to be “found out.”  In other cases, they would utilize the option to “lock” the diary, and have it be password-protected.  That way, one could be more lenient about their location and the basic first names of their associates, but the readership would be restricted only to those who could be trusted with the information. 

rantEventually, I opted for the latter.  At the time that I left the diary site, approximately one month ago, there were only five readers with permissions to read my diary.  I was pretty sure I trusted them all — but that was no longer the critical issue.  The issue became my dependency on the diary, and in particular, on the dubious practice of letting off steam or “ranting” whenever I felt a need to work through my frustrations.   While it might have been healthy to “rant” in the short-term, it seemed actually to further my anger issues in the long run.  I basically had become addicted to letting off steam.  In other words, my online temper, through the medium of this online diary, took on a form that was much more furious than whatever temper I might have actually been displaying in real life.  Many times, I showed not the slightest bit of real-life irritation while I proceeded to rage online over how badly I wanted to give somebody a piece of my mind.  In fact, it started to feel as though the diary had become the venue where fits of temper could be safely and legitimately performed.   Still, it seemed a performance of questionable box-office value, if you ask me.

It wasn’t just the ranting that eventually got to me.  It was the hyperbole — all the dramatizing I would apply to the details of my life.   It seemed I had an Artist’s need to make the situation somehow more engaging, more compelling to a readership than a mere, dry diary could ever possibly be.   So naturally, I asked myself why I should not apply all those devices to my real writing?   It just seemed I was barking up the wrong tree.

Because the Internet was fresh and exciting in the year 2002, I jumped right onto the online-diary bandwagon, at a time when the word “blog” was almost unknown in the common nomenclature.   The online diary did shape my attitude toward blogging, but I would never have gone for it if it had arisen in my life today.  It was the novelty of the Internet that was at the core of its appeal.   Because I understand this now, I am able to keep my commitment not to return to the site, no matter how addictive I found it to be.  The Internet is simply no longer a “novelty,” and so a decision I made on that basis no longer applies.

This has, however, left a void.  So, if you have found that I am posting a bit more often than usual, know that I’m in the process of trying to fill a void.  This might also cause some of my posts to be more personal than earlier.  Be that as it may.   I found that when I wrote on DiaryLand about my creative work, very few people responded favorably.   People mainly wanted to hear things more along the lines with of my crush on the lady cab driver, which bills I was postponing paying for what reasons, or how much progress I was making not trying to scratch the scab off the top of my head.   I do miss discussing such mundane topics – but as they say, there’s a time and a place for everything.   It just seemed like – it wasn’t the time or the place any longer.  It was only an old habit — dying hard, as do they all.

Ah well – I’m about to attend somebody’s graduation party.  I did manage to engage the interest in the young woman Aubrey whom I mentioned may be singing on my demo.  I also forged ahead to Version 2-M of my Long Version, before I realized that it had basically peaked on Version 1-Z, the presently posted rendition.   I feel like I’m moving a bit too slow — on this demo project, and everything else.  There’s too much precognition going on, and not enough action.  This makes me restless.  But otherwise, it’s six o’clock on a Sunday evening in the city of my dreams – and all’s well. 

More of the Same World

I cut yet another version of this today.  I didn’t exactly work all day, but almost.  At one point I took a walk out to the Arboretum, just because everybody says to do so.  There, it was very pretty.  Shortly later, however, I came back, and resumed work.

I finished this a little past 3:24 of what is in reality a 4:40 piece.  However, I faded it at around 3:02, just like its predecessor, because there’s a natural fade there where it won’t be anticlimactic.

I’ve been feeling angry over an attitude I’m getting from some people who knew me when I was in entirely different circumstances.   These sorts of people don’t seem to understand that their ongoing attitude is unacceptable to me.   By and large, they never actually listen to my music or appreciate the prodigy invested in it.  All they do is notice that there are no vocals, and say something to the effect of: “My time is more important than this.  I’ll listen to this once you have the singing on it.”  In so doing, they completely overlook all the detailed scoring of instrumental parts I put into this effort.  It’s extremely condescending, and I’m not sure why I put up with it.

I’m strongly compelled to equate this attitude with a “California attitude” that many people in other States find puzzling.  However, it’s more likely that I myself was caught up in that syndrome when I lived there, and I can just thank God to have escaped it.  Besides, another friend of mine, also from California, listened to this song from a sincere heart, without scoffing at me or dismissing me as though not worth his time.  Not only him, but his wife and twenty-year-old daughter also appreciated my work.  I could tell that their appreciation was genuine; then my friend also followed me on my SoundCloud.  

This is a good thing.  I’ll take the good with the bad, as my dad always used to say.  I don’t know why I get hung up trying to please everybody.  The truth is that I don’t have the female singers yet.  I also don’t have the exact accompaniment down yet, to be heard by the singers, and support them.  This, what you’re hearing today, comes close.  What I’m hoping is that I can overlook the cynical voice of opposition enough to keep moving forward.  My hope for the week is simply this.  I would like for the much-needed singers to emerge at around about the time I’m finished with this instrumental accompaniment.  In any case, it makes no sense to drop the accompaniment as a project and look full-force for the singers, if when I find them, I don’t have a complete accompaniment for their use.

Resignation and Debut

On Monday I resigned my position as pianist and organist of a local Presbyterian church.  They haven’t found someone to replace me permanently yet, but they have two people who can cover the stretch of time between now and the end of summer.  I also told them I desired to remain a member of the church, but not an employee.  They then agreed that this is their desire, as well.

The main reason for my resignation was that the stress of the job reached the point of interfering completely with my day-to-day spirituality.  Being a church job, this is rather ironic.  But that’s why I decided to continue on with the church.  I found the church itself to be a great contributor to my spirituality – just not the job itself.

Here is the text of my letter of resignation, submitted by email to the entire congregation:

My physical health is good, and I am generally in good spirits, but there are some issues with my mental health that are hard to grasp and have me occasionally feeling very disoriented. These are aggravated by stress. I cannot explain why this is, but somehow the simple piano-organ position that I had expected to be very easy for me and full of joy has become associated with an unbearable level of anxiety that, when it reaches a peak, causes me to make irrational decisions that have enduring consequences. If you can fashion a prayer around these words, please deliver your words to the One who has power to heal.

Also, while I regret that I was too ill to fulfill the Holy Week services, Norman has advised me that they went very well with the substitute. I will not be in church this Sunday, but I hope that thereafter you will all accept me as a member in good standing of First Presbyterian Church but not a part of the music ministry. While I occasionally enjoy playing the piano and recognize it as a gift from God, I have decided that things like reading music, following conductors, turning pages, piano-conducting, etc. are basically in the category of health risks at this time. I will eventually find some kind of piano lounge where I can play at random while daydreaming, make a little more money, and live a bit more comfortably here. So I hope you all will take this in the spirit in which it is intended. First Presbyterian Church of Moscow is the greatest church that I have ever happened upon in all of my lifelong church-hopping, and I will hop no further, so help me, God.

Thank you all for showing me true Christian love. I need that more than I need a job, at this time.

Grace and Peace,

Andy

As a start to a new day-to-day foundation for spirituality, I picked up a hard copy of a book today called The Celebration of Discipline, by a theologian named Richard J. Foster.  I think that to become a little more routinized and regularized (but not “regulated,” mind you) might help with my musical work as well.  I agreed with Pastor Norman that I would still play the Wednesday evening Taize services on a volunteer basis.  Otherwise, I am mainly focused on putting my show together for my debut as a singer-songwriter in this area:

One World Cafe Downtown Moscow

Andy Pope and Friends, Saturday May 6, 7pm, One World Cafe, 533 S. Main Street Moscow Idaho. Be There.

Even the demo is on the back burner for now (although I have rounded up most of the singers).  Today I found all the band members for the show two weeks from tomorrow, so I’m diving wholeheartedly into creating a set list and writing out parts.  I’ve got an Ibenez custom hollow body, a Yamaha electronic keyboard, and a good percussionist on the Cajon who also plays fiddle and mandolin.  My bassist is from Lionel Hampton, and I’ll be using the house sound system for my singing.  If you’re for any reason in the neighborhood, feel free to cruise by.  I mean – don’t bust your back or break any laws, but you know where I’ll be.

Unknowns

I feel like I’m a little too stuffy when I write in this blog.  I keep a personal journal online that is password-protected so only friends can read it.  Naturally, I’m less self-conscious when I write there.  Somehow, the idea that anybody at all from anywhere can read what I’m posting here makes me just uptight enough, that I suspect it affects my writing style for the worse.

So here’s what I wrote in my personal journal last night:

Unknowns

My depression lifted temporarily when I realized that I know exactly what to do from the bottom of p.53 forward, for several pages to come. Then I veered off and corrected that part of The Royal Rhapsody that bugged me. I hear another part that bothers me in the same section. All these annoyances have to do with a sense of something dropping out, some kind of eerie ethereal support that is created by the string section, or other instruments capable of extending tones over a number of measures.

But enough of my stuff. I noticed I felt extremely focused while working on the Rhapsody, so I might go back to that. Depression and anxiety seemed far from me. That music production process is just something that rivets me to it. With the script, even knowing what to do, I still rack my brains out over little things – tiny little mini-unknowns that crop up in the midst of the Known.

Bottom line is I’m dog tired. Not sure why. Ran really well yesterday, and obviously faster than usual with the Nanospikes. Maybe that’s a factor. Whatever, I saved a cup for the morning and I’m gonna crash out after a snack. I’ll run in the morning, and probably have a decent day tomorrow. These three day weekends sort of throw the Sunday night vibe onto Mondays. Can’t wait till morning.

10:47 p.m. – 2017-01-16

If you like that style or manner of delivery better than the way I’m writing here, feel free to let me know.  Or, if it appears to be the same style, or even a worse manner of presentation, clue me in.   I won’t be offended, though I can’t promise you I’ll be able to readily change.  We O.G’s have a tendency not to flex as easily as we did back in the Day.