Lonely Hearts

This one is from my daughter Angela (whom I call “Echo”).  We were talking on the phone this morning when she began to write a song about me.   This afternoon she expanded it into a larger song called “Lonely Hearts” and has now posted it to her youtube.   


 

Please donate to Eden in Babylon.
A little bit goes a long, long way.  

 

Got to Get You into My Life

Another clip from the Beatles show, very early on.  Obviously, I’d not yet grasped that I don’t need to hit those electronic keys quite as hard as the keys on the Baldwin Grand.  (Not that I exactly need to hit the Baldwin keys as hard as I do either.  I just like it like that.)

Dave Harlan is the sound man, the guy who helped put the music stand back on the piano after I hit the keys so hard it fell over onto the floor.  (He also happens to be the director of Eden in Babylon.) Paul Anders on the Cajon, and one can even detect my pastor Norman in the audience, as well as the very kind woman Marilyn who gave me my Howard upright piano for free.   Even covered the piano moving.   Lots of nice people in da hood.

Please donate to Eden in Babylon.
A little bit goes a long, long way.  

Can’t Buy Me Love

I apologize for the delay.  I’ve been waiting for clips from the All Beatles Show to start pouring into my inbox, which moment appears at long last to be now.   I’ll just post them in the order they come.  Here’s “Can’t Buy Me Love.”

Please donate to Eden in Babylon.
A little bit goes a long, long way.  

The All Beatles Show

For those of you who have been anticipating a musical offering right around now, you will not be disappointed.  I’ve only been waiting for a relaxed moment to report what’s been happening.

Beatles Logo Clip Art – Cliparts

I just returned from a two hour show where I and multi-instrumentalist Paul Anders were joined by the special guest arrival of vocalist Kelsey Chapman, who harmonized with me on a performance of nothing but Beatles songs for two hours.   Although we didn’t get a video of the entire show, Brandy Sullivan has told me that she has captured four or five key sections.  

My first response was: “Tell me you caught Eleanor Rigby!”  

“That I did,” smiled Brandy.

“Whew!” I breathed a sigh of relief.  It was too magical, between me and Paul when he was on his violin, bowing smooth arco passages throughout.   And the voicings Kelsey and I intuited into our harmonies, and the dynamic peaks and valleys of the piece.  It was one of those times that all musicians live for, when everything comes together, however mysteriously, and by surprise.

It was all in all a very high-spirited, warm-hearted occasion.  At one point the entire building was singing the chorus to “Yellow Submarine” repeatedly.  They got softer and softer, until I suddenly shouted “One more time!”  At that, everybody starting singing “We all live on a yellow submarine!” at the top of their lungs.  It was priceless.

Kelsey did “Imagine” — technically a John Lennon tune — and Dave and I sang harmonies, another one with an almost mystical ebb and flow.  “Lady Madonna” was one of the more rockin’ numbers, as was “Gotta Get You Into My Life.”   Then came “For No One,” “Nowhere Man,” and “The Fool on the Hill.”  Maybe you get the picture.  It got kinda dark.

We closed with “A Day in the Life.”  This, by the way, was a fundraiser, that happened to go quite well — in fact, even better than hoped.  I’ll be posting clips and videos as I receive them from Brandy throughout the weekend.  

Please donate to Eden in Babylon.
A little bit goes a long, long way.  

 

A Difficult but Just Decision

Even after the Good Cop Bad Cop maneuver, only six out of twelve showed up on Friday’s rehearsal.   That, on top of other factors, has caused me and Dave to make the decision cited in the email below:

Team:

We have come to the difficult decision to postpone our reading of Eden in Babylon. After a couple of weeks of cast fluctuations, some difficulty with scheduling and a hard look at our current workloads and available resources, it makes sense for us to step back to reduce the stress and to be sure to give this piece the attention it deserves. The hiatus will give us an opportunity to find additional collaborators to help us with logistics. And it will give Andy time to finish up the scoring and materials to help teach and learn the music most effectively.

At this point we don’t have a new target date for the reading. We’ll let you know as we know more. You’ll all be on our list when we get ready to put together a cast in the future.

Thank you all for the work you’ve done. We truly appreciate it. We will keep in touch as we look for the right time to do this show.

Thanks again,

Dave and Andy

The wording is Dave’s after a lengthy discussion, and he and I are in agreement.  Not only will this give me two months distance from a situation in which my overloaded, all-over-the-map semblance was promoting a loose and chaotic atmosphere, but it will clearly communicate to the Kids who have been screwing around that we mean business with this thing, and they can’t just take my kindness for weakness.  A lot of the Street Kids were like that, too. They saw me as a pushover, and that shit’s gotta stop.  The ones who are good know who they are.  Their loyalty will be not be forgotten.

Please donate to Eden in Babylon.
A little bit goes a long, long way.