Tuesday Tuneup 94

Q. What’s happening now?

A. Anger.

Q. Anger? Over what?

A. These two guys who ghosted me.

Q. Friends of yours?

A. Yeah. Or so I thought.

Q. What makes you say they’ve ghosted you?

A. Because they haven’t gotten back to me, no matter what. One of them I’d been buzzing a lot on Twitter, hoping he’d converse back with me. But he kept ignoring me. So I finally blocked him.

Q. You blocked him? And not the other way around?

A. That’s right. I blocked him because I got tired of never hearing back from him, no matter what I said.

Q. Wasn’t blocking him a bit severe?

A. I suppose.

Q. Couldn’t you have just stopped buzzing him, but remained friends?

A. You call that “friends?”

Q. Okay, well what about the other guy?

A. Same thing. I even issued a heart-felt apology at one time, and he ignored it completely.

Q. For what did you apologize?

A. For snapping at him when he was telling me how I was supposed to eat, and criticizing my long-distance running, and general over-criticism of my personality.

Q. Why do you hang around people so critical?

A. I don’t know.  It just seems like, for a while there, everybody I knew was critical of me. It just seemed par for the course.  And there are likable things about critical people. I don’t know. You put me on the spot.

Q. Say, uh — how much do you value these friendships?

A. I value them immensely. Why do you ask?

Q. Why do you think?

A. What are you driving at?

Q. I don’t understand — WHY do you value these friendships?

A. I don’t know. Friends are hard to come by, I guess. I figure if I’ve managed to stick it out with somebody for forty or fifty years, then it’s valuable.

Q. You’ve been friends with these guys for that long?

A. Yup.

Q. Well then, why not just call them up? Ask them what’s happening? Ask them why you haven’t heard from them? I mean, why not?

A. I don’t know. Maybe I lack the courage.

Q. What’s to be afraid of?

A. Further criticism. And I guess, to be honest with you, I’ve taken to criticizing them back recently. I didn’t used to ever do that.

Q. Why not?

A. Low self-esteem. I just assumed that their criticisms were true, because they were somehow better than me, for some reason.

Q. So you’re not going to bother calling them? Even to say hello?

A. Why bother? They’ll just let it roll over into the voicemail.  They don’t want to run the risk of my criticizing them.  Why should they?   They’re the ones who are supposed to be criticizing me.

abandon

Q. So you think they were only using you?

A. If they’ve truly abandoned me, then yes, they probably were.  And anyway, there’s no sense beating a dead horse. If somebody repeatedly refuses to return your messages, even well wishes and apologies, doesn’t it stand to reason that they might not want to talk with you?

Q. Where’s your courage?

A. Discretion is the better part of valor.

Q. So you’re choosing wisdom over courage?

A. Fools rush in where angels fear to tread.

Q. Are you trying to tell me you’re letting go?

A. If you love someone, let them go. If they come back, they’re yours. If they don’t . . .

The Questioner is silent.

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Tuesday Tuneup 93

Q. What’s happening now?

A. Another Tuesday has begun.

Q. And what will this Tuesday bring?

A. How should I know? It might bring happiness. It might bring sorrow.

Q. How does that differ from any other day?

A. It doesn’t.

Q. But did I ask you about any other day?

A. No, you did not.

Q. Then why don’t you answer my question about today? Isn’t today Tuesday? Why did you generalize? Why did you extrapolate? Why did you just answer about any old day?

A. Wow – you’re certainly firing a lot of questions at me!

Q. Isn’t that my job?

A. I imagine so. But in this case, the rapid-fire is a bit overwhelming.

Q. Rapid fire? Am I firing at you? As though I intend to harm you? Do you see me as an enemy? An adversary?

A. You might well be.

Q. Why would that be? Why?

A. Well – think about it. If one is trying to be confident in what one does, and another person is questioning them constantly, wouldn’t that undermine their confidence?

Q. Are you suggesting that my role is to undermine your confidence?

A. Uh — er — not exactly. At least, not all the time. You seem to — um — wear different hats, and —

Q. Why are you hemming and hawing?

A. I wasn’t aware that I —

Q. Do you think you can pull the wool over my eyes?

A. Well, I haven’t really thought of it in those terms, although —

Q. Although what? Why are you beating around the bush? What are you really trying to say? Why don’t you just come out with it?

A. I — uh — er — am — um —

Q. I uh er am um? What on earth is that supposed to mean?

A. I — uh — er — am feeling a bit intimidated at the moment.

Q. Intimidated? Why in heaven’s name should you feel intimidated? Am I not the most harmless character you’ve ever run across?

A. I can’t say that you have ever harmed me physically, no.

Q. Are you suggesting I have harmed you psychologically?

A. Let’s just say you’ve sometimes shaken me up a bit.

Q. Am I shaking you up right now? Am I?

A. As a matter of fact, you are. And you’re reminding me of someone.

Q. Who?

A. About five years ago, there was a man who shook me up on the streets. He was a very aggressive man. He would not take “no” for an answer. Always trying to sell me marijuana. I would tell him I had no money. But he would insist I could pay him later. I would tell him I wasn’t interested. I would say this and that, but kept on insisting.

He was a very strange man. He kept a King James Bible on the dashboard of his car, and showed up regularly at the Bible Study. At first, I assumed he was a devout Christian. But as I got to know him, I realized his Christian veneer was but a cover. The King James was merely a good luck charm, and he attended the Bible Study largely to find customers to whom to peddle his marijuana. That, and to schmooze with attractive Christian women.

Q. Why didn’t they kick him out of the Bible Study? Isn’t such behavior ungodly?

A. This was in Berkeley — a city noted for tolerating what it shouldn’t, and not tolerating what it should.

Q. Should you have tolerated that guy?

A. Well, I should have put up with him. But I shouldn’t have caved in to his conniving nature.

Q. How did you cave in?

A. By not saying “no.” The easiest thing to do was to accept the marijuana and tell him I’d pay him later. That way I could finally get rid of him.

Q. Do you have trouble saying “no?” I mean, in general?

A. Yes.

Q. So why did he shake you up?

A. Obviously, he shook me up when I failed to pay him.

Q. Are you saying you smoked the marijuana, but did not pay him?

A. If I recall correctly, the last time he did this, I instantly gave it all away to people more interested in smoking it.

Q. You’re not interested in smoking marijuana?

A. Not really, no. At times I have been, but not in recent times. And not back then, either.

Q. How much did you owe him?

A. In that case, $120. Earlier though, I only owed him $20. And that was when he shook me up.

Q. He shook you up over twenty dollars? Why would he do such a thing?

A. Probably because he felt disrespected.

Q. How did he shake you up? What did he do to you?

A. He saw me walking down the sidewalk in his direction, took off his jacket, glared at me, and hit me on the right shoulder with one hand, on the left side of my waist with the other. Then he walked off, pointing back at me, and admonishing me: “Don’t f—k with me!!”

Q. Were you hurt?

A. Not at all. Just a little shook up.

Q. So how do I remind of you of that guy?

A. It’s your aggression. Granted, you’re not always this aggressive. But neither was he. On some days, I find you more annoying than others. This particular Tuesday, your level of annoying aggression approaches that of the aforementioned adversarial entity.

Q. Entity?

A Well — I would have said “asshole” to complete the alliteration, but I don’t like to cuss.

Q. Why do you think I’m being so aggressive? And why have you thought about that fellow?

A. Not sure. Maybe it has to do with the letter I got in the mail recently.

Q. The letter from Mike?

A. Yeah. I took his good will at face value. I wrote back, and even left a return address.

Q. And you’re suggesting that Mike might not be trusted with your address?

A. Well, I usually don’t give it out to anyone. I don’t even let people in my home community know where I live. But the content of Mike’s letter warmed my heart. So I made an exception.

Q. Do you feel that you might have “caved in” to Mike?

A. Interesting question. I feel that I trusted Mike. But I also feel that the trust, in this case, was a risk.

Q. Why?

A. Because I like my anonymity. I like to be reclusive. I’m an Artist — I like to create. And I don’t like people to mess with me. I prefer that no one knock on my door.

Q. Did you get messed with on the streets?

A. Yeah. They were always messing with me. It interfered with my desire to produce my Art.

Q. Are you afraid that this guy might come up and mess with you?

A. Which guy? Do you mean Mike?

Q. No – no – the dealer. The guy who shook you up.

A. Now that you mention it, yes.

Q. Isn’t that highly unlikely? Don’t you live about a thousand miles away from him?

A. I do, but so what? Many things happen that are unlikely.

Q. Do you still owe him money?

A. It’s not about owing or not owing. It’s about respect. That’s what the streets are all about. When someone feels disrespected, they being to plot vengeance against those who have disrespected them.

Q. But wasn’t that about five years ago?

A. Ah – but in those five years, nothing has changed.

Q. Do you respect that guy?

A. I’ve given him no reason to believe that I respect him.

Q. Do you respect me?

Pause.

A. Yes, I do.

Q. Even though I remind you of that guy?

A. Yes.

Q. Why?

A. Because you’re another story. And because this life, where you and I have engaged, and where my Art has been produced, is not like street life. The Old Story has passed. We’re all living in a New Story.

The Questioner is silent.

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Tuesday Tuneup 92

Q. What’s happening now?

A. You again?

Q. Why do you ask?

A. You left me alone last Tuesday. Why couldn’t you leave me alone now?

Q. Am I that much of a bother?

A. Never mind.

Q. What’s on your mind? Why are you being so weird?

A. You know what Tuesdays are like.

Q. Aren’t they usually your busiest, most stressful day?

A. Usually.

Q. Then why aren’t you always so weird, every single Tuesday?

A. You know the answer to that.

Q. Something about the election?

A. That, and a general sense of powerlessness.

Q. What do you do when you feel powerless?

A. Me? Well, ordinarily, I think of positive things.

Q. Can you think of any?

A. On this day? I’m hard-pressed. Within forty-eight hours, irrespective of the outcome of the election, it will be end of life as we know it.

Q. May I quote you on that?

A. Please spell my name right.

Q. Where have we heard this before?

A. Heard what before? About spelling my name right?

Q. No no – where have we heard you say your quote about the outcome of the election?

A. Oh – I said it once before. I said it earlier this morning.

Q. To whom?

A. I believe it was to Sally Hindman, the director of Youth Spirit Artworks.

Q. What had she said to you?

A. She said “We will get through this.”

Q. And then what did you say?

A. I said: “Within forty-eight hours, irrespective of the outcome of the election, it will be the end of life as we know it.”

Q. Is that all you said?

A. No – I added something else.

Q. What?

A. I said: “But you’re right. We will get through this. For we are the Human Race.”

Q. Do you believe that?

A. We’ve gotten through everything so far. The Human Race has an uncanny ability to pull itself together just in the nick of time. We’ve done it throughout history. We may bicker and procrastinate until it’s down to the wire — but when we need to, we pull together.

Q. What about now?

A. What about it?

The Questioner is silent.

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Tuesday Tuneup 90

Q. What’s happening now?

A. Interpretation.

Q. Of what?

A. Of an event.

Q. What sort of event?

A. An event that contains too much synchronicity to be coincidental, but that at the same time has the feel of somebody messing with my head.

Q. Messing with your head? Are you sure that’s the best way to describe the experience?

A. Without using the f-word, yes.

Q. But are you sure it’s only your head that’s being messed with? What about you? All of you? Your total being?

A. What are you driving at?

Q. On the streets, what did somebody mean when they said that they f—-d with you?

A. It didn’t mean anything negative, not in street slang. It only meant that they were willing to deal with me. Others they may have ignored, but me they interacted with. They probably even transacted with me. It meant that I mattered. That I was important to them.

Q. So when you feel that somebody is messing with you, what do you really feel?

A. Important.

Q. Come again?

A. Important.

Q. Say what?

A. Important! I’m important enough for them to bother messing with me.

Q. There you go! Now — who do you think has been messing with you?

A. Good question. There’s a sense of omnipotence and omnipresence. So it could be God. But it doesn’t seem to have the love that one associates with God. Maybe it’s an Agent or Angel of some kind. There’s a bit of an evil vibe to it. I don’t want to think it’s the Devil. Maybe it’s merely a gnome, or a poltergeist.

Q. Poltergeist? What kind of event are you talking about?

A. You really wanna know?

Q. Why else would I have asked?

A. All right. As you know, I don’t have my MediCare card. I was in the position where I would be billed for a service if I could not provide my MediCare number. The potential creditor only had my MediCaid number.

New Medicare Cards Coming Soon

So, to obtain the MediCare number, I took the little yellow slip of paper on which I had my MediCaid number written down, and I headed for the low income clinic. I figured there somebody might know me, and they might give me my MediCare number, especially if I could prove I was me, by showing them the MediCaid number.

But when I got there, I reached for my pocket, and the little slip of paper was gone! Oh well, not a big deal, as it turned out. The nice lady there got my name and birthdate, and soon handed me my MediCare number on a very similar little slip of yellow paper.

But then, when I got home, I reached for my pocket, and the little slip of paper she gave me was gone! What was there instead was the slip I’d thought I’d forgotten at home, the one containing my MediCaid number!

How could it be? It couldn’t be! It couldn’t possibly be that the slip of paper first vanished, then was replaced by a similar but not identical slip of paper, which was then mysteriously transformed into the first slip of paper. Poltergeist! Somebody was messing with me!

So I rode back on my bicycle and requested the MediCare number all over again. Then, when I returned home, I found I had both numbers on two little yellow slips of paper, which I then crammed down deep into my wallet. Moreover, I saw on the floor a third slip of yellow paper, this one containing my MediCare number! So I wrote my MediCaid number on the new slip of paper and stuck it on my refrigerator. Now I won’t lose my numbers – but I’m sure Somebody Up There was messing with me. They were just trying to let me know that They had my number (so to speak).

Q. Did you feel like you were being tested?

A. Yeah – that’s it. I was being tested. They were testing me, to see if I would blow.

Q. Did you blow?

A. No — not this time. I usually do, you know, whenever I think that they’re messing with me. But this time I kept my cool — and I kept my mouth shut.

Q. How did that make you feel?

A. At the time, pretty frustrated. I wanted to scream! But afterwards, upon reflection, it made me feel encouraged. I felt that I had passed the test.

Q. So how do you interpret the event?

A. As an honor. Just like it was an honor on the streets for someone to care about me enough to want to mess with me.

Q. But didn’t they only mess with you because you were an easy mark?

A. That’s right. And these Supernatural Guys — they think I’m an easy mark as well.

Q. Isn’t that a bad thing?

A. Not necessarily. I survived the streets, didn’t I?

Q. Why do you think you survived the streets?

A. Because there was always something they could get from me. I was useful.

Q. What about to the Supernatural Guys? What about to God?

A. To God, you ask? It just might be — just maybe — that to God, I am useful too.

The Questioner is silent.

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Tuesday Tuneup 89

Q. What’s happening now?

A. Transformation.

Q. Of what?

A. Of character.

Q. What brought this transformation about?

A. Realization.

Q. Of what?

A. Of behavior.

Q. How had you been behaving?

A. Angrily.

Q. Recently?

A. Recently, somewhat. In the past, a great deal.

Q. But you are no longer angry?

A. Not at the moment, no. Far from it, in fact. But that’s not the point.

Q. What’s the point?

A. That my anger naturally caused people to distance themselves from me.

Q. And now they are no longer distant?

A. The people whom I got mad at two days ago are no longer distant. There have been apologies, forgiveness, and healing. As for those whom I got mad at in the past, they remain distant.

Q. How long do you think they will remain distant?

A. I don’t know. Perhaps forever.

Q. Why would that be?

A. Because people are not comfortable with anger. Or, because they’re offended by it. One way or the other, they either feel they can’t deal with it, or they believe they shouldn’t have to.

Q. Are you comfortable with anger?

A. Listen man — I lived on the streets for years. We all got mad at each other, back and forth, day by day, almost as a routine. We all screamed and yelled and cussed. We got used to it. We couldn’t get away from each other anyway — not even if we tried. Somebody can scream and yell and cuss at me all they want. It doesn’t make me uncomfortable nor does it offend me. If anything, it’s refreshing.

Q. Refreshing?

A. Yes. It makes me realize I’m not the only one. In fact, it even awakens my compassion. I feel for the person who’s getting mad, because I know what it feels like.

Q. How does it feel?

A. It feels lousy. You feel guilty. You feel like you might be hurting somebody. And you feel like you’re losing control. But you see, on the streets, it became par for the course. Half the time, we didn’t feel anything at all.

Q. What about off the streets?

A. There’s a lot less to be angry about. That is, in my own world. Plenty to be angry about in the world on the whole, especially as pertains to my own country. But my life is a breeze compared to what it once was. So of course I don’t get as angry as I used to.

Q. Are you saying that your temper was a product of the streets?

A. No – and I didn’t mean to imply that. I was angry before I landed on the streets. People didn’t know it. In fact, they often characterized me as “serene.” But I was not inwardly tranquil. I had inner anger that I’d learned through various means — medication being a factor — to manage. But the streets brought my anger to the surface. The streets gave me an outlet for my anger. They exacerbated it. They magnified it. They illuminated it — and I was angry for a long time even after I got indoors.

Q. What were you angry at?

A. Injustice and inequity. But even that is not the point. It’s more like — who I was angry at.

Q. Who were you angry at?

A. All these people who distanced themselves from me. Especially if they distanced themselves to the point of total disappearance. Those who dropped out of my life without notifying me. We wouldn’t have been able to do that on the streets. So, people who lived indoors were exercising a luxury we street people did not have.

A. Did this make you jealous?

Q. Not so much jealous. I was jealous of them because they lived indoors and I did not. But I was not jealous of their ability to remove me from their lives. I was only angered by that.

A. Why anger?

Q. Because I didn’t think it was right. The right thing would have been to inform me. To let me know that they were done with me.

A. But is it ever right to be done with somebody?

A. Not in my book. But that’s a pretty strange book — and I could elaborate. God’s Book is the Book in question.

Q. Is God ever done with anybody?

A. That, sir, is the Question of the Ages.

The Questioner is silent.

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Tuesday Tuneup 86

Q. What’s happening now?

A. Paralysis.

Q. Meaning?

A. I can’t move.

Q. Can’t?

A. Well — maybe “won’t” would be a better word.

Q. Can you tell us the difference, please?

A. “Can’t” connotes actual inability. “Won’t” only connotes unwillingness.

Q. Are you saying, therefore, that you actually can move, but only that you won’t move?

A. Actually, now that you mention it, I not only can move, but I probably will move — eventually.

Q. Eventually? What’s keeping you from moving right now?

A. I don’t know which way to move.

Q. Why is that?

A. I could move in a number of different directions. But I don’t know which is best.

Q. How can you find out which is best?

A. Obviously, by examining the nature of each different direction, and deciding which direction is the priority.

Q. Well then! What are the various directions?

A. I could work on the three columns of the five columns in the series that I have not yet turned in.

Q. Columns? Series?

A. You heard me! My editor wants to do a series of my columns, one after another I believe, with some regularity, between now and Election Day.

Q. What happens on Election Day?

A. God only knows. But the point is, I have three more columns to turn in before Election Day. And in fact, I have stated that I would get them done within the next three weeks.

Q. So – is that the top priority?

A. Not necessarily. But it’s the first thing that comes to mind.

Q. What else must you do?

A. I’m getting frightfully near the completion of a die-hard project that I began in June. Only a few short steps remain in order to complete it.

Q. What project is that?

A. It’s called the Ode Project.

Q. Ode? As in “Ode to Joy?”

A. As in “Ode to the Universe.”

Q. What is “Ode to the Universe?”

A. It’s a crazy concept I came up with about ten years ago. I had the idea to write a zany “ode” designed to be sung by anybody at anytime, anywhere around the globe, to the end that maybe we could get the entire human race together at one moment, and sing one song at one time — to the Universe.

Q. Isn’t that a bit ambitious?

A. I can do it! I truly can!

Q. Now is this really a priority on this particular morning, when you have all those columns to write?

A. No no – let me explain. So far I have nine videos of nine people performing the piece in different places and different times, accumulated over the past four months or so. I’m supposed to submit the videos to the videographer, who will then create a nice 3 by 3 set of frames, and —

Q. May I interrupt?

A. You already have.

Q. How long will this take you?

A. Well, I’m nearing the end — I have to do my video over — I think the mix of the nine performances needs to be synchronized a bit better — I can’t quite find the trumpet player’s video – and the trumpeter has not gotten back to me about it —

Q. So you don’t know how long it’s going to take, correct?

A. Correct. It may be nearing completion, but it depends on a number of unknown variables.

Q. So is there anything else you need to do today? I mean, on this very day?

A. Yes.

Q. What, may I ask?

A. I need to add three more piano tracks to this folder, so maybe my cast members will be able to listen to them before we rehearse them at 3:30 this afternoon.

Q. What time is it now?

A. About 10:30 in the morning.

Q. So you have five hours?

A. Correct.

Q. To record three songs on the piano?

A. Well, the sooner I do them, the sooner they’ll have them.

Q. How difficult will that be?

A. Not difficult at all.

Q. So what’s keeping you?

A. Nothing, anymore — now that we’ve thought it through.

Q. We?

A. Don’t you know two heads are better than one?

The Questioner is silent.

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Gratitude List 1615

(1) Yesterday I finished making all the adjustments in my musical script that were deemed necessary after an intensive three week reading and critique.   Grateful for the current team, without whose insights I’d have never made it.

(2) At the end of the day, I submitted the show to some people who might have the power to produce it.  And then, right after I did, I felt a huge sense of peace.    I felt relieved, realizing that I don’t have to mess with that script anymore.  Now I can focus on the music, and on other things.  

(3) Got my iPhone working that my daughter helped me to obtain.   Nice to have a phone again, and I can see why people like this one better than the Androids.

(4) This may sound weird, but I want to say that I’m grateful to be an Introvert and also the kind of person who doesn’t really feel a need to be in a relationship or very dependent on human touch.   It’s true that I haven’t touched another human being for about six months or so.  But it’s also true that I wasn’t very attached to human touch to being with.   So I didn’t have much to lose.   

(5) About to embark on a long slow run.   Very grateful for this particular form of exercise.  I always feel kinda “cleansed” afterwards.  There’s something about running that’s like a sacrament.   I’m glad to have rediscovered it at this time in my life.  It really makes a difference – it really does.   

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Tuesday Tuneup 84

Q. What’s happening now?

A. Reorganization.

Q. Of what?

A. Of many things. Most important is the reorganization of my mind.

Q. Most important?

A. I take that back. Most important is the reorganization of the Human Race. But each of us has a part in that, and my part is the reorganization of my mind.

Q. Ah, I see! Well then, can you describe the basic essence of this reorganization?

A. I believe so. You see, certain habitual thought processes have often led to false conclusions. The logic may have been sound, but the axioms or postulates on which I based my reasoning were false to begin with. So I’m in the process of altering the axiomatic system so as not to act upon false premises.

Q. Can you say that in English, please?

A. Very funny. Okay, look — I have noticed three things about myself — three commonly repeated mistakes that result from erroneous thought processes. I would like to share them, if I may, from the least important, to the most.

Q. What is the least important?

A. Don’t get me wrong. It’s pretty important. It’s just not as important as the two that follow.

Q. Once again, what is it?

A. I have finally realized that if I embrace a sexual fantasy about someone with whom I am involved non-sexually, it will affect my dealings with that person in a way that is out of kilter with the correct nature of our relationship.

Q. Uh – do you mean — you’ll start hitting on them?

A. Me? Probably not. But I will become enthralled with them, and shower them with inordinate favor.

Q. Isn’t that just a crush?

A. No, not really. We would have to dive into the origin of the fantasy.

Q. Do you wish to do so?

A. Yes. But it would make the tuneup too long for most readers to bother with. The point is that I realized that fantasizing about her was causing me to lose objectivity in a context where I needed to remain objective. So I ceased to romanticize this individual, and now our interactions are better balanced.

Q. How did you cease?

A. By recognizing what I was doing. When I saw how it had all come about — that is, the origin of the fantasy — I saw clearly a mental pathway whereby my thoughts gradually took me from something entirely different toward the realm of erotic fantasy. And when I saw the exact path, I saw how to steer clear of it. It was easy, in fact, for I found myself viewing that particular mental pathway as disgusting, pathetic, and beneath my dignity.

Q. Are you lonely?

A. Not particularly, no. Not quite sure why you asked.

Q. Okay, so what was the second one?

A. I have realized that if I view someone as a potential investor, backer, or patron (that is to say, of my musical project), then I cease to see them objectively — as the true human being whom they are. This is extremely unfair and unkind to that person.

Q. Anybody in mind?

A. Quite a few people, I’m afraid. But it took me realizing that I actually liked some of these people, and these very likable people are not at all to be viewed as potential patrons, but viewed rather as the unique human beings whom they are – with special needs and values, just like my own.

Q. So you ceased to regard them as potential investors?

A. Yes.

Q. How?

A. Again, once I recognized what I had been doing, I felt that disdain, that disgust, that sense of distastefulness – and I didn’t want to indulge it further. It was an ugly thing. It’s my task, as an Artist, to create Beauty. So when I see that I have created ugliness instead, it is fairly easy to scrap that effort, and start from scratch — in an effort to replace ugliness with Beauty.

Q. Fascinating. Does this mean that you’re not so much operating on a moral level, but on an aesthetic one?

A. Ultimately, I believe they are one and the same. I also believe that Aesthetics will replace Ethics in the Age to Come — but now I wax eschatological. The essence of the realization is that it’s unfair to regard people either as potential romances or as potential investors. If I do so, I am no different than a corrupt C.E.O., who only sees people according to what purpose they might serve.

Q. How long have you been doing this?

A. I don’t know. It’s something I’ve been doing unconsciously. It just recently surfaced.

Q. Intriguing. So what’s the third thing?

A. This is the big one. Are you ready?

Q. Shoot.

A. When I was homeless, I couldn’t understand why nobody was “letting me in.” All the people who lived indoors were seen as lacking compassion. I couldn’t understand how they could have a spare room in their house, and let me be rained on and ripped off and basically dumped on — all because I was “one of them.” I couldn’t understand how they could have money to fly to England and back, but somehow not have $60 to help with a night in a motel room.

Q. And now you understand?

A. More so than earlier, I think. The way I was coming across was desperate, insistent, demanding – and often accusational. I would accuse these people of lacking compassion, and try through logic and reason to convince them that I was right. But now that I’ve lived indoors for four years, I can only imagine how I would react if somebody came at me like this:

“Look dude – why aren’t you letting me crash at your house? I could die out here tonight! Don’t you have any compassion? What’s wrong with you?”

Q. Did you always come across like that?

A. Not always. At first my appeals were quite polite. But after hearing the word “no” enough times, I began to lose my natural courtesy.

Q. So what’s the point?

A. I’m leading up to something. I’ve already stated my new policy toward my home in Tuesday Tuneup 57. We don’t need repeated information on this quest. But my statement is a stepping stone to a much broader statement.

Q. About what?

A. About the people whom I have called friends. Those who have happened to have crossed my paths and vice-versa. People with whom I have felt an affinity. But that affinity waned when I had to repeatedly hear the word “no.” And then, even when I did get back on my feet, and was no longer homeless, these people still disdained my friendship.

I thought they were bad people. And perhaps, some of them were. Bad people do bad things in the privacy of their own homes, and naturally they don’t want to be observed. But by and large, chances are they were pretty good people. Just like the people I know today. But if I were homeless, and I started hitting up the people whom I know today for a crash pad, I don’t doubt that my present day associates would not behave the same way.

So it’s not as though the people I know today, who pretty much see my at my best; are any different than the people who knew me back then, who clearly saw me at my worst. The difference is not in the sort of people who see me. The difference is the person whom they see.

Q. But what about what Marilyn Monroe said?

A. I knew you would ask me that! She said: “If you can’t take me at worst, you don’t deserve me at my best.” I embraced that when I was homeless. And you know what? It’s a lot of malarkey.

Suppose I do succeed. Suppose my musical is produced on Broadway. Suppose I receive the Tony award that arguably I deserve. Then, suppose one of these people who has shunned me then has a change of heart. Suppose they approach me and say:

“Andy, I really couldn’t handle you ten or twelve years ago, but the comeback you’ve made, and the way you are today is nothing but an inspiration to me. God bless you, Andy – you are one of the most amazing success stories on the planet.”

Would it really be proper of me to respond with:

“Where were you when I needed you?”

Of course not! That’s mean-spirited! It would only show that I was still holding a grudge. The right thing to do, the Christian thing to do, would be to look that person straight in the eye, and say:

“You know, it warms my heart to hear you say that! Especially when I thought I would never see you ever again! I completely understand. The way I was coming across was more than a lot of people could handle. All I can say is thank you for showing up on the happiest day on my life.”

Q. How did you manage to reach all these needed conclusions in such a short period of time?

A. I’m not sure. I have a theory, though. It’s got something to do with the pandemic — the way this unprecedented form of trial has affected us all. There’s been a shake-up. A wake-up. And I’m not the only one who’s waking. Far from it.

Q. But how did you manage to forgive all these people who wouldn’t let you in? How did you manage to get over the sense of abandonment and loss?

A. Largely, it came by understanding. Once I understood that the people whom I had begrudged were no worse than the people whom I hold in high regard, it was easy to forgive — for I finally understood. But blessed are they who don’t understand, and yet they forgive.

The Questioner is silent.

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Tuesday Tuneup 82

Q. What’s happening now?

A. Just waking up.

Q. Now?   At 9 in the morning already?   Don’t you usually get up much earlier?

A. Usually at around 4:30.  But lately I’ve been getting up at 3, and this morning it all caught up with me.

Q. Why have you been getting up at 3?

A. Not tired anymore.

Q. What time are you going to bed?

A. That’s another thing.  It used to be, I’d go to bed at 9:30, and get a good 7 hours sleep.  Now, I don’t go to bed till 11.

Q. And you sleep till 3?

A. Yes.

Q. No wonder you’re so tired.   But doesn’t this remind you of something?

A. Yes it does, now that you mention it.   It reminds me of the time I always used to go to bed at 3, and get up at 7.   Very similar dynamic.   

Q. And when was that?

A. It was in 2003, right after Mom died.  Every night I stayed up till 3.   Every morning I got up at 7, and drove to the private school where I taught music.   That was the job that I lost in 2004.   I mentioned it in an earlier tuneup.

Q. Weren’t you having a first-time manic episode at the time?

A. Yes.  

Q. Are you afraid of having another one?

A. I don’t think “afraid” is the right word.   But I’m concerned.   I’m always concerned about this, as well I should be.   

Q. Is there any medication you can take to address it?

A. Perhaps.   I’m a little sensitive about it, being a runner.

A. What’s being a runner got to do with it?

A. My physiology is a lot different than someone who does not run.   So medications don’t have the same effect on me as they have on people who are more sedentary.

Q. Can you document that?

A. I can try.  I’m only stating my experience.   

Q. You haven’t always run, have you?   You’ve gone through periods when you don’t run much at all, right?

A. That’s right.

Q. How do medications affect you when you’re not running?

A. More like they’re supposed to, I think.  But check it out.  I didn’t run from about 2000 to mid-2003.   And I got super fat, by the way.   I was on 2400 mg a day of Gabapentin.

Q. Whatever for?

A. They believed it would be a good replacement for the Klonopin I had been on earlier, and less habit forming.

Q. But the Klonopin did not make you fat?

A. Not at all.  In fact, I requested they return me to the Klonopin, after I’d gained approximately 75 lbs.

Q. Did they accommodate your request?

A. Yes.  And then my Mom died, later that afternoon.

Q. So you think the combination of the medication switch and your mother’s death triggered the episode?

A. That’s my thinking, yes.   And psychiatry seems to agree with me, by and large, on this one.

Q. Does psychiatry often disagree with you?

A. I cant say that, no.   What I can say is — as a runner — I am always engaged in an experiment with my own body.   George Sheehan, in his book Running and Being, called it the “experiment of one.”  Since I continually experiment with my own body — that is, I develop theories, test them out, and draw conclusions — it disturbs me that someone who doesn’t know my body as well as I do should be experimenting with it.

Q. You don’t like doctors, do you?

A. I didn’t say that!  I just went to one yesterday, and I liked him very much.

Q. So what are you saying?

A. That I just have to hold this thing in check.

Q. You?  All by yourself?   Don’t you have a therapist?

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A. That’s right, I gotta find a good one.

Q. Were you going to a bad one?

A. Can’t exactly say bad — he just seemed, kinda like, he thought too well of me.

Q. Can you clarify?

A. I think he thought I was a lot more on the ball than I actually am.  First session, he kinda looked down as though guilty, and said: “You’re about twice as intelligent as me!” He said it in a tone of great self-pity, as though he were about to quit his job or something.

Q. He was insecure?

A. Yeah.  And now we had TWO insecure people in the room.

Q. So you left that guy?

A. Actually, he eventually quit the job.  And when he was leaving, he told me I should open up a private practice.

Q. And where did you go then?

A. To my pastor.   

Q. How did that go?

A. It was different.   Extremely intelligent, insightful, compassionate.   But somehow I felt as though something was cutting into my core — almost as though trying to create a disruption within me —

Q. Why would he have wanted to do that?

A. Oh, he wouldn’t have wanted to do it — not intentionally, not by his own self.  It was just an inadvertent effect of the logical progression of our mutual thought.   I left eventually, once I felt that something sacred within me was about to be desecrated.

Q. Sacred?

A. Yes.  Like an inner temple.  An adytum, if you will.   Something inside me that is so critical to my being, that no other influence has any business there.  Nobody, not even me, ought to tamper with that inner temple.

Q. So you felt threatened by the pastor, and you left that room as well?

A. You have such a crude way of putting things.   Yes, I left — but only because I then found a Masters Candidate who could see me for free, three times a week for five weeks, in order to fill out her hours for her Masters Degree.

Q. How was she?

A. Excellent!   I learned a lot in those five weeks.   But then she was done.

Q. Can’t you continue to see her?

A. Do I have $150 an hour?   

Q. Well then, what are you going to do?

A. I believe there are psychotherapists in my vicinity who accept MediCare and MedCaid.

Q. You gonna look for one?

A. It seems the humble thing to do, yes.

Q. Whoever called you humble?

A. No one yet.   May I be excused?

Q. Why?

A. Time for my morning run — and half the day’s gone already.  

The Questioner is silent.

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Tuesday Tuneup 81

Q. What’s happening now?

A. Expansion.

Q. And before that?

A. Contraction.

Expanding Your Mind – Learning For Success – Learning Mind

Q. How did it feel to be contracting?

A. Not good.  I felt pressured, for one thing.

Q. And for another?

A. Restricted.  I felt restricted.

Q. And what else?

A. Intruded upon.  It felt very intrusive.

Q. What kind of intrusion?

A. Intrusive thoughts.

Q. About what?

A. About situations far beyond my control.   Not only can I not control those kinds of situations, but I cannot control my thoughts when I start to think about them.

Q. Really?   You can’t just will those thoughts away?

A. Not exactly.  Best course is just to let them run their course and try not to be bothered by them in the meantime.

Q. How long does that usually take?

A. It depends on how bad the contraction is.   Earlier tonight it was a good half hour.  Probably the first half hour of a brisk four mile walk.

Q. And on the second half hour?

A. I expanded.

Q. How does expansion feel?

A. Very good!   I feel no pressure whatsoever.   I am not at all restricted.  Nothing is tugging at me or eating at me.   I feel open to receiving good things.

Q. What kind of good things?

A. Musical motives and phrases.   New ideas, new plans.   Respect from others, from people who count.   Love and support, where it matters.

Q. Anything else?

A. Beautiful things.  Things that come true, and only later do you remember having dreamed they would.   Levity, and gladness of heart.  Mirth, and gentle merriment.

Q. All this comes from expansion?

A. All this and more.

Q. Then why not expand always?   Why ever contract?

A. Why ever exhale?   Why not always inhale?

Q. What do you mean?

A. The Universe has to breathe, doesn’t it?

The Questioner is silent. 

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Tuesday Tuneup 80

Q. What’s going on inside?

A. Change of plans.

Q. How so?

A. Remember how I used to have you change questions every 22 times?  Well, things are going so slowly these days, I’d like to change that to every 20 times.

Q. Which means?

A. 80 being 4 x 20, we need a new question out of you by July 21st.   Then we can start Tuesday Tuneup 81 with an entirely new question.    

Orange man questions clipart

Q. What kind of question?

A. Well, you should know!  You’re the one who’s been asking them.   The first question, as I recall, was Do you know who I am?”  I believe you asked me that 22 times.    Then, you started asking me: “Where would you like to be?”

Q. Why would I ask you those kinds of questions?

A. Because they’re simple, broad-based, and can be answered a different way every time they’re asked.   Between one Tuesday and the next, I’m bound to have a different answer.

Q. Is that why I’ve been asking you what’s going on inside, too?

A. Yes.  What’s going on inside me will not be the same next Tuesday as it is tonight.  

Q. What kind of question will not work?

A. Any question that has a single absolute answer, regardless of how I might be feeling at the time.

Q. For example?

A. A good example would be: “What is your name?”   If I am to be honest, I will answer that question the same way every Tuesday.   One thing about me that does not change is my name.  

Q. What about you does change, then?

A. My mood, for one thing.   

Q. Will you be in a different mood next Tuesday than you are today?

A. Undoubtedly.   In fact, today I am in a different mood than I was last Tuesday.

Q. What else about you changes?

A. My attitude — my outlook toward life — somewhat related to mood, but perhaps more intentional.

Q. What else?

A. My plans.   What I intend to next.    This changes from one day to the next.

Q. Goodness!   How do you ever get anything done, if your plans change so often?

A.  I work really hard, to make up for it.

Q. Would that be a good question, then?

A. Would what be?

Q. “What are your plans today?”

A. That’s the general idea, yes.   Anything that will vary, from day to day — and from Tuesday till Tuesday.

Q. Should I start asking you that question next week, then?

A. No – not so fast.   That question is just a wee bit boring.    We might be able to come up with a more interesting question — one that will engage me and intrigue me.   If we pick the right question, I may even become motivated to show up every Tuesday.

Q. Will wonders never cease?

A. Probably not.   But getting down to brass tacks here, I think it’s time we choose a new question.   

Q. Who’s we?

A. All of us!   Maybe one of my readers would like to choose the question.

Q. You think so?

A. I do.  And in any case, it won’t hurt to ask.   What do you think?

The Questioner is silent.

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Tuesday Tuneup 79

Q. What’s going on inside?

A. Decision making.

Q. And what are you using to make your decisions?

A. What kind of a question is that?

Q. What do you mean?

A. Well uh — using as in what?   Am I using a slide rule?   Am I using a compass?

Q. No no no – I mean, are you using your sound reason to make decisions?   Or are you using your fickle and volatile emotions?

A. How dare you accuse me of making my decisions based on emotions!

Q. Methinks he doth protest too much?   Ya think?    

A. All right, smartypants.  I’ll admit I’m a bit of an emotional guy.   In fact, the subject came up last night in counseling.  I do seem to have made a few decisions based on strong emotions lately.

Q. Such as?

A. I gotta tell you – I was so jazzed about rehearsal on Tuesday, it just went so great — when I came back home, I was sky high with elation.

Q. Don’t tell me –  you then made a decision based on elation?

A. Yes.

Q. Did you go out and celebrate?   Did you party?

A. No, I did not.  I cranked up the headphones and my new Finale 26.3 music notation software, and I didn’t stop until I’d completed the whole accompaniment score to the opening number of my musical.   

Q. Then how did you feel?

A. Even more elated.

Q. But why?

A. Because I didn’t think I could do it!

Q. Why wouldn’t you have been able to do it?

A. Well, I hadn’t really worked with the software before, and I hadn’t used Finale much at all since 2016.

Q. What happened in 2016?

A.  You already know.   I emerged from years of homelessness in the Bay Area with a bunch of tunes in my head, found a coffeehouse and with a nice little round table, sat down, and sequenced most of the music that had been whirling around between my ears.

Q. So you did it then.  Why did you not think you could do it now?

A. I dunno.   Low self-esteem maybe.   Lack of confidence.

Q. But you did do it?

A. Yes!

Q. And this led to further elation?

A. I believe it’s called over-elation.   

Q. Ah.   Then did you make a decision based on over-elation at that time?

A. Not so much a decision — more like an expectation.  

Q. What kind of expectation?   

A. Well, I was really rockin’ on that song, man.  In a way, it kinda was like a party.   I was snappin’ my fingers, boppin’ my head, and rockin’ out to the beat.   A friend of mine was also rockin’ too, a gal named Kathy – ordinarily a very quiet and studious person.  As I was working on it, I sent her updates.   She kept writing back and saying: “Yeah!   Makes me want to get up and dance!”   So I was further spurred on by her enthusiasm, and —

Q. Cut!  You haven’t answered the question!

A. Sorry, I was getting around to that.  My expectation was that, since me & Kathy had rocked out to it, everybody else would too.

Q. And they didn’t?

A. Only on WordPress.   Nobody anywhere else ever said anything about it, so I may assume they did not listen to it.   Either that, or they listened, but didn’t rock out.  :(

Q. How did that make you feel?

A. Ultimately, thankful for WordPress.   But at first, I was pretty disgruntled.  And maybe a little angry.   More than a little, perhaps, at moments . . . 

Q. Moments?

A. All right, so I was mad for twelve hours straight.   Pacing the floor all night, messaging people, talking out loud, trying to figure it all out, and not getting a wink of sleep till five in the morning.

Q. How do you account for this?

A. First off, the expectation that people would groove on it like me and Kathy did was pretty unrealistic.   Most people didn’t even know I was working on it.   Secondly, why should they listen to my music at all?   Especially these days — people naturally have a lot of other things on their minds.   But thirdly, and most importantly, I believe that when I found myself disgruntled, it was the natural reaction to the over-elation.  Law of gravity.  What goes up must come down.

Q. And where are you now?   Up or down?

A.  Neither.   I’m in the Middle.   

Q. What are you going to do from there?

A. What do you think I am going to do?   I’m going to start working on the second song in the show!

Q.  Do you think you can do it in three days?

A.  I tell you what — why don’t you check back on Friday and find out for yourself?

The Questioner is silent.     

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Tuesday Tuneup 78

Q. What’s going on inside?

A. Upheaval.

Q. What do you mean?

A. I feel like I’m being shaken up inside.

Q. Is that bad?

A. Probably not!  It’s just unfamiliar.

Q. New territory?

A. Yeah.

Q. Do you also feel torn?

A. Yes!  That’s it — torn.  

Q. Well, what is tearing at you?  What are you torn between?

A. I’m conflicted between a number of different internal narratives, and the unresolved conflict is distorting my view of reality.   I believe this is called cognitive dissonance.

Q. How long have you been like this?

A. Probably longer than I know.

Q. Why do you say that?

A. It goes at least as far back as being homeless.  I would ask fifteen people if I could come stay with them for a while.   Even for a night.    Sometimes I even only asked if I could come over to take a shower, and leave.  Sometimes I offered to pay them.   Or just ask to come over for dinner on a holiday.   “Can I come by on Christmas?”  But nobody would ever let me in.

Q, Why not?

A.  Because why should they?  It wasn’t their responsibility.   But they never came out and said that.  They said lots of other things, though.  They gave all kinds of reasons.   Some reasons made more sense than others.   Some of them seemed kind of cold – others kind of paranoid.   I think there might have been a general sense that if you give someone an inch, they’ll take a ruler.   Nobody wanted to take a chance.

Q. How did this feel?

A. Not good.  I could tell that not all of their reasons were honest.  Many of the reasons were implausible.  I got the feeling somebody wasn’t telling me something — something about me.   There must have been some reason why I deserved homelessness, rather than the chance to get inside and get back on my feet.   But I couldn’t figure out what it was.

Q. What else?  I mean, what did that feeling conflict with?

A. The fact that it wasn’t all me!  They were doing things wrong.   They weren’t being honest with me.   I wanted them to come up front. 

Q. But what is the essence of the dissonance?

A. The essence of the cognitive dissonance is that I could never tell how much of it was my fault, and how much of it was their fault.  

Q. Why does it have to be anybody’s fault?

A. Well, somebody had to be responsible!

Q. But aren’t you the one who’s responsible for where you stay the night?

A. Yes, of course!  And I failed — because I couldn’t find anyone who would let me stay the night with them.

Q. But why should that be their responsibility?

A. What does it have to do with responsibility?   They were the ones who had roofs over their heads, not me!   What was I going to do, ask another homeless person to let me stay at his house?   

Q. But why is this all on your mind this evening?

A. Because the same dissonance is occurring, only with different variables.   And I do not believe that the dissonance started with homelessness!   It’s something in me!   It keeps happening, in different ways, even though I’ve lived inside for years now.   

Q. PTSD?

A. Yes.  I’ve been triggered.  

Q. Again?

A. It happens.   Every now and then — you can’t know when the triggers will arise.

Q. What is it this time?

A. If it were just one person saying to me, why they can’t show up, why they don’t have the music, why they didn’t make the deadline, why they can’t do the project — it would easily be believable.  But because it’s a conglomerate of people, I start to think: “What’s wrong with me?  Who do they take me for?   A fool?   Why are they playing me?  Why aren’t they coming up front?   What’s wrong with everybody?  Why do they lack compassion?”

Q. And that’s what you used to think when people wouldn’t let you stay overnight at their houses?

A. Yeah.  In both situations, I have felt like they’re not letting me in.   

Q. So what does this tell you?

A. That it must be me.   Just like, when all those people weren’t letting me inside their houses – whether they were being truthful with me or not — I was what they all had in common.   It was I whom they all held at bay.

And now, when all these people aren’t doing their work, or it seems like they’re not, and the team seems to be fizzling, it’s kinda like my friends — my family — they’re gradually abandoning me — they didn’t even start talking to me again after I got a place to live, after I’d stopped trying to cling to them —

My friends – my family — we don’t talk anymore, there’s my daughter, there’s no friends from the old people – no family — and these Kids —

Q. Go on.

A. These Kids — are going to leave me.   Just like my friends  – just like my family  – – 

Q. Why  —  why do you think so  —

A. They won’t let me in.   My brother, my sister — they won’t let me in.   Winston and Taura — the Kids in the show — the directors, the musicians, the producers, the venues —  they won’t let me in.   The Family won’t — let – me – in . . .

Q. Dude!  Dude – can you grab a hold of yourself?

A. Sorry, I’m flashin’ man –

Q. Are you sure this isn’t just drama?   Or words for dramatic effect?  To call attention to yourself when you’re feeling oversensitive, and easily abandoned, and you’re desperate for community and camaraderie?

A. Are you calling me a narcissist?  

Q. Did I say narcissist?

A. No –

Q. Why is narcissism on your mind?

A. Because that thing that happens — that pattern — that syndrome — it didn’t start with homelessness.   It started long before, with those very same people — and that’s why they didn’t let me in.

Q. When did it start?

A. With the Internet.   Way back in around ’99 or so, when I got my first computer.   I didn’t become homeless till 2004, but the Internet was a driving factor.

Q. How so?

A. I realized I could send the same message to multiple people at once.  I realized this about two weeks after I’d sent my first email.   A friend had sent a big email entitled: “Timmy Needs Help!”  He sent it to about forty people when he was on the verge of homelessness.

Q. So you learned you could do the same?

A. Yes!  Only since I didn’t become homeless for five more years, I sent the group emails for other reasons.

Q. What kinds of reasons?

A. Oh – if I’d lost my cell phone and needed somebody to call it.

Q. Isn’t that called cross-threading?

A. That’s right, I just remembered.  They told me I was “cross-threading.”  It isn’t cool to ask ten people to do something that can be taken care of by one.   

Q. Didn’t you lose a job that way once?

A. Yeah – that was the job I lost, that made me homeless, in 2004.  They were the ones who told me.   First job where I had to use email.  One day, I emailed five people to ask for help moving a piano, when one would have sufficed.  So two of us moved the piano, and four people showed up later, and got pissed.

Q. Is that the only reason you lost the job?

A. No – but that was a reason.  I was doing things like that all the time, and my boss told me to please stop cross-threading.   But I didn’t.

Q. Why not?

A. I’m not sure.  I think – I don’t know!   It seemed like — I couldn’t!   They told me I was having a first-time manic episode, and that it was all part of the episode.  But to me, all I knew is I’d gotten into a habit where whenever I sent an email, it had to be sent to ten or fifteen people.   I just became an Email Dispenser —  dishing out emails to everybody all day long, right and left.

Q. So – did they dish ’em back?

A. No.  They ignored me.  I used to send music for them to hear, too.  Songs I wrote.  If they listened, they never told me so.

Q. And these are the people whom you asked to stay the night with?

A. Yes, by and large.  A few add-ons, and some drop-offs, but  basically the same list.   

Q. I would assume they all said no, didn’t they?

A. For the most part.  That is, if they said anything at all.   

Q. Ever get the feeling you’ve been barking up the wrong tree?

A. Yes.  For longer than I’ve known, and in more ways than I know.  

The Questioner is silent.

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Tuesday Tuneup 77

Q. What’s going on inside?

A. I’m not sure.  It feels like a cross between transition and turmoil.

Q. Can you describe each sensation?

A. I’ll try.   Turmoil feels like things need to change, but they’re having a hard time getting themselves adjusted in such a way as to understand and effect the needed change.

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Q. Kinda like indecision?   

A. Kinda.  Or hesitation, or reservation, or doubt.

Q. What about transition?

A. That’s what results when doubt is removed.

Q. How does it feel?

A. Much better than turmoil.  In transition, there is hope.   Hope that the place I’m headed will be better than the place I’m headed from.

Q. Will it?

A. I think so.  Ultimately, yes.

Q. But there may be turmoil in transition?

A. Yes.  It’s not going to be a quick or easy ride.

The Questioner is silent.  

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Musical Script Available

If anyone wants to read the script to my musical Eden in Babylon, I’ve got it posted right here:

EDEN IN BABYLON (MUSICAL LIBRETTO)

I had been working on some revisions, mainly removing some of the harsher “street language,” so as to increase the likelihood it might be produced at the high school level.   Prior to COVID-19, we began discussing shooting for a high school production, since at that level, there is no taboo against producing large-cast shows.   

As an American musical in the tradition of Rodgers & Hammerstein, Eden in Babylon has a cast of 27, which is fairly large.  This makes it difficult to produce in a world that naturally values economy.   The musical is usually rejected these days on cast size alone, without anyone actually looking at the script.

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I knew this when I was writing it.   But I guess I had a chip on my shoulder.  You see, I like the traditional American musical.  It’s a nice medium between the straight play (Shaw, Albee, etc.) and British Comic Light Opera (such as Gilbert & Sullivan.)  It’s also a uniquely American genre — though perhaps that point can be argued.   

I had this crazy idea that if I used the traditional American musical concept — which is to present life not as it is, but as it ought to be) – and wrote a musical in traditional American musical form, I might just be able to appeal to those who can afford season’s tickets at community or regional theaters — you know, people who enjoy musicals.

And the final Scene definitely does not present life as it is.   But it sure presents it as it ought to be.    So — hope you like my work.   

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Tuesday Tuneup 72

Q. What’s going on inside?

A. Re-integration.

Q. Had you been disintegrated?

A. Yes.  Flat out discombobulated.

Q. How would you describe this state of discombobulation?

A. It was beyond mere confusion or befuddlement.  I felt as though I were living in two different worlds at once.  

Q. Only two?

A. Perhaps more than two.  But two that I was aware of.

Q. Can you describe those worlds for me?

A. I’ll do my best.  In one world, there was a woman.   A young woman, with whom I have been endeared.  

Q. Romantically?

A. No.  More like fatherly.   Someone who has a beautiful spirit, but is uncultured in manner.  I felt drawn to her, not unlike Henry Higgins in Pygmalion by George Bernard Shaw–the play memorialized in the musical My Fair Lady.  

My Fair Lady

Q. By Alan Jay Lerner and Frederick Loewe?

A. Very good!  And she resembled Eliza Doolittle.  I therefore wished to take her into my home, and educate her.

Q. Are you certain that was your only motive?

A. Not at all.  And therein lies the second world.

Q. Can you describe the second world?

A. Full of desires for immediate gratification of base impulses.   No longer concerned with being a father-figure or an educator.   But rather drawn away by — 

Q. By lust?

A. You said it.  

Q. So how did you deal with this sudden outburst of youthful feeling?

A. I wrote in my diary.  I sent an email to the Associate Pastor.  Then I turned off the phone, so it would more difficult to keep texting her.   And I closed off our series of texts with a courteous goodbye, indicating that I might see her on the next day.

Q. Will you?

A. Perhaps not.  Something tells me to steer clear of her.

Q. What are you afraid of?

A. Myself.

Q. Aren’t you old enough to know better?

A. Yes.  But that doesn’t mean I might not fall.

Q. What does all this mean?

A. Probably that I’ve been in a certain measure of denial.  I like to think I need my space.  And I am grateful for my solitude.  But that gratitude seems to be restricted to a certain interval between about 3 and 7 in the morning, where I sit here alone, and reflect, and write.   At all other times, I avoid my apartment completely.  I hate to feel that rush of loneliness that comes upon me whenever I walk through the door.   

Q. What are you to do about this?

A. Nothing.  What can I do?   I can’t tell myself I will be alone forever.  Nor can I control who is going to cross my path.  I guess I’ll just wait.  And pray.

Q. Isn’t that a bit passive?

A. Would you rather I be aggressive?

The Questioner is silent.  

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Tuesday Tuneup 71

Q. What’s going on inside?

A. Uncertainty.

Q. Uncertainty about what?

A. About whether I ought to contact a group of theologians.

Q. Theologians?

A. University professors interested in theology.

Q. Why would you want to contact them?

A. To vindicate myself.

Q. Were you falsely accused?

A. I believe so, yes.

Q. What was their accusation?

A. That I did not make any sense.

Q. When?

A. When I expressed my personal theological conjecture.

Q. Which is?

A. I call it “The Clone Theory of Creation.”

Q. What’s that?

A. Hard to express.  Otherwise they wouldn’t have told me I wasn’t making sense.

Q. Give it a try?

A. That’s why I’m here.

The Answerer clears his throat.

download

A. Simply stated, the Clone Theory of Creation intends to demonstrate a parallel between the creation of life by God and the scientific replication of life that occurs during genetic cloning.

Q. What inspired this theory?

A. Genesis 1:26.   “Let us make Man in Our Image.”

Q. You believe that when God made Man in Their Image, it was like scientists cloning a human embryo, and thus creating a replicate in the image of the embryo?

A. Exactly.

Q. Isn’t that a bit far-fetched?

A. One would think so at first.  However, I later found numerous Scriptures that appear to confirm the hypothesis.

Q. Why did the theologians think you weren’t making sense?

A. Probably because I wasn’t!   I’d never really tried to express the theory before, and when I did, I became extremely tongue-tied.  I must have rambled for five minutes, before the professor to my right put his hand on my shoulder, and said: “Andy, I hate to break it to you, but nothing you’ve said in the past five minutes has made any sense at all.”

Q. What happened then?

A. I was embarrassed.  I felt my face turn beet red.  And I told them so.

Q. Are you sure that not one of those professors thought you were making any sense?

A. Quite sure.  There was, however, a young man present — a student — who approached me afterwards.  He assured me that the theory had made sense to him.  But he also said something that discouraged me.

Q. What was that?

A. He said: “I followed your theory, and I thought you were making sense.  But in deference to your age, wisdom, and maturity, I would like to suggest that even you, Andy, know that your theory is OUT THERE.”

Q. How did you feel then?

A. Shot down.

Q. Why?

A. Probably because of my ego.  You see, at the previous such meeting of theologians, I felt that I was shining unusually brightly.   A respected professor emeritus of philosophy even expressed a desire to have lunch with me sometime — a man held in high regard, who had spent three years in India with the Maharishi, and wrote a book about Gandhi.  People seemed to admire me for my biblical knowledge, as well as my knowledge of denominational differences.

Q. How did you pick up your knowledge of denominational differences?

A. Probably by losing jobs as a piano player with just about every denomination on the planet.  But, despite looming loss of job, I always enjoyed soaking in the sermons, and comparing those of one denominational slant to that of another.   My history of failed church jobs reads like a class in “Comparative Christianity.”

Q. So you felt that you had really shone at the previous meeting?

A. Yes.

Q. Then what?

A. Then my ego told me I had an image to maintain!   So I went to the next meeting eager to sustain my positive image, in the eyes of the professors present.

Q. And?

A. Because of that egoistic expectation, I tried too hard to prove myself.  And in trying too hard, I failed.

Q. Is there a moral to this story?

A. There certainly is.

Q. And the moral is?

A. Ditch the ego, dude.  Just be yourself.

Q. Anything else?

A. Yes.  I’d like to ask a question of you, and of my readers.

Q. What is the question?

A. Am I making any sense?

The Questioner is silent.  

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Tuesday Tuneup 70

Q. What’s going on inside?

A. Composing.

Q. Composing what?

A. Music.

Q. This happens inside you?

A. Yes.

Q. But don’t you use music notation software?

A. I do.  But that’s for the notating of the stuff that’s already been composed.

Q. And it gets composed inside you?

A. Yes.

Q. But what if you don’t have music notation software?   Do you just write it down?

A. I could, but it makes my hand hurt.  Besides, I always lose the pieces of paper I write it on.  So I’m left with a hurting hand, and no record of the music.

Q. But you haven’t always had music notation software, have you?

A. Of course not.

Q. What did you do before music notation software?

A. Nothing. I just tried to remember it all.

Q. And then, when they finally came up with notation software, what did you do?

A. I didn’t get out of my bathrobe for about two weeks, and I bugged the heck out of the entire Finale tech support team.   I didn’t answer the phone or the door.   Everybody wondered what had become of me.   I sat inside my rented room in November of 2004 and didn’t stop notating until the entire 15 page piano vocal score of my song, “Where is Eden?” was arranged.

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Q. You wrote a song called “Where is Eden?”

A. Of course.

Q. What about when your laptops would be stolen, like say when you were homeless in Berkeley, what did you do then?

A. I replicated the various instrumental sounds on my body.

Q. Where did you do this?

A. Where do you think I did it?  I was homeless, wasn’t I?  I did it outdoors.

Q. So people saw you do this?

A. Yes.

Q. Wasn’t that kinda rude?

A. “Rude” comes with the territory.  “Vindictive” might be a better word.   

Q. How so?

A. I figured Berkeley was treating me like shit.   So I got back at Berkeley — in protest.

ugly

Q. But don’t you love Berkeley?

A. I most certainly do.

Q. Then why be vindictive or rude?

A. When in Rome, do as the Romans do.

Q. Are you saying the entire city was vindictive and rude?

A. Pretty much.  At least, in comparison to where I am now.

Q. What are they like where you are now?

A. Kind, courteous, considerate, compassionate, caring —

Q. Isn’t that how Berkeley used to be?

A. Yes.  And hopefully it’s how Berkeley will be in her future.

Q. Berkeley will no longer treat her own like shit?

A. Let’s hope not.  And I pray.   Berkeley has fallen.  But I believe Berkeley will rise again.

Q. Is there something special about Berkeley?

A. Yes.  Even in all its rudeness, violence, and hypocrisy.   There’s a spirit in Berkeley that, though it be quenched, cannot be killed.  And that spirit, ultimately, is of respect for all people.  It does not treat anyone like shit.

Q. How was Berkeley treating you like shit?

A. How do people in congested urban areas treat homeless people?

Q. But don’t homeless people in Berkeley treat people who live indoors like shit?

A. In Berkeley?   They sure do.  A lot of them do anyway.  And most of that is vindictiveness.   It’s hard to tell which came first — the chicken or the egg.  And of course, there are exceptions to the rule, on either side.

Q. So when you were writing music so flagrantly, weren’t you afraid people would steal it?

A. Of course.  That’s a fear all composers have.  But I have plenty of proof that I wrote the music.   And we’ll cross that bridge if and when we come to it.  Next question, please.

Q. Do you think people even knew you were writing music?

A. I tried to disguise it, but some people knew, I’m sure.

Q. How did you try to disguise it?

A. By acting crazy.

Q. Why did you act crazy?

A. So I would fit in with all the other crazy people, and not be conspicuous or stand out.  

Q. How did you act crazy?

A. I think I’ve told you already.  I walked around town, loudly singing melodies by going “bop bop bop,” playing drum beats on my pants legs, and playing keyboards and electric guitars in the air.

Q. What about the bass parts?

A. Oops, almost forgot.  I used my tummy.

Q. You think people figured you for crazy?

A. Crazy, or annoying, or both.   One time a fellow with a foreign accent emerged from a nearby store, and shouted back at me: “Bop Bop Bop Bop Bop!”  He did so in a very mocking way.

Q. How did you respond?

A. I turned to him and said: “If you were a composer, and you had no place to live, and your laptops were constantly being stolen by violent thugs on the streets, and you couldn’t access your music notation sofware, how would you compose music?”

Q. Then how did he respond?

A. He apologized.  He said: “Oh, I’m sorry, sir!  I did not know!”

Q. Did you ever explain what you were doing to anyone else?

A. Sometimes, to Americans.  But they never believed me.   The foreigner both challenged me, and believed my reply.   The Americans, every one of them, only told me I was crazy, and often told me to shut up.

Q. What about the cops?

A. They just waved at me.   They knew I was Andy — one of the local wingnuts — as they called them, and that I was harmless.

Q. Why are you releasing all this information?

A. Because I have recently begun to compose music again, after a long lull.   I felt that the music, composed internally, was actually coming from an invisible external realm.  But it seemed to depend upon homelessness.  When I got inside, I couldn’t compose anymore.  I have composed one and only one song since I got inside, a song called Anthem.  I sequenced it with Finale software.   It was difficult for me, and then I gave up.   

Q. But now you can compose?

A. Yes. It took three and a half years, but I got it back.  And it’s also coming from an external realm, but being processed inside of me.

Q. Is the external realm — the Beyond?   The place you described in Tuesday Tuneup 68?

A. No.  The stuff I wrote in Berkeley came from Beyond.

Q. What about this stuff?

A. It’s from Above.

Q. What’s the difference?

A. A very good question, that.

The Questioner is silent.   

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Tuesday Tuneup 68

Q. What’s going on inside?

A. Processing.

Q. Processing what?

A. Thoughts.

Q. Where does this occur?

A. In the brain.

Q. Not in the mind?

A. No.  The brain and the mind are two different things.

Q. How’s that?

A. The brain is the physical organ inside the body whose function is to process the thoughts that are formed in the mind.

Q. And the mind is not in the body?

A. No.

Q. Where is it, then?

A. That question is difficult to answer, because I have never been out of the body.

Q. You haven’t?

A. OK I take it back.  I have been out of the body.   It’s happened several times during sleep paralysis.  But I don’t know the name of the place that I go to when I have left the body.

Q. Do you enjoy leaving the body?

A. Not at all.

Q. You’re not into astral projection?

A. I understand that some people astral-project on purpose.  For me, that would be like sky-diving or bungee-jumping.  No thanks.

Granddad Jumps With Granddaughter In Skydiving Adventure | Aero-News Network

Q. Why not?

A. Why?

Q. Isn’t there a sense of adventure involved?   And exploration?

A. Sure there is.  But there are many other realms to explore where I have found adventure.  That just doesn’t happen to be a realm I am interested in exploring.

Q. Why not?

A. Why?

Q. Why are you avoiding the question?  Are you afraid of astral-projecting?

A. Wow, we are really off the subject!

Q. What is the subject?

A. I was hoping to talk about thought processing.

Q. Can we discuss that later?

A. I suppose.

Q. So what is it about astral projection?

A. My God doesn’t want me involved there.

Q. Why not?

A. He says that this kind of practice is unnecessary and unwise.  

Q. Are you sure you’re not just afraid of it?

A. Well, to be honest with you, once I was out there for a really long time, and yes it was scary.  It was as though I were immersed in a raging river, struggling to stay afloat.  I felt as though there were rocks on either side of the river that I might have been dashed against. I heard three male voices right nearby, saying things like: “This way!”  “Keep him from heading that way!”  “I got him!”  “He’s safe!”  It felt as though these beings had been assigned to keep me from my ass kicked out there.

Q. But you eventually came back?

A. Three times.  When I came back it was like being washed ashore.  But then I went back into the paralysis, and soared up into the “Beyond” again —  and the same thing started over again.   After the third time, I gave up and went to the Emergency Room.

Q. What happened there?

A. I told the doctor exactly what I just told you.

Q. What did the doctor do?

A. He said: “Your description was very poetic.”  Then he dished out the benzos.

Image result for benzos

Q. Is that what you wanted?  The benzos?

A. Not at all.  I hate benzos.  They had me on 6mg of klonopin a day for almost ten years.  I got off it cold turkey on May 10, 2004 and have been hyped up ever since.

Q. Well, what did the benzos do?

A. They enabled to get back to sleep without entering into paralysis.

Q. So they worked?

A. Yes — for a one time shot.  I didn’t take any further, after that.

Q. Then you admit it was scary?

A. Yes.  And it wasn’t comfortable.

Q. But don’t some people astral-project on purpose, and enjoy it?  

A. Of course they do.  I’m just not one of those people.

Q. And you believe your God has told you not to do it?

A.  Yes.  

Q. How did He tell you this?

A. Look.  I seek Him all the time, all day long, moment to moment, throughout each day.  He says in His Word to “seek first the kingdom of God, and the rest will be added to you.”  Seeking the kingdom means setting priorities.   This isn’t a priority in my life.  There are other priorities that are far more important to who I am and what I am here to do.

Q. Like what?

A. I think you know what I’m about.  I’ve got all kinds of things to do besides waste my time soaring through the Beyond wondering how long it’s going to be before I come back.

Q. So you are calling the place where the Mind exists the Beyond?

A. Yes, I recall now, that’s what they called it.

Q. They?

A. They.

Q. They who?

A. I don’t remember their names.  

Q. How did you meet them?

A. Channeling.

Q. You were channeling?

A. Yes.

Q. Aren’t you a Christian?

A. I prefer the term Christ Follower.

Q. Aren’t Christians not supposed to channel?

A. I was doing it anyway.

Q. Then you disobeyed your God?

A. I did.

Q. Why?

A. Well — it was all part of a larger disobedience.   I was inquisitive as to a greater picture.  

Q. A greater picture than what?

A. Than what’s ordinarily available through the usual methods of research based on empirical data and sense experience.   I wanted to learn some secrets, that’s all.

Q. But isn’t God capable of revealing any information worth learning?

A. He certainly is.

Q. Then why didn’t you just turn to Him?  And to His Word?

A. Because I was tempted.  So severely tempted, that I succumbed.

Q. Why did you not resist?

A. Because I suspected I would learn something.  And I wanted badly to learn.

Q. What did you learn?

A. Mostly that in seeking greater knowledge, I lost sight of love.

Q. So you regret the search?

A. Not entirely, no.  It might be that the search can still be conducted, though not at the expense of love.

Q. How was love sacrificed?

A. Damage to essential self.  Self in need of self-care, of love.

Q. Self-love has been difficult since then?

A. I emerged with incredible boundary issues, to be honest.  I go about trying to serve others, as a Christ Follower.   But often I neglect my own needs in trying to serve others.  And then, sadly, I wind up not helping the others much either.

Q. Are you sad?

A. Not particularly, no.  I’m just trying to focus on other ways to be of service.   Astral projection and channeling are not ways for me to be in service to others.

Q. Where were you when all this happened?

A. Outside.   Sleeping in strange nooks and crannies.   This particular experience occurred in a stairwell attached to Berkeley City College.  

Image result for sleeping rough clipart

Q. Why is this all coming up now?

A. Because the things I learned are beginning to come back to me.   Like the word “Beyond” for example.  

Q. Why do you think that is?

A. Passage of time is clarifying the message.   And I’m getting better sleep. 

Q. Why is sleep so important?

A. I’m not entirely sure yet.  But it has something to do with the realm of Mind as it relates to sleep states and dream states.

Q. Do you think it will all come back?

A. Only the good and useful parts will come back.

Q. Not all of it was good?

A. No.  Some of it was clearly good and breathtakingly beautiful.   It bespoke an incredible array of hope for the human race.  But its glory was obscured by all kinds of garbage.  It was as though the garbage were thrown in there by malevolent entities in order to keep me from getting the Beauty.

Q. And your job was to edit out the garbage?

A. It could have been.  And it still might be, in some ways.  It’s just that — it seems I can’t possibly serve the good of the planet at the expense of my personal health.

Q. But didn’t Jesus do just that?

A. He died, yes, that many others might live.  But He also rose again.  If I destroy myself, I doubt I will rise again.  I am not God.  He was.  Or that is, an incarnation thereof.  

Q. But aren’t you a Christ Follower?   Don’t you believe that if you died in Him, you will also live in Him?

A. Sure I do.

Q. Don’t you believe that, even if you destroy yourself, you will rise again to live on in heaven?

A. Why are you tempting me to destroy myself?

Q. Why are you unwilling to do so?   Did not Jesus destroy himself?

A. No he did not.

Q. How can you say that?   Didn’t he have a choice in the matter?   Couldn’t he have refused to take up his cross?

A. Had he refused to do so, you and I might both be burning in hell.

Q. But don’t you feel that you may have a special calling?   A mission to delve as deeply into these dark ethereal waters as you can, in order that humanity will receieve a needed message?

A.  I feel that I am delving deep enough into dark enough waters as it is, without risking destroying myself in the process.   And humanity will receive whatever message it is that I am meant to convey.

Q. Well then — can you at least give me a rough overview of what you learned?

A. I’ve given you enough information — for now.

The Questioner is silent.  

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Tuesday Tuneup 66

Q. What are you doing here?

A. Having a third cup of coffee.

Q. Was there something wrong with the first two cups?

A. No — in fact, there was something right about them.

Q. What was that?

A. They tasted good.

Q. Are you trying to tell me that just because your first two cups of coffee tasted good, you’re drinking a third one?

A. That’s what I said, isn’t it?

Q. Well — don’t you think there’s something wrong with you?

A. There are many things wrong with me, as with us all.  But what are you driving at?

Q. Don’t you know that it’s unhealthy to indulge that which you enjoy to unneeded extremes?

A. Uh — a third cup of coffee is an “unneeded extreme?”

Q. Isn’t it well known that two cups of coffee are sufficient for all?   And that a third cup is extreme?

A. But how often do I actually have a third cup?

Q. I don’t know – how often?

A. Almost never.

Q. Your point?

A. My point is that it would be more extreme to remain at two cups every morning than to allow myself the occasional indulgence of a third cup.

Q. So you justify your indulgence on the basis of its rarity?

A. Yes.  It is so rare that I bother having a third cup of coffee, that I really don’t think I am in danger of overdoing it.

Q. Have you experienced any palpitations of the heart lately?

A. None.

Q. What about your excrement?  Notice anything strange in your poop?

A. Funny, my doctor asked me the same two questions last week.  And again I say, none.

Q. Why did your doctor ask you those questions?

A. Low thyroid, apparently.

Q. But don’t you take thyroid medication?

A. Begrudgingly, yes.

Q. Why is it begrudging?

A. Because I have to wait a half hour after taking it before I am allowed to have a morning cup of coffee.

Q. Isn’t that cruel and unusual punishment?

A. It has occurred to me more than once that the doctor’s orders are a violation of my 8th Amendment Rights.

Eighth Amendment: Banning Cruel and Unusual Punishment - David J. Shestokas

Q. And who else has violated your 8th Amendment Rights?

A. Glad you asked.   Before 2016, when I was experiencing homelessness in the San Francisco Bay Area, lots of people violated my 8th Amendment Rights because they kept waking me up when I had nowhere else to sleep.  Then finally Martin v. Boise came into effect, and Judge Marsha Berson ruled that it is unconstitutional to wake up someone who is sleeping on public property and tell them to move, if in fact they have nowhere else to sleep.  So, at least in the 9th Circuit, including most Western States, I am free to be homeless again and not fear unjust awakening.

Q. Do you want to be homeless again?

A. Kinda.

Q. Why?

A. You want an honest answer?

Q. Of course.

A. Because I got to be good at it.   Really, the main thing that bothered me was all the awakenings in the middle of the night, when I was only trying to get a good night’s sleep.

Q. But will those awakenings stop just because of a new ruling?

A. Come to think of it, probably not.

Q. Why not?

A. For one thing, not all of the awakenings were by authority figures.   A lot of them were by other homeless people, and many of them were by random thieves and vandals roaming the area looking for easy marks.   What mark could be easier than a sleeping homeless person?

Q. So you say you got a lot of things stolen from you in the middle of the night?

A. Yes.  Also was threatened to bodily harm quite a bit, when I awakened to the sight of a stranger telling me I had stolen “his spot.”

Q. Would you say homelessness has lost its appeal?

A. Most of it, yes.

Q. Why did it ever appeal to you in the first place?

A. As earlier stated, it seemed a thing I could probably do well.   After all, I wasn’t managing very well at hanging on to a living situation.

Q. But you’re hanging on to your living situation now, aren’t you?

A. Seems that way, yes.  In a few short days I will have paid my rent on time for the 26th month in a row.   And prior to that, on a smaller cheaper place, fifteen months in a row.

Q. Doesn’t that give you a sense of stability?

A. It does.

Q. Then why on earth would you ever consider being homeless again?

A. Why on earth should I value something like “stability?”

Q. What do you mean?

A. We’re all going to die anyway, right?

Q. So?

A. So there’s no such thing as stability on this planet.  If we get too attached to things that make us feel stable, they will eventually be taken from us, and then we will have a really hard time letting go of them.  Better not to become so attached.  Better to be ready for anything.

Q. Anything?

A. You heard me.  Especially nowadays.   It is better to live spontaneously, and for one to ready oneself for anything — than to seek the fragile semblances of stability that this passing world has to offer.

Q. You really believe that?

A. I said it, didn’t I?

Q, Why do I find that hard to believe?

A. I don’t know.  Why do you?   

The Questioner is silent.  

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Tuesday Tuneup 64

Q. What are you doing here?

A. I don’t know.

Q. What do you mean, you don’t know?

A. I mean, I don’t know why I’m still sitting here.  I’m supposed to go to a Christmas party.

Q. Then why don’t you?

A. Because I dislike forced social gatherings, especially when I would rather be alone.

Q. Would you really rather be alone?

A. Well — maybe not.  It would be nice to be among people.  But not at a forced, previously defined, premeditated gathering.  

Q. Why not?

A. Because no doubt they will force various activities upon me that are supposed to be fun, but that will wind up only embarrassing me and testing the limits of my ability to perform as normal in public.

Q. As normal?

A. You heard me.

Q. What the heck is “normal?”   Have you ever met anybody who’s normal??

A. Of course I have!   Just about everybody I’ve ever met is normal — at least compared to me, they are.

Q. But why compare them to you?

A. You mean to say I shouldn’t?

Q. Well, why should you?

A. I don’t know.  Just comes natural, I guess.

Q. But why give in to what comes natural?  If you always went with what was natural, wouldn’t you find yourself acting on some basic instinct, and winding up in a– a– 

download.jpgA. A jail cell, right?   Go ahead and say it.

Q. Why a jail cell?  Why not a psych ward?

A. Six of one, a half dozen of the other.

Q. What about the Christmas party?

A. What about it?

Q. It’s not a jail cell, is it?   It’s not a psych ward, is it?

A. Uh — er — I don’t suppose so, no . . .

Q. Then why not go to the party?

A. I can’t just go anywhere I please, on the basis of it not being as bad as a jail cell or a psych ward!

Q. Why not?

A. Because — that’s setting a pretty low bar.   I mean, you might as well tell me to go hang out in the Emergency Room.

Q. Wouldn’t the party be better than the Emergency Room?

A. That’s debatable.  In the Emergency room, there’s free coffee, and they’ll probably let me sit there all night, unless they’re busy.  Besides, they all know me, and they’re friendly toward me.  They’ll just say, “Hi Andy!”  And I’ll pick up a magazine, read it, and feel right at home.

Q. You honestly think that will be better than the Christmas party?

A. Maybe, maybe not.  But at least in the Emergency Room, I know what I’m in for.  At the party, anything could happen.  

Q. Like what?

A. There could be alcoholic beverages there.

Q. So what?  You don’t drink, do you?

A. No I don’t, personally.   But others might, and they might get drunk.  I can’t stand being around drunken people.

Q. But suppose nobody gets drunk.   What else might go wrong?

A. They might offer me marijuana.

Q. Then what will happen?

A. What do you think will happen?  Don’t be silly!   I’ll smoke it, and be grateful for it.

Q. If you would be grateful for it, then why would that be a bad thing?

A. Because I like it too much, and I’ll probably want to go out and buy some, which will cost me money I don’t have.   And then, I will no longer be grateful.  Besides, I like my sobriety.  It feels good.

Q. Can’t you just say no?

A. I could.  But I won’t.

Q. Have you ever tried?

A. Can’t say that I have, no.   

Q. Then why not just try saying no?  Just this once?

A, Okay.  I’ll grant you that.  But there are other temptations that could arise.

Q. Like what?

A. Oh — well lately — not sure how to broach the subject.  You see, I don’t deal well with these holidays.  People take off, everybody kinda leaves me in the lurch, and I feel more lonely than usual.   Usually, I’m not lonely at all.  In fact, I disdain loneliness.  I feel that loneliness is a pathetic and pointless feeling.   It’s like self-pity.  I should be bigger and better than such self-absorbed pettiness. 

Q. How did that answer my question?

A. It didn’t.  I just hadn’t gotten around to the point yet.

Q. Beating around the bush?

A. All right then.  When I’m lonely, I’m vulnerable.   I might meet another lonely person, and then — we might sort of hang out together — on the basis of mutual loneliness — and you know where that leads.

Todd Rundgren Quote: “Love between the ugly, is the most beautiful love of all.” (7 wallpapers ...Q. I do?

A. Don’t you?

Q. Why would I?

A. Come on!   Surely you’ve been lonely before!

Q. How could I have been lonely?

A. Hmm – well maybe you haven’t been then.  But I’ll tell you.   When two people get together, and they’re both lonely, it can lead to some pretty bad places.  

Q. Like where?

A. Like — like —

Q. Like what?

A. It can lead to places like —

Q. Hmm?

A. (after a pause) All right, I give up.   I’ll just go to the party.    

The Questioner is silent.  

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Tuesday Tuneup 63

Q. What are you doing here?

A. I’m doing my morning, starting my day.

Q. Do you do this every morning?

A. No, not every morning.

Q. Every Tuesday, then?

A. Not really, no. Only on some Tuesdays. Sometimes on Sunday mornings or Friday nights. Other times, not at all.

Q. What about your morning ritual?

A. What ritual? There is no such thing.

Q. But haven’t I heard you recently tell people about your morning ritual?

A. I may have. I believe it lasted for about four days.

Q. What happened after four days?

A. I imploded.

Q. What do you think caused the implosion?

A. It was the fact of my forcing myself to follow a regimen that ran counter to my natural biorhythms and overall design. The ritual failed to honor my nature, and thus it backfired. I have now rejected the ritual, and have returned to my former, much more spontaneous treatment of the mornings.

Q. Spontaneous?

A. Yes. I simply get up and do whatever I want to do.

Q. What did you do this morning?

A. I started this Tuesday Tuneup, figuring it was Tuesday. Then I went to the 24 hour store down the way for a large coffee to get myself revved up. When I got back inside, I cranked up my Audacity software and started doing the final edits on a three way distribution of the new Suspended album onto three large wave files. This is for posting online for those for whom a hard copy CD is meaningless. I have figured out a way to make them pay for having it on the Internet, it requires my releasing the url to a personal link.

This project being divided into Parts 1-4, Parts 5-8, and Parts 9-12, I finished Parts 1-4 before calling Danielle. This is our regular morning call, and I thought I was late, but it turned out she was running late. So we got a good chance to talk.

Q. Regular call, you say?

A. Well, not too regular. Moderately regular, within reason.

Q. Do you do nothing with regularity?

A. I do not, yes that’s right.

Q. Why is this?

A. Because regularity rigidifies, and cyphens one in to its own restricted domain, whereby one regards as intrusive any externalia, despite its level of priority. In the opposite of regularity — which is spontaneity — one remains ready for anything, and will deal with passing, more pressing priorities as they arise. This is all part of the practice of spontaneity.

Q. And this is what you practice?

A. Yes. This is why I am irregular, and disdain ritualistic routines.

The Questioner is silent.

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Tuesday Tuneup 61

Q. What are you doing here?

A. I’m fulfilling the requirement.

Q. What requirement?

A. I’m required to come up with a Tuesday Tuneup every Tuesday morning.

Q. Is that a requirement?  Or just a desire?

A. Okay, it’s a desire.  A requirement sounds a bit harsh, you’re right.

Q. Did I say anything about a requirement being harsh?

A. No – I suppose you didn’t.  But what is your question?

Q. My question is, why would you feel obligated to produce a Tuesday Tuneup if you don’t have anything in particular on your mind?   

A. Because it’s not really possible for there to be nothing on my mind.  The mind was designed to think.   And you have a way of drawing out what’s on my mind, even if I don’t know what it is at the start.

Q. What is on your mind?

A. What’s on my mind is how there really doesn’t seem to be anything on my mind this morning.

Q. But isn’t that on your mind?

Wellness Clipart | Free download best Wellness Clipart on ClipArtMag.comA. Ha — this is the kind of stuff that happens during meditation.

Q. Have you been meditating too much lately?

A. Well, uh – more than usual.  I don’t know it it’s too much.

Q. Do you think that meditation is clearing your mind of its thoughts?

A. Not exactly.  Otherwise none of this would be happening.  These are my thoughts, aren’t they?

Q. But didn’t you just say there was nothing on your mind?

A. Uh . . . I guess I was . . . a bit premature in presuming to pretend I had precluded all premediation from my — 

Q. From your preschool mentality?

A. Now you’re getting downright insulting!

Q. But aren’t I just playing off all the things you’re saying to me?

A. Jesus!   Now I know why meditation is such a menace.   I’m lacing up my shoes for a run in the snowy snow snow.   Laterz.  

The Questioner is silent.  

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Tuesday Tuneup 60

Q. What are you doing here?

A. Thinking.

Q. About what?

A. About what to do next.

Q. What are your options?

A. Well, I can start working on one of two stories due Friday, I can continue working on my new musical, or I can do neither of the above.

Q. What will happen if you do neither of the above?

A. I’ll probably flop down on the floor from exhaustion.

Q. Have you been working too hard lately?

A. You might say so.

Q. Why?

A. Because everybody else says so.

Q. I meant, why you have been working so hard?

A. Because I’ve been hurt.

Q. What is the relationship between your working hard and your having been hurt?

A. When I’m hurt, I don’t like to experience the super-painful feelings.  So I dive into a creative project of some kind.  Something so engaging that it takes my mind off the hurt.

Q. Isn’t that unhealthy?

A. Why would it be unhealthy?

Q. Aren’t you supposed to face the hurt directly?   Walk through the pain?   Experience it fully until it has been processed?

A. Why would I be supposed to do that?

Q. Wouldn’t you be in denial if you don’t?

A. Denial of what?

Q. Denial of your feelings?

A. I don’t think so.  I already know how horribly painful the feelings are.   That’s the reason why I turn my attention away from them in the first place.

Q. In other words, your creative work is your painkiller?

A. You could put it that way, yes.

Q. How long have you been doing this?

A. I believe I was seven years old when I began to do this.

Q. What happened when you were seven?

A. Somebody hurt me.  And that same year, I learned how to play the piano, write music, write stories, and draw pictures.

Q. Who hurt you?

A. God.

Q. How could God have hurt you?

A. He hurt me in the sense that He created death.   Before I found out about death, I assumed I was going to live forever, in a very happy place, with a loving family.  Naturally, when I learned this was not the case, I was shattered.   And not only on my own behalf.  I was shattered on behalf of the entire human race.

Q. Would it be better if we all lived forever?

A. Yes.

Q. But won’t we all live forever anyway?  I mean, in heaven?

A. We’d certainly like to think so.  But apparently that statement has been the theme of much debate.

Q. Would you like to engage in such a debate at this time?

A. No, I would not.

Q. What would you like to do at this time?

A. To be honest, my heart is hugely into this new musical of mine.  When I was super-hurt yesterday, I sat down and cranked out five songs for the first scene — songs I’d already written (music only, no lyrics) and saw in a very short time how they could form the exposition and a good part of the development of an engaging new story line. And I’m psyched! This really could be the best of all the musicals, if I hunker down.

Q. How many musicals have you written?

A. Five.

Q. How many have been produced?

A. One.

Q. Why only one?

A. Because the process of trying to produce a musical is tedious, cumbersome, arduous, uncertain, stressful, frustrating, maddening, and painful.

Q. And you don’t like to face those feelings?

A. You know I don’t.

Q. So what do you do instead?

A. Usually, I write another musical.  But not immediately.  I have to let the last musical set for a while.

Q. What do you do in the meantime?  I mean, if you get hurt?

A. Depending on the level of the hurt, I either write a poem, an essay, or a song.  Unless the hurt is really really huge.

Q. What happens when the hurt is really really huge?

A. I jump the gun and dive into the next musical.   It’s the way I roll.  When my mom died, I wrote a musical.   When my wife left me years ago, I wrote a musical.

Q. And you’ve started yet another musical?   A sixth?  And you knocked out the first Scene with five songs in one morning?

A. Yes.

Q. How hurt must you have been to do something so huge!?

A. It’s not really important how hurt I was, or who hurt me, or why.  The important thing is that I’m tired.

Q. Tired?

A. Tired and weary.

Q. Tired of what?

A, Please move on to the next question.

Q. So what is this new musical going to be about?

A. The original hurt.

Q. You mean, when you were seven?

A. No.  Even more original.  I’m talking about what happened in the Garden.

Q. You mean, Eden?

A. Eden.  The Garden that we’re all unconsciously trying to return to.

garden.jpg

The Questioner is silent.  

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Tuesday Tuneup 59

Q. What are you doing here?

A. Killing time.

Q. Have you ever really stopped to think about that expression?

A. What expression?

Q. Killing time?

A. No, not really.

Q. Well, think about it!  How can time be killed?

A. But — it’s only an expression.

Q. Why do you not answer my question directly?

A. All right, all right.  Literally speaking, I have no idea how time can be killed.

Q. Then what makes you think you can kill it?

A. That would seem rather presumptuous of me.

Q. So!  What are you really doing here?

A. Waiting.

Q. Waiting for what?

A. For it to be 11:24.

Q. What time is it now?

A. 11:05.

Q. What happens at 11:24?

A. The bus comes.

Q. Are you sitting at the bus stop right now?

A. No, I’m sitting in the Courtyard Cafe with my computer.

Q. How long will it take you to get from the Courtyard Cafe to the bus stop?

A. About two minutes.

Q. Then shouldn’t you have said you were waiting for it to be 11:22?   Won’t you miss the bus if you wait all the way till 11:24?

A. All right, then.   I’m waiting for it to become 11:22.

Q. What time is it now?

A. 11:08.

Q. So for how many more minutes will you need to keep this up?

A. For 14 minutes, sir.

Q. Why did you call me “sir?”

A. I don’t know.  It seemed — courteous.

the GADFLY - Music Venues - 117 Elm St, La Grande, OR ...Q. But what makes you think I’m a man?   Couldn’t I be a woman?   Why didn’t you call me “madam” instead?   Why did you assume I am a man?

A. I don’t know — uh maybe some kind of unconscious sexism of some sort?

Q. Sexism?   Don’t you believe in equal rights for women?

A. Equal, uh, er, rights, yes — and equal opportunity — but perhaps not equality in terms of — of —

Q. In terms of what, may I ask?

A. Well, I mean, anybody knows there are innate differences in the way men and women process information . . .

Q. Are you saying that women are less intelligent than men?

A. Don’t put words in my mouth!   I said nothing of the kind!

Q. Well then!   Just what are these innate differences you’re so convinced exist?

A. Um . . . for one thing, it’s well-known that men are more solution-oriented, and that women are — are —

Q. More problem-oriented?!   Is that what you’re suggesting?   That all we do is cause problems??

(Awkward pause.)

A. What time is it?

Q. Aren’t I supposed to be asking you the questions?

A. All right, it’s 11:14 already.

Q. And just how do you propose to spend the next 8 minutes?

A. In total silence, preferably.

Q. How the hell are you going to get that to happen?

A. Probably only if one of us stops talking.

Q. And who might that be?

A. I would hope that you would be the one to stop talking first!

Q. And if I don’t?

The Answerer is silent.

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Gratitude List 1307

1. Slept from about midnight till 7, pretty solidly.

2. I’ve noticed I haven’t been spacing things out lately gathering my stuff up to leave the house.   Also, always remembering to deal first with the power cord, I haven’t been leaving it at home lately, or elsewhere around town.   Grateful for this, and also for that I live in this present town, where absent-mindedness is not generally met with theft, as it was in so many other places where I’ve lived.  

3. Just read all of Proverbs 28.  Noticed I wasn’t resistant to reading first, as is often the case in the morning (when, as yesterday, I just want to start writing right away).   28:1 is one of my favorites and one of the few I have memorized.   I noticed 28:13 as applying to me recently.

4. I wasn’t angry when I awoke this morning, unlike yesterday.   I also had no problem not going to the computer right off the bat, but very methodically packed up all my things.

5. Finished the Vocal Score last night and did touch-ups on the script.   Should be submitted for registration with the Copyright Office by this afternoon.   I feel released of this burden — enough is enough.   Besides, what did Leonardo say?

Davinci Quotes On Art. QuotesGram

6. Very thankful to have finally “abandoned” my Art.

7. The thought that arose me out of bed this morning was that of journalism, and how it’s a bright new field in a bright new life.   Then, when I got to the cafe, I opened my email to a note from Tracy Simmons, who has put up my bio and picture on her news site, right at the top of her list.  (Now all I have to do is write something.)

8. Morning coffee is waking me well.

9. Grateful for my ongoing physical health and fitness, thus far.

10. It’s a beautiful brisk morning in the town where I was born.   God is Good.

 

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An Open Letter to the Community

Sun, 13 Oct 2019 8:17:54 PM -0700
From: Andy Pope
To: Heart of the Arts
Subject: An Open Letter to the Community

To Whom It May Concern:

I’m sensing from everybody’s non-response that everybody thinks I am making a mistake.  If so, everybody is wrong.

Nobody but me is in my head and my body when the peak of unmanageable anxiety strikes.  Why should I risk running out of the church screaming after throwing all my messed up attempts at organizing my work onto the floor?  True, you guys are tolerant.  True, my friend the church secretary was right when she said that very few people would have done what she did afterwards, which was to pick up everything and sort it back together after I threw an apparent tantrum.  But nobody but me is inside my head and my body.  Nobody but me knows that the “tantrum” is an effect of uncontrollable levels of anxiety that are solely produced by a failed attempt to manage vibrations from multiple human entities while trying to focus on the single task of vocal-directing for musical theatre as I always used to be able to do so prior to the Summer of 2017.

I know what you all are thinking. You’re thinking that Opportunity has knocked. You’re thinking that here’s a way for me to “give back” and make a contribution to the community. Well! I would make a much stronger contribution to the community if I sat here at home and finished the vocal score — which is nearly done, honestly, just a few glitches to correct — until it was in such a condition that somebody of the calibre of [Name Withheld] could interpret and direct it (if he wanted to) and somebody of the caliber of [Name Withheld] could actually play it. And they don’t have the problem dealing with the panoroma of discontinuous non-myopic autistic dyslexic blah blah blah that I do. I know everybody else is a nice person and tolerant and a good Christian but if so, why is everybody making me suffer?

It’s because nobody understands the autism spectrum, you all think it’s a moral problem, and the notion that I personally do not have any God-given desire to interact, other than in a superficial way, with any other human being again -let alone two or three or more — is unfathomable to all you social animals.  I’m an Autistic Artist and I Need My Space.

Now about the Summer of 2017. I was already speeding up the tempos before I lost the church job. But I could still VD – I just could. I remember one time taking over a Choir rehearsal and doing it. It was musical theatre style as per high school students as per my experience but the fact was I could do it. I tried the same thing last year, with my own music even, and I could NOT do it. It had to have been what happened throughout the summer of 2017 at the Friendship Apartments.  It hasn’t happened since then — but it left its mark.  PTSD is real.  You guys have gotta grasp that I’m not just whining.

I failed to help my ex-wife, I failed to help my daughter, I failed at vocal-directing my own show last Summer, and I will fail at everything I set out to do henceforth if I don’t wholeheartedly go about doing the one thing I seem to be doing right, which is write.(Other than a play a piano, and that sure isn’t making the O.G. any money. Not in this neck, and not without a car, and I’ll be damned if I try to start driving again after 15 years. Can any of you even imagine it? I’d wipe out on the first day.)

Mortimer J. Adler - Wikipedia
Mortimer Adler

To me this is a no-brainer. Now I’ve been trying to read Mortimer Adler and my reading of even the Prologue was hounded by these thoughts as-yet-unexpressed, so I have expressed them. Hopefully this has not been at the expense of the health of any of the recipients. Anyway this is easy reading and engaging compared to most Philosophy.  I think his thought is very important. I wish my daughter would read it — but this is not about my daughter. It’s about my musical and the heart failure I will have if I re-enter the exact same stress that I couldn’t handle last Summer.

We don’t have a Stage Manager. We don’t truly have a Vocal Director who can handle this score. We don’t have a rehearsal accompanist. All we have is a playwright trying to do five people’s jobs. We don’t even have but four people committed in the cast! How can I pull this thing off with only Kelsey and the Three Girls? It is not possible. I will just be going through the same junk as last Summer.

I’ve already talked to Dave and the deal is off. This show will be produced when it’s good and ready and not a moment before. I am not Superman.

Yes, scoring a piano-vocal score will take forever. Maybe I can find a piano-playing music student with perfect pitch and send them the recordings.  They’ll probably need to get paid.  And that’s another story!  But somebody has to sometime give the O.G. a break, I’m sixty-six, I’m retired, I want to write at home and live a quiet life.  I didn’t write a musical so as to get all wrapped up in its production and have the same kind of nervous breakdown that caused me to become homeless in the first place in 2004.  I do not need to become homeless again.

I wrote a musical so I could make a needed statement to America on an important issue using a medium with which I have a wealth of experience.  My role should be restricted to an occasional show-up at a production staff meeting and a show-up on Opening Night with a date.

Seriously,

Andy

P.S. And this weird idea floating around town that I’m supposed to have a lady friend or some kind of wife or girlfriend has got to be the most preposterous proposal ever propounded. Talk about adding stress to stress!  You guys act like I was born yesterday.  Really!

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Tuesday Tuneup 57

Q. What are you doing here?

A. Waking up.

Q. Literally or figuratively?

A. Both.

Q. Aren’t you usually an early riser?

A. Up at 3 this morning.   There’s a chair where I meditate sometimes.  I sat down to meditate, and fell asleep.

Q. Is this a good thing?

A. Sleep?  Generally, yes.  I don’t think we get enough of it.

Q. We?

A. We the People of Today’s Society.   We seem to run ragged on the lack of it, and even glorify ourselves in the process, as though proud of this insanity.

Q. How did we ever get that way?

A. First Industrial Revolution, I suppose.  From there it happened gradually.

Q. What about figuratively?

A. Figuratively?   Refresh my memory.

Q. Aren’t you waking up in some sense other than the literal?

A. Well yeah.   Waking up to some of the harder realities.   Folly in my behavior.   False sense of nobility.   Twisted use of the Golden Rule.  

Q. Twisted?

A. Check it out:

But love your enemies, do good to them, and lend to them, expecting nothing in return. Then your reward will be great, and you will be sons of the Most High; for He is kind to the ungrateful and wicked.  — Luke 6:35

Q. How did you twist that rule?

A. How do ya think?

Q. Did you expect something in return?

A. Yeah.   I didn’t think I did at the time, but I did.  When I was homeless, I expected compassion from people who lived indoors.  That was a pretty unwieldy expectation.  It set me up for a lot of disappointment.   Then when I lived indoors, I expected respect from those who were homeless.  That didn’t happen either.

Q. But the passage refers to loving your enemies.   Who, then, were your enemies?

A. That’s a loaded question.   For a long time, my enemies were just about anybody who slept in a bed, and who wouldn’t let me inside their front door, even for a half hour to take a needed shower, even when offered money in return.

Q. And how did you try to love these enemies?

A. By appealing to them.   By making them more important than my friends.   By trying to state my case, very respectfully, as to why they should let me inside their front doors.  By advising them how great their rewards would be in heaven if they did so.

Q. And who were your friends?

A. Homeless people.   People in the same boat.   People who knew how hard it was to be out there — not just being rained on — that wasn’t one tenth of it.   It was being stormed on — by people.   By condescending social workers, treating us as though we were good-for-nothing, incompetent nobodies.   By cops, security guards, business owners, property owners — and worst of all, other homeless people.   It was this indignity, this demeaning demoralizing crap, crammed into our heads, day after day, year after year — this idea that we were somehow worse than other human beings — if indeed, we were even regarded as human at all.  Much of the time, we were regarded rather as inanimate objects to be stepped around and shouted over, whilst we tried unsuccessfully to get our good night’s sleeps.  

Q. Go on.

A. I remember my one friend Jerome — a big black guy.   He and D’Angelo, another big black guy, they kinda protected me.   We slept in a big vacant lot.   I had my laptop.  If someone wanted to steal it, they’d have to get past these two big guys.  So I wasn’t so easy a mark.

Q. What about Jerome?

A. He would say to me — “Andy, if you ever get lucky enough to get inside again, you’re not going to be one of those guys who never lets us inside your house, are you?”

Q. What was your answer?

A. My answer was: “No!  Of course not!   I know what it’s like out here — I could never do that to any of you.”

Q. Then what?

A. Then I got inside.

Q. And you didn’t let them in?

A. I was thousands of miles away.  And light years away in culture.   I couldn’t let them in, so I let other homeless people in.   Homeless people, and people who were on the verge of homelessness.  

Q. And what happened?

A. Every single one of them took a gigantic dump on my good nature.   

Q. How so?

A. It pains me to go into detail.   I made house rules.   No alcohol in my house.   No cigarettes, no overnight guests, no sex.   Lights out at ten.   

Q. And they disobeyed your rules?

A.  Yes.  They dishonored my graciousness.   So you know what that means?   I expected something in return.  I expected appreciation.   I expected respect.    So where was the Golden Rule then?

Q. Aren’t you being a little —

A. Hard on myself?  Don’t even go there.   Yes, Jesus said to feed the hungry, to help the needy, and to take in the homeless.  He didn’t say that after I take in the homeless, I’m supposed to put up with them trashing my place and stealing from me.   How the hell is that helping anybody?   In fact, maybe it’s not about the Golden Rule.  It’s about not being a doormat, a masochist.   Not making oneself completely useless in a failed effort to help another.   Check it out, the very next verse:

“Be merciful, as your father in heaven is merciful.”  — Luke 6:36

Q. Is that what you were trying to do?   Be merciful?

A. Yeah, but I forgot something.   I’m one of the people I’m supposed to be merciful towards.

Q. So what about nobility?   

A. The sense of nobility, of ideals —  totally false.   A sham.   Nothing more than masochistic hypocrisy — if you can even imagine such a baffling combination.

Q. What would be more noble?

A. Gratitude.

Q. How so?  

A. I wanted them to be grateful.   They were not.   So I became bitter.  But then I thought, well, if I want someone to be grateful, then I myself should be grateful.   You know, Prayer of St. Francis.

Q. Refresh my memory?


A. If nothing else, it’s a great psychological tool.  If I want to be understood, I should understand.   If I want forgiveness, I should forgive.   So if I want gratitude, I should be grateful.

Q. Grateful to whom?

A. To God.   God gave me a nice secluded spot of my own after years of sleeping outdoors.  I had only prayed for a “lock on a door, a window, and a power outlet.”  God knew that was all I needed, and He gave me so much more than that.

Q. And how will you express this gratitude?

A. By being a good steward of this great blessing He has bestowed upon me.   By making it my spiritual sanctuary, my place of my repose, and the place where I accomplish my creative work.

Q. Did the people you let stay with you keep you from doing this?

A. Yes.  But I invited it.   So I could have expected it.   And now I’ve learned from it.

Q. What have you learned?

A. That there was a certain thousand dollars that didn’t come easy.   And now it’s gone.  I will never let anyone through that door again!

Q. Are you embittered? 

A. Perhaps.  But this too shall pass.  Are you but a gadfly?

The Questioner is silent.   

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A little bit goes a long, long way.  

Gratitude List 1282

1. Finished the 4th draft of Eden in Babylon yesterday.

2. Feeling relaxed and relieved as a result of #1.   The hard part’s over, now I get to go to the fun part.

3. Slept 4 1/2 hrs between 10:30 & 3, and another hour between 7 & 8.  Got a couple good naps in yesterday, and so I feel rested.

4. Choir will sing “Come Thou Fount” today, in that reverent arrangement.

5. Meditating around the toothache mindfully is decreasing the dread of pain.

6. Was able to find Draino for the kitchen sink.

7. Saw some nice snowflakes when I rose early and walked to and from the Sunset Market.

8. Alastair and I sure get along.  It’s always a joy to work with her.  Maybe she can help me create a more appropriate signature.   Also, I get the feeling Homeless No More will be syndicated, when the time is right.

9. Happy and thankful over the way the last scene came together, almost magically, as well as the new opening & closing number.   I’m blessed.

10. My daughter is here now, and God is Good.

 

Please donate to Eden in Babylon.
A little bit goes a long, long way.  

 

Tuesday Tuneup 56

finest work

Q. What are you doing here?

A. Getting ready.

Q. For what?

A. For a change in policy.

Q. Why does your policy need to change?

A. Because it’s ineffective.

Q. How is it ineffective?

A. Why don’t you just ask me what the policy is?

Q. Why should I ask you that?

A. Because you will then be able to determine for yourself why it is ineffective.

Q. Very well, then.  What is your current policy?

A. Reckless Abandon.

Q. With respect to what?

A. With respect to Art.

Q. How so?

A. I create continuously.   I create without letup or rest.  I create like a crazed maniac.   But I only create at random.  There is no order, nor rhyme nor reason, to the manner in which I create.

Q. Can you provide a specific example?

A. Yes.  The talks I gave recently, and the blog post I wrote as to how PTSD relates to the Homeless Experience.   This was random.  It was not something I intended to do according to a concrete creative plan.  It just sort of — happened — when I was moved to do so.

Q. And a second example?

A. The piano album I created, called Abandon.  It resulted from a comment someone had made that intrigued me.  I took off on that comment, until an entire piano album had been produced.

Q. Is this a bad thing?

A. Not in and of itself, no.

Q. Then why do you need to change the policy?

A. Because these creative endeavors have been keeping me from fully engaging a far more important creative task.

Q Which is?

A. The 4th Draft of my musical Eden in Babylon, and the 2nd draft of its musical score.

Q. Have you been procrastinating?

A. Yes.  But I prefer to frame it a bit differently.

Q. How so?

A. It’s not so much procrastination as it is preparation.  

Q. How can procrastination be preparation?

Labor of Love – A Semester’s Reflection | Kelsey BrannanA. It’s like so.  When I procrastinate, I engage my creative energies in a way that pleases me.  It is not what I have to do.  It is what I want to do.   In doing so, I practice creating out of desire, not out of obligation.   Then, when I cease to procrastinate, the desire to create remains — for I have practiced it.

Q. Do you mean to tell me that when you implement the new change in policy, the Object of your Creative Desire will immediately be changed?

A. Yes.  When the clock strikes midnight tonight, the Object of my Artistic Affection will be altered. It will no longer have anything to do with homelessness, or PTSD, or even blogging, for that matter.  Nor will it involve my piano playing.  It will instead return to what it was before I deviated off onto those artistic tangents.

Q. In other words, at the stroke of midnight, you will immediately reactivate the desire to work on your musical?

A. Not exactly.  It’s already been activated.  I just haven’t begun to do it yet.

Q. Why not?

A. Because it isn’t time yet.  It happens at midnight tonight.

Q. Why?

A. Because it’s been scheduled that way.

Q. Why adhere so strictly to the schedule?

A. You want the whole rundown?

Q. Why not?

Funny sublimation designs downloads quote funny Not | EtsyA. Very well then.  To be honest with you, when we suspended operations on the project, I became depressed.  I blamed myself for falling short.   I remained depressed for eleven days.  And I accomplished nothing.

Then I decided to deal with the depression in my typical, lifelong fashion.  I would hurl myself full force into various artistic endeavors.  But I wouldn’t work on the musical, because it was too depressing to think about it.

In the process of working on these less pertinent, less relevant side projects, I became happy again.   And now that I am happy, and longer depressed, I will resume working on the musical, and be happy doing so.

Q. So you’re trying to tell me that the same project that earlier depressed you will now make you happy?

A. Yes.

Q. Why do I find that hard to believe?

A. Probably because you’re either not an Artist, or you don’t know me very well, or both.

Q. May I ask a question that might insult you?

A. At your own risk, ask away.  

Q. Why do you think you can pull it off?

A. Because my name is Andy Pope.   Any further questions?

The Questioner is silent.

Please donate to Eden in Babylon.
A little bit goes a long, long way.  

 

A Difficult but Just Decision

Even after the Good Cop Bad Cop maneuver, only six out of twelve showed up on Friday’s rehearsal.   That, on top of other factors, has caused me and Dave to make the decision cited in the email below:

Team:

We have come to the difficult decision to postpone our reading of Eden in Babylon. After a couple of weeks of cast fluctuations, some difficulty with scheduling and a hard look at our current workloads and available resources, it makes sense for us to step back to reduce the stress and to be sure to give this piece the attention it deserves. The hiatus will give us an opportunity to find additional collaborators to help us with logistics. And it will give Andy time to finish up the scoring and materials to help teach and learn the music most effectively.

At this point we don’t have a new target date for the reading. We’ll let you know as we know more. You’ll all be on our list when we get ready to put together a cast in the future.

Thank you all for the work you’ve done. We truly appreciate it. We will keep in touch as we look for the right time to do this show.

Thanks again,

Dave and Andy

The wording is Dave’s after a lengthy discussion, and he and I are in agreement.  Not only will this give me two months distance from a situation in which my overloaded, all-over-the-map semblance was promoting a loose and chaotic atmosphere, but it will clearly communicate to the Kids who have been screwing around that we mean business with this thing, and they can’t just take my kindness for weakness.  A lot of the Street Kids were like that, too. They saw me as a pushover, and that shit’s gotta stop.  The ones who are good know who they are.  Their loyalty will be not be forgotten.

Please donate to Eden in Babylon.
A little bit goes a long, long way.  

 

Good Cop Bad Cop

Here’s a little slice of my present-day life — a far cry from where I was three years ago, flying a sign on sidewalk in Berkeley figuring I’d be dead in a gutter any day now.

As most of you know, we are producing a concert reading of my musical about youth homelessness in America.   People in the cast have gotten a little lax about showing up, and some of their reasons remind me of things the Street Kids used to try to tell me when they were trying to convince me I owed them money.   

Police Man Thumbs Up - Down Saying Like And Dislike Stock ...

So yesterday the director and I decided to play Good Cop Bad Cop.  Below you will find my email to the cast, followed by Dave’s email about three hours later.   I told him this was great teamwork.   Hopefully, the cast will get the picture, after this:

To the Cast of Eden in Babylon:

ALL means ALL.

I expect to see ALL who have been called tomorrow at 3pm for an “Awake the Dawn” rehearsal, with the exception of Seth and Matt.

On Friday, only four people showed up. Kathy will be making 12 copies of the “Awake the Dawn” score, so that each of you will have his/her own hard copy part.

Come on. No more sudden excuses, no more last minute bail-outs. Michael* has been fired; his behavior and attitude have been completely unprofessional and unacceptable. If you want to be in Eden in Babylon, please prioritize this important project from here on in. If you need to miss a rehearsal, please give me notice. I have received too many texts either immediately before the rehearsal or, in some cases, during the rehearsal, for my comfort. Not to mention, some of the “reasons” why people need to miss rehearsal have been, frankly, implausible.

All that said, I would like to extend a very special thank you to Zach, Alexi, Liz and Vincent for your excellent work on Friday.

I will see you ALL — except for the two exceptions cited, tomorrow at three.

Andy

*The person who has been dismissed is not actually named Michael.  All right — so here’s Dave’s version:

 

Team,

First, thanks for your work on this so far. Every rehearsal I’ve been able to make has shown heart and musicianship and forward momentum. Let’s keep it going.

We’ve got a lot of time until our performance, but we also have some work to do. Andy is working hard to get all of you comfortable with the music so we can put the best possible product on stage in a couple of months. To do this, we all need to work together. Please help us – particularly Andy at this point – by respecting everyone’s time and effort. If you’re having trouble accessing or understanding the calendar, let us know. Everyone should have access. Please look at it a week in advance and plan your schedule accordingly. Let Andy know – well ahead of time – if you can’t make a rehearsal. It may seem like a small thing to miss a rehearsal right now, but it all adds up. It’s also very hard to have a productive rehearsal when we don’t know who is going to be there. Please respect your collaborators and the process.

With all that said, we’ll continue to try to improve the communication process as well. We’re trying to find a stage manager to help with this. We’ll keep you posted.

Thanks again for your work. See you soon.

Dave Harlan
Director – Eden in Babylon
Artistic Director, Moscow Art Theatre (Too)

Obviously, I’m lucky to have a guy like Dave.  I’m lucky to be alive – let alone working on a project like this.   And who knows?   Maybe next time I’ll get to be the “good cop.”

 

Please donate to Eden in Babylon.
A little bit goes a long, long way.  

 

Tuesday Tuneup 51

Q.  What’s been bugging you lately?

A.  The Tuesday Tuneups.

Q.  Why?

A.  They’ve lost something.

Q.  How so?

A.  I think it started around about the time it would be a nice “game” to ask my readers to select a question for me, rather than me selecting one that I knew would work.

Q. How would you know?

A. Because I’ve been doing the “tuneups” since 1987, though not online, and not always on Tuesdays.   So I’ve accumulated a compendium of questions that do work.

Q. So are you going to select a new question for next week?

A. No.  I’m going to discontinue them for a while.

Q. Why?

A. Overloaded.   I’ve been dealing with what I call “Mainstream Stress” and it’s affecting my sense of integrity.

Q. Mainstream Stress?

A. The kind of stress one gets only in the Mainstream; that is, when one has multiple commitments, and has to show up at many specific places at specific times, prepared to conduct oneself according to an expected fashion.

Q. Are you trying to say you’ve been working too hard?

A. Something like that.  But I’ve always worked very hard.  I just haven’t done it to deadlines, or under pressure, in recent years.

Q. Why not?

A. Because I don’t believe that deadlines and pressures are good for the human spirit.  I also believe that my not having operated according to these Mainstream values is what has kept me generally happy and healthy over the years.

Q. And you are not happy and healthy now?

A. Still healthy, though at risk.

Q. And happy?

A. That depends upon what is meant by happiness.

Q. Why are you evading the question?

A. Scripture equates happiness with God’s blessings.  I have definitely been in receipt of God’s blessings.

Q. Then why aren’t you happy?

A. Because, apparently, I have been seeking happiness from a source other than God.

Q. What source is that?

A. Art.

Q. You have a friend named Art?

A. Um, no — I do know one guy named Art, but he’s only a casual acquaintance.   I’m talking about Art — as in Music.  Writing.  Singing.  All the things I have turned to in order to give beauty to an ugly situation.

Art


Q. What situation?

A. I can’t answer that.  I am sorry.  It’s too deep and too personal.

Q. May I then therefore be excused?

A. Not just yet.  Let’s decide when the Tuneups will recur.

Q. When would you like them to recur?

A. October 1, 2019.

Q. Deal?

A. Deal.

Angel and demon deal Vector Image #131294 – RFclipart

 

The Questioner is silent. 

Please donate to Eden in Babylon.
A little bit goes a long, long way.  

 

Tuesday Tuneup 49

Q. What’s really bugging you this morning?

A. Way behind on my work.

Q. Is that all?

A. Lousy computer, slowing me down.

Q. Anything else?

A. Scattered, evasive mind-set.  Unwilling to confront harsh realities.  Impatient.  Resentful.  Objecting to this and that.   Generally freaked out.

Image result for pressed for timeQ. Why?

A. Overload.  Too much going on.

Q. What can you do to change this?

A. Simplify.  Eliminate unnecessary stressors.  Smooth out the rough edges.  Count the minutes, count the costs.

Related imageQ. And the costs are?

A. Exorbitant.

Q. How so?

A. You don’t want to know.

Q. May I then therefore be excused?

A. I’d prefer it, frankly.  Am under time pressure.  Time is money and money is time.   I have more important things to do.   Goodbye.

The Questioner is silent.

Please donate to Eden in Babylon.
A little bit goes a long, long way.

 

Re: Tuesday Tuneup 44

A part of me was thrilled when I got more “likes” the day I posted Tuesday Tuneup 44 than any other day since I’ve been on WordPress.  But the greater part of me was disappointed, because hardly anybody was playing the game.

I thought about it, and I decided that in the Q & A where I described the game, I didn’t describe it very well.  I used too many words, and the essence of the game got lost.  So let me try again.

The game is to come up with a simple question that the Questioner in the Q & A can ask the Answerer repeatedly, and receive different answers every time it’s asked.

Sample questions would be:

Q. How are you feeling today?

Q. What’s on your mind?

Q. What are your plans for the weekend?

The answers to such questions will vary from one Tuesday to another.   This is the point of the Tuesday Tuneup.   If someone asked me “how are you feeling today?” I might say: “Great!”  Or I might say “Not so good.”  Then the Questioner might ask: “Why?” or “Why not?”  And we take it from there.

If you click on the three links to Tuesday Tuneups below this post, you’ll find examples.  All you gotta do is read them, and I’m sure you’ll see what the Tuesday Tuneup is all about.

I’ll decide which question I like the best, and then I’ll start using that question in my tuneups, at least for 22 more times.

Also, if you asked a question last week, please repeat it here — or even a different question, should you decide to change your mind.   We’re starting from scratch.

Get it?  Got it?  Good.

Please donate to Eden in Babylon.
A little bit goes a long, long way.

 

Gratitude List 1116

(1) I’m in good spirits this morning, and rested, after a lengthy period of anxiety and self-doubt.

(2) I’ll be turning 66 on Wednesday, and I have yet to have a serious physical ailment beyond a flu or a common cold.

(3) I’m at a new clinic where I have finally begun to receive effective treatment for my Severe ADHD and Dyslexia.

(4) Though I awoke discouraged, I found myself encouraged after a long talk with my good friend Danielle, wherein I was reminded of all the many positives in my present life.

(5) Just after Danielle and I got off the phone, I received a first-time call from Jennifer, the new behavioral health specialist at the clinic.   As a result of her influence and insight, I am uplifted.  I am now encouraged to focus on that which I am able to change; i.e., my own self, and not on those whom I am unable to change; i.e., most of my old friends and family members in the State of California.

(6) Alastair not only published two of my articles in the April issue of Street Spirit, but is giving me the opportunity to write regular monthly articles on a certain exciting theme, and also is willing to recommend my work to three major San Francisco Bay Area newspapers.

(7) I have found a publishing house in White Plains, Michigan willing to publish the anthology I am compiling of stories I’ve written about homelessness in America.

(8) Two weeks ago, I received a definite offer for a production of an unstaged concert-reading of Eden in Babylon at a local community theatre company.  The only reason I’ve not yet said “yes” is because a fully staged production is in the works at a much larger venue on the University level.   

(9) I have not met one person in this city who does not want to see Eden in Babylon produced here and elsewhere.   By contrast, there was not one person in the last city where I lived who cared about my musical at all.

(10) Three years ago I was in that city — and I was sleeping under a bridge.  I had been homeless and borderline-homeless in the San Francisco Bay Area for twelve years — and life was getting worse and worse.  Everybody I knew had given me up for gone.   Everybody I knew was just waiting to read my obituary, and I myself expected to die a miserable death in a California gutter.   Now, three years later, every prayer that I prayed to God in anger, yea, in outrage – is being answered – in spades.

Life will always have its ups and downs, and we are none of us perfect.   But the fact that I am not only alive and healthy, but also in the process of fulfilling my life’s dream, is little short of a miracle.  Glory to God – to the One True God — Jesus Christ the Same: Yesterday, Today, and Forever.

Please donate to Eden in Babylon.
A little bit goes a long, long way.

Gratitude List 921

(1) Although it took 17 minutes to get from the point where I pressed the “start’ button on the old Dell Latitude to the point where I have successfully logged on and open my browser, at least it works.  (And at least I had 17 minutes to spare.)

spirit scinece quotes(2) Slept well and long.

(3) Continuing beautiful weather in this neck of the woods.   

(4) Considering the newly broken ThinkPad screen and other obstacles, I’m in a pretty good mood this morning.  I’m rested and looking forward to the new day.   

(5) Third cup of free coffee at the Courtyard is helping, as did the $3 traditional breakfast.

(6) Was able to get the right HDMI adapter from the Kid across the way in exchange for $5 for chewing tobacco.  So now I’m using the ThinkPad as a “desktop” with my flat panel, instead of the Asics, and it’s a much better display.  I also finally fixed the Zoho problem where they kept sending text verifications to the wrong phone number.  So I can get on Zoho Mail on all my computers now.  Sure is nice to have three computers (or portions thereof) to mess with, instead of only zero – like it was for so long earlier.

(7) Friday night I got the first donation on Eden in Babylon for almost five months.  This could be auspicious.  Also, someone mentioned they would mail me a donation, and I heard from Denise who says my check for Classism in Our Schools should be in the mail today.  A friend helped with food and such over the weekend, and it’s good to know that I have support.

(8) Denise also referred me to Spare Change, which I believe is a Boston newspaper akin to Street Spirit.  These small articles don’t pay much, but they’ll all add up if I can get more of them.  

(9) Had the great experience of meeting Rob Caisley, the playwriting teacher at U.I., when he sat next to me at the closing matinee of his new play, The Open Hand.  He agreed to meet with me in his office to discuss my musical Eden in Babylon.   I’m to email him and set up a time.

(10) Outside of present-day preoccupation with technical malaise, I’ve noticed lately that I’m not looking backwards so much these days as I am looking forwards.  Instead of thinking: “At least things are better now than they were three years ago,” I’m thinking: “If things are this much better now than they were three years ago, think how great they’re going to be three years from today!”  It makes a difference, believe me.  

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

)

Tuesday Tuneup 21

Q. Do you know who I am?

A. Not this again!

Q. Why have you summoned me?

A. Because I’m getting tired of hearing these first two questions.   

Q. Why are the questions tiring you?

A. Isn’t it obvious?  They’re the same every time.  No variety!  And besides, I’m running out of clever answers.

Q. Why do your answers have to be clever?

A. Because I need to entertain my readers.

Q. Why do you need to entertain your readers?

A. Because I’m an entertainer.  It’s what I do.  If I don’t entertain people, then I fail.

Q. And if you do entertain people?

A. Then I succeed.

Q. You equate success with entertainment?

A. If I’m in the entertainment business, I do.

Q. How long have you been in the entertainment business?

musical prodigyA. Since I was a little boy.

Q. You were an entertainer when you were a little boy?

A. Yes.  I was expected to entertain everybody.

Q. And if you didn’t?

A. Then they got bored.  They shrugged and frowned and said: “Oh boo!  You could do better than that!”  And then, they walked out.

Q. How did you feel when they walked out?

A. I felt — abandoned.  Abandoned — and worthless.

Q. And then what happened?

A. I cried.  I waited till they were all gone —  and when I was all alone, I burst into tears.  And if I couldn’t stop crying, I had to run and hide.

Q. Why?

A. So my dad wouldn’t find me.

Q. What would happen if he found you?

A. I’d be punished.

Q. Why?

A. Because a man wasn’t supposed to cry.  

Q. How did that make you feel?

A. Pressured.   Pressured to perform — to always be entertaining, in order to gain their interest, and their acceptance.  

Q. Do you mean to suggest that when you were little boy, you were judged on the basis of your performance?

A. Yes, I was. And guess what?

Q. What?

A. So are you.  You are being judged on the basis of your performance.  For even as I was judged, so do I judge others.

Q. How are you judging me?

A. I’ll tell you how! If you don’t come up with two new questions by Tuesday Tuneup 23, then you fail.   My judgment will be chiseled in stone.  There will be no forgiveness.  Only condemnation.  

Q. You mean – you’re going to do away with me??

A. You got it.

Q. But isn’t that a bit severe?

A. Well how do you expect me to react?   If you cease to entertain me, I have no further use for you.

Q. Are you saying you’re going to abandon me?

A. What else can I do?  Be with you till the ends of the earth?  Of course not!  I am going to leave you and forsake you.  For even as I have been abandoned, so do I abandon others.

Q. But – but – don’t you feel like you’re putting too much pressure on me?

A. Of course I do. Even as I have been pressured, so do I pressure others.

Q. What if I fail?

A. Then you’re gonna get a whoopin.’

Q. You’re not going to resort to — corporal punishment, are you?

A. I wish I could.

Q. Why can’t you?

A. Because all you are — is words.   Baseless words, without feeling or flesh.  And that’s how I felt when I was a kid.  My feelings didn’t matter.   My body, my flesh — didn’t matter.  The only thing that mattered — was that I entertain.   And if they didn’t clap for me when I played the piano, and if they didn’t laugh at my jokes in between songs, then I failed.  And if you don’t start entertaining me again, man —

The Questioner gulps.

Q. Then I fail?

A. You said it.

Q. But — what other two questions can I come up with?  

A. That’s for you to decide.  I’m not your Director.  I’m only your Creator.

Q. But – but – but what if — ???

A. No buts!   You have till Tuesday after next.   On Tuesday, August 21, 2018, I expect you to start off with a new pair of questions.   Do you hear me??

The Questioner is silent.  

Please donate to Eden in Babylon.
Anything Helps – God Bless!

Hunted

There was neither a speech nor a piano recording this week, for the simple reason that I’ve been relying on the high-quality microphone in my lady friend’s Motorola smartphone in order to make these recordings, and while she’s away visiting our friend on the Coast, I could not manage to locate another device.

On another level, however, I am still dealing with enormous exhaustion after having put my all into the creation of this new musical, Eden in Babylon, and having at last received the recordings on the demo for that musical.  The third and final song in the demo, my song “Hunted,” is below.

Hopefully the present innervation precedes a future innovation.  It’s going to take quite a bit of ingenuity to instigate the initiation of this initial production.   I can’t just sit at home idling with incessant alliterations, to no avail.  I have believed in this message to the Mainstream of Modern American Life.   Now all I need to do is make sure the message is heard.  

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

Tuesday Tuneup 17

Q. Do you know who I am?

A. Yes.  You are a part of me.

Q. Why have you summoned me?

A. Quick, spot-check tuneup.  I know, I know — it’s Thursday, not Tuesday.  I’m two days late.

Q. Why so late?

A. Exhaustion.  Sleeping round the clock ever since July 4th, for eight days barely fitting in all the things I’m supposed to be doing in this world.

new-beginning-quotes-picturesQ. What happened on July 4th?

A. Independence.

Q. Independence from what?

A. From Eden in Babylon. 

Q. You were — enslaved by Eden in Babylon?

A. I was indeed.  Enslaved by my own work.

Q. And now you are free?

A. In a very real sense, yes.  I need no longer belabor this script.   It’s as good as it needs to be, in order for me to submit it.

Q. Don’t you need the demo in order to submit it?

A. The demo is on its way.   The pieces for the final mix are coming in.  Listen to this one, the first one — you gotta admit it’s not bad:

Q. Who’s the singer?

A. Her name’s Erika.  Very good singer, classically trained with a degree in Voice, and having musical theatre experience.  Obviously, she put her whole heart into it.  I acknowledge her in full, along with the sound engineer, on the credits.

Q. But don’t you need more than one song on the demo?

A. They’re on their way.  I’ve heard drafts of the mixes.  The engineer is in the process of preparing a final mix.   It won’t be long now.

Q. And then what?

A. Then I package the show, of course.  I send out packages to theatre companies who accept submissions of new musicals.  And also, to theatre companies where I’ve worked in the past, or where I know people with whom I’ve worked, people who might think well of me from the start (as opposed to hearing from a total stranger.)   

Q. Won’t this cost money?

A. Gee, I thought you’d never ask.  Of course it will cost money.  And this could take a long time.

Q. Won’t that be a drag?

A. Maybe.  But the way I look at it, it’s all part of the process.  It could take a long time, or it might not take very long at all, depending on how it’s meant to be. 

Q. What if it’s not meant to be?

A. Oh, it’s meant to be all right.  If it weren’t meant to be, it wouldn’t have gotten this far. 

Q.  But once you’ve sent out your script and your music, won’t you have to wait to hear from these companies?  For months on end?  Possibly years?  What if you never hear from them at all?

A. Then there’s another alternative.  Rather than put most of the money into submissions, put only a little bit of the money toward that aspect.  Say, 20%.  The other 80% will go toward funding a trial production — a local production, renting out a local house that will be ideal for the show.  And then — inviting key people to the production.

Q. So then you can invite the people to whom you’ve submitted the show to come to this local production?

A. Yes.  And not only them – but all kinds of other people.  We’ll run the show for six nights only, over three weekends.  

hartungQ. Can you get this venue for three weekends in a row?

A. If I start soon enough, I can.

Q. How much does it rent for per night?

A. Two hundred bucks.

Q. So that’s $1200 you need already?

A. More than that.  Add an extra four nights for tech week, and make it $2000.  Plus, they provide the technical staff, and I have to pay them $15/hr.

Q. And won’t there be other costs?

A. All kinds of costs.  I need to print out scripts.  I might need to rent a rehearsal space, some building on campus somewhere, a space to use only to rehearse.  Then of course I have to hold auditions somewhere, and get a cast together.  Prior to that, there will be advertising costs.   This thing could cost me hella money, let’s face it.

Q. Won’t there be some kind of return?  Or profit margin?

A. I wouldn’t say profit.  But a partial return, in terms of box office receipts.  Even for the trial production at the perfect 400-seat theatre I have in mind, there will be ticket costs.  I won’t let people in for free.

Q. So some money will be coming back?

A. To somebody, yes.  Maybe that can go to the investor, or investors.

Q. Investor?  Investors?

A. Yeah.  That’s what I’m thinking,.  Some detached person with little more than a monetary interest, might kick down some reasonable sum of money in exchange for box office receipts, and a small profit.

Q. But will that be enough to produce the show?

A. Naw, it would only be a jump start.  A drop in the bucket, maybe.

Q. Where will the rest of the money come from?

A. Grants.  Loans.  Financial aid.   LP sales.

Q. LP sales?  

A. Yes.  First off, I’m trying to sell my LP.  I’ve managed to sell over 15 CD’s – you know, hard copies, to people in the hood who like my stuff.  But online, last I checked, only two people had bought one.  And they were both, like, friends of mine.

Q. Isn’t that discouraging?

A. I try not to think in those terms.  I just have to push harder.

Q. But doesn’t this all go against your grain?

A. What grain?  You gotta do what you gotta do.  And relax in the process, knowing that the outcome is inevitable.

commitmentQ. Inevitable?

A. Inevitable.  It’s meant to be.

Q. How can you say that?

A. I just can.  I just know.  It has something to do with the nature of complete commitment, and forging forward continuously, despite obstacles.  

Q. But how do you know that your commitment is complete?  I mean, if you did nothing but sleep for eight days after you finished your script, that hardly indicates the kind of commitment that suggests hard work and fortitude.  

A. Maybe not.  But it shows how much work went into that script, and why an eight day crashout would be warranted.   And besides, there’s a universal nature to all of this that plays upon my very laziness, the very burnout of which you speak.

Q. How so?

A. It’s like this.  Whenever I sink, whenever I crash, whenever I begin to feel that the whole project is random, and senseless, and pointless, and useless, and doomed to failure from the start, something happens in the Universe that alerts me back to the program.

Q. What do you mean?

A. Take for example when this demo came about.  I had all but given up on the project.  I had turned my attention to other things, more tangible, lucrative ventures.  But at that very moment of disillusionment, the sound engineer appeared, willing to provide his services for free.   This revitalized me.

And then, the money for the singers manifested at the exact time when we could do the studio work, and I could actually pay them.   Saving up for months to pay competent, trained singers, actually worked.  It was frustrating having to scrimp and save, while former associates of mine, people with money to spare, were only laughing at me and scoffing at me.  But they too were a provision of the Universe.

Q. How so?

A. They provided the Resistance.  Without resistance, there is no creation.  Without an enemy, there is no battle.

Q. Then this whole thing is a battle?

A. Yes. I am at war.

Q. At war with whom?

A. With you, to be truthful.

Q. Why me?

A. Because you always question everything I do.  

The Questioner is silent. 

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

Gratitude List 853

1. It’s great to have my own shower and be able to change into clean clothes, and lay on my own bed, and feel as though I am an honored guest in my own home.

2. Good exercise today, a brisk three mile walk in the warm breeze, between around six and seven.

3. There is a wonderful woman in my life today who loves me.

4. God loves me. He doesn’t see me according to my past, or my sin; but according to my future, and my righteousness in Christ.

5. Nice hanging out with R. today, and having him over for conversation with me and Jan.

6. It is great that Echo found a room on the Delta, and that she’s going to have a dog.

7. I finished Eden in Babylon on July 4th, and here it is again linked to you, formatted as best I can. It’s a much better script, thanks to the MFA playwrights at the critique, and very special thanks to Jan.

8. Stats are booming:

booming

9. Jan gets to visit our friend Sippa for a few days, and this is a very good thing.

10. God is Love.

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

Tuesday Tuneup 16

Q. Do you know who I am?

A. Sure do.  You’re a creation of mine who always questions everything.   

Q. Why have you summoned me?

A. Because I can.  I have the power to do so — the God-given right, and the authority.

Q. Are you my authority?

A. Yes, I am.

Question AuthorityQ. Are you proud of that position?

A. I am indeed.

Q. But why, specifically, have you summoned me today, sir?

A. For the usual reasons.  I summon you every Tuesday, when I need to do a little introspection.  You might say, a tune-up.  I’ve done it 16 consecutive Tuesdays in a row now.

Q. Are you proud of that accomplishment?

A. As a matter of fact, I am.

Q. Why?

A. Because it represents consistency.  And consistency represents stability.   

Q. Are you usually unstable?

A. Yes.  Or so I’m told, anyway.

Q. Who tells you this?

A. Stable people.

Q. Such as?

A. I decline to name names.  But I’m sure you know the type of person I mean.  The kind who can hold down a 9-5 job, stay in one town for a long time without wanting to vamoose, and so forth.

Q. Are  you unable to hold down a 9-5 job?

A. Not for very long.  

Q. Why not?

A. I’m not sure.  But I do know that the last time I held down a 9-5 was in the year 1990, and I didn’t last through the year.

Q. Why not?

A. Got fired.

Q. Why?

A. Got beat out in the competition.

Q. With whom?

A. With a more stable person, obviously.

Q. Are you sure this is the real reason for your not holding down a 9-5 job?

A. You paint me into a corner, you  do.

Q. How’s that?

A. You force me to seek out a deeper reason.

Q. Such as?

A. Such as maybe I just don’t want to hold down a 9-5.

Q. Why not?

A. Because I have no confidence that I won’t be fired.

Q. Why not?

A. Because every time I start out with confidence, I wind up getting fired anyway.  So I’ve developed a —

Q. Block?

A. Maybe.

Q. Disdain?

A. Closer.

Q. Frustration?

A. Closest yet.

Q. So why do they fire you?

A. Three things.

Q. Namely?

A. Number One, I’m extremely absent-minded.  I space too many things out, and it frustrates my employers and co-workers.

Q. Number Two?

A. I show up late.  I keep looking for things in my apartment that I’ve spaced out, things I need for the job, and can’t find them.

Q. Why don’t you just leave them at work?

A. My glasses?  My keys?  My wallet?  Come on.

Q. What’s the third reason?

A. Can’t handle stress.

Q. What happens when you’re under stress?

A. I implode.  I shut down.  I can’t function.

Q. Is that why you’re on disability?

A. Pretty much.

Q. So how do you spend your time on disability?

A. Doing things I can do.

Q. Such as?

A. Play the piano.  Sing.  Write music.  And write.  Oh – and run long distances.

Q. Why is it that you can do those things, but not the normal 9-5 office type things?

A. I think it has to do with the fact that they can all be done while I’m totally alone, with no other people around.

Q. Does being around people stress you out?

A. Somewhat.   Although I am in a relationship now, and I spend a lot of time with my flame.

Q. How’s that going?

A. Amazingly well.  We seem to compliment each other nicely.

Q. But don’t you get stressed out sometimes being around her?

A. Sometimes.  But we take the time to work through the stressors, and wind up the better for it.

Q. Then why can’t you do the same thing with your office mates on the 9-5?

A. Because they don’t give me the time.  Everything is done according to deadlines, and time pressure.  

Q. You don’t work well to deadlines?

A. Not at all.  I cease to function completely when under time pressure.

Q. But you work well without deadlines?

A. Look at all the stuff I’ve accomplished.  All over this website.  Were any of those things accomplished according to deadlines?

Q. I don’t know – were they?

A. Not at all.  They’re all labors of love.  And no deadline has been involved whatsoever.

Q. What about the Tuesday tuneups?

A. I space a lot of them out, too.  Some are composed over the weekend, or late Monday nights.  Some I don’t even get around to until Thursday.   But I’m trying.

Q. Why are you trying?

A. Because I’d like to show the world some consistency.  Some stability.   So I figured I’d set some mild deadlines for myself, and see if I could keep them.

Q. What other deadlines have you set?

A. I’m supposed to come up with a Scripture every Sunday, a Gratitude List every Monday, this tuneup every Tuesday, a speech every Wednesday, a substantial essay-like blog post every Thursday, and a piano video every Friday.

Q. Who says you’re supposed to?

A. I says.

Q. And if someone else says?

A. No can do.

Q. Problem with authority?

A. Hey!   What are you trying to insinuate?   

Q. Does it . . . seem like I am . . . trying to insinuate something?

A. You heard me!   You’re insinuating that I have a problem with authority, aren’t you?

Q. Am I?

A. Of course you are!

Q. But aren’t I . . . only . . . doing my job, sir?

A. Don’t put words in my mouth!   You actually have the audacity to insinuate that I, your sole Creator and Absolute Authority, have a problem with authority?   What authority?  Who’s my authority? 

Q. Well . . . isn’t your own Creator your authority?   I mean  . . . isn’t God your Creator and your Absolute Authority?

A. GOD??  And who, pray tell, would be God’s Creator?  And His own Absolute Authority?

Q. Why do you challenge me with such intellectual matters, sir?

A. Because it’s your job, damn it!   I summoned you to do your job!

Q. Are you going to fire me, sir?

A. I just might!  And if you don’t want to get fired, young man, I suggest you keep your big mouth SHUT!!

The Questioner is silent.

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

Tuesday Tuneup 14

Q. Do you know who I am?

A. Move on to the next question.

Q. Why have you summoned me?

A. Because in a single morning, I have already been thrilled, angered, and thankful.  

Q. Why thrilled?

A. If all goes well, the third and (hopefully) final draft of my musical Eden in Babylon will be finished by sundown.

Q. Why angered?

A. Because I was on a total roll with my rewrite, when all of a sudden after a change of location my new laptop was unable to pull anything up but the previous owner’s Ubantu desktop.   

Q. Why thankful?

A. Because I came home to the previous owner who knows how to fix such things.

Q. And she fixed it?

A. Not only that.

Q. What else?

A. I asked her to marry me.

Q. What did she say?

A. She said “Probably.”  A step up from the first time I asked her, when she said: “Not yet.”

Q. How does that make you thankful?  Weren’t you hoping for a “yes?”

A. Sure I was.  But I’m thankful my Flame is somebody who’s practical.  God knows if we do get married, she sure won’t be marrying a very practical man.

The Questioner is Silent.

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

Gratitude List 824

(1) Grateful for my lady friend.  If it weren’t for her stabilizing influence, I would have never gotten it together to record the Eden in Babylon demo.   

(2) Grateful that, after all this time, the demo has actually been completed.  Can’t wait to hear the mix.

(3) Grateful that now that it’s over, I will finally have time to give quality time to my daughter.  

(4) Grateful that the money to pay for demo costs came together more-or-less miraculously right in the nick of time, and all of it came from anonymous donations to the pool.

(5) Relieved that I am no longer manic like I was during the 48 hour period of pretty much non-stop preparation for this project.

(6) Grateful that when I got home from the recording session last night, there was no part of me that felt a need to “keep working.”  Instead, my entire being wanted to enjoy my night with my lady friend, and look peacefully into her beautiful blue eyes.

(7) Although, when I was manic, I thought this project was the most important thing in the world, I am relieved and thankful that when I got home last night, I realized that it was no big deal.  

(8) Grateful both for all the years when I slaved away as a servant for the super-rich, and all the years of enduring indignity and dehumanization on the cold city streets.   I have experienced both extremes.  Most people are not fortunate enough to even have experienced one of them.

(9) Grateful that No. 8 above has done nothing but fuel my philosophical fire.

(10) Let the Philosopher now prevail over the Artist.  I’ve got a job to do on this Earth – and nothing can stop me now.

Please donate to Eden in Babylon.
Anything helps – God bless!

 

Tuesday Tuneup Seven

Q. Do you know who I am?

A. I have a very good idea, yes.

Q. Then why have you summoned me?

A. Time for a tune-up.  Missed last Tuesday, just needing to operate more effectively.

Q. Effectively?

A. You heard me.

Q. Is there something about the way you’ve been operating that is particularly ineffective?

A. Well – maybe not about my own modus operandi.  But about my work, which in essence is the product of my operational procedures.   Take my piece in question: Eden in Babylon.  The script, while effective in many places, is extremely ineffective in certain spots — as has recently been revealed to me.

Q. Revealed to you?  You mean, supernaturally?

A. No – not supernaturally.  This particular revelation was imparted on the part of earthlings.  But these were no mere mortals who conveyed the information.  I’m talking about a panel of MFA playwrights.   People who are definitely “in the know” when it comes to such concerns.

Q. A panel?  You don’t say?

A. I do say!  

Q. And when did you appear before this panel?

A. On Thursday night,  which was the scheduled reading and critique of Eden in Babylon here at the local One World Cafe.

Q. The scheduled critique involved a panel?

A. As it happened, yes.  

Q. Can you clarify this, please?

discussion-clipart-group-of-readers-hiA. I’ll do my best.  You see, it turned out that not many Actors were answering my advertisement for the upcoming reading.  This threw me into a minor despair, which I articulated to one of the Actors, who happens to have an MFA in Playwriting from the local University here.   

His response was to round up his own crew of fellow MFA Playwrights — people who critique scripts like mine all the time.  I was impressed with their professionalism, with the way that they expressed their observations honestly and eloquently, without emotional attachment one way or the other to my piece.

This helped me to detach myself from emotions that would have interfered with my accepting their observations reasonably.  As a result, I gained very much from what they had to offer, and I am wholeheartedly going about making the script more effective than it was before.

Q. Really?  How so?

A. You don’t expect me to answer that, do you?

Q. Why not?

A. I’ll give away the story.

Q. But what about all of us who are so eager to hear this story?

A. Then all of you are just going to have to make it possible for me to tell it now, aren’t you?

Q. Whatever are you talking about?

A. You know what I’m talking about!  Daylight’s burning.  We’ve got a show to produce.  

Q. What??

A. Kick it down, clown.  We don’t have all night.

The Questioner, presumably, is silent.  

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

Gratitude List 809

1. Ran the 5-K Charity Trot on Saturday morning, and it was not a big deal.

2. Terry wrote to say he will be publishing Rat Race or Human Race? and A Sacrifice of the Heart in the May issue of Street Spirit.  

3. Just awoke from out a two hour nap.   Feeling rested and motivated.

4. Ramifications of the Thursday night reading of Eden in Babylon are only today crystallizing in my consciousness.   To strike while the iron’s hot seems prudent.

5. During the reading, I noticed things about my script I’d never quite fully noticed before.  Good things – things that hold promise.

6. Running the race tuned me back in to the whole running realm, how much I love it.  Also learned of the Thursday night social run, the hours when the Kibbie Dome track is open freely to the public, and other aspects of the Palouse Running Club that will help me to stay on the roads.

7. Friday morning at the Center, Tim & Darrell both told me I seem more at peace with myself these days.

8. Jan and I are getting along remarkably well; and getting reacquainted is a marvelous adventure.

9. I feel that here in Moscow, I have managed to sync into a groove that seems very productive, pleasant, and fulfilling.   I just really feel like I am in the right place for myself and others, at this time.

10. Also, life is much less stressful now that there is no more interference from Facebook.  God is indeed Good.   

 

Please donate to Eden in Babylon.
Anything Helps – God Bless!

Tuesday Tune-Up

Q. Do you know who I am?

A. Not exactly.  But I don’t think it’s relevant.

Q. So why have you summoned me?

A. Tune-up.

Q. Squeaky wheels, eh?

A. They’re the ones that get the oil.

Q. Are they?

A. I’m honestly not sure.  I’ve tried to believe that.  I’ve read the Parable of the Unjust Judge enough times to have figured it out.   Or the Parable of the Nagging Widow, or whatever they call it, depending on the emphasis.

Q. Do you empathize with the Judge, or with the Widow?

A. I said “emphasis” not “empathize.”  I don’t empathize with either of them.

Q. Then why are you trying to act like one of them?

A. Because I’ve been led to believe that it will work.

Q. What will work?   Nagging?

gavelA. Yes — or so I’m led to believe.  You know the story.  The widow appears before the Judge with some certain request that he at first denies her.   But she just keeps appearing, and showing up in Court, and reiterating her request ad nauseum, until eventually the Judge breaks down and grants her the request, just to get her off his back.

Q. And so you figure that if you nag everybody enough, they’ll eventually break down?

A. More-or-less.  That’s what I’ve been figuring, but it obviously doesn’t work.  I am either never going to get the money to do this demo recording, or I’m going to have to go about it some other way — because no matter how many times I plead, I still see the same hundred bucks in there that I saw a long time ago.   Sure it was encouraging when it first showed up — way back when — but it’s pretty damned discouraging to keep checking the fund site, only to find that nothing has changed.  I finished the musical almost a year ago and have been trying to move onto the next stage since then! It’s frustrating!!!

People set up “go-fund-me’s” for all kinds of things these days, and get the money.  Some of the causes aren’t even worthwhile, if you ask me — yet they still manage to come up with the bucks.  Here I wrote this entire musical, I’m only trying to get basic money together for the next step in the process, and nobody will help me.   Nobody.

Q. But some people have helped you on occasion, haven’t they?

A. Yeah, but they’ve helped me — not my project.   I keep telling people; I don’t need personal help anymore; I’m meeting my own personal needs, thank you.  I’m not sleeping in a gutter anymore; I’m not panhandling – I’m not begging for change on the streets.  I’ve tried to go about this whole thing decently and honestly, but where has it gotten me?

I set up a separate fund for this thing — or rather my friend Danielle did — and we still can’t get any money together.  I’ve been as honest as I can be; and that doesn’t seem to help.   What am I supposed to do?  Turn around and start feeding people a load of bullshit in order to try to get this show on the road?   That would fly in the face of everything I stand for; everything the musical is all about.

Q. Andy, have you ever considered that maybe this isn’t the time to produce your musical?

A. Painfully, yes.  Of course I have.   I’m a  Christian, and I figure God is closing the doors until a time of His choosing, not mine. 

Q. And do you not see His many blessings in other areas of your life?

A. Sure I do!  At times, I am even grateful for them.  But that doesn’t automatically put an end to my frustration.  I spent five years trying to get this script and score finished – through seemingly insurmountable obstacles – in order for it to come to this.   It makes me feel as though I wasted my time on some pipe dream.

Q. Where is your faith?

A. That’s the $64,000 question.   And I’m only asking for 1% that amount.   So – I’ll try this one more time, but honestly, that’s about all I can take of this.   All these stupid donate buttons go against my grain.  Not to mention, they soil the picture of this blog.  I’m about the least materialistic guy on the planet, and they stick out like a sore thumb. I don’t need the gavel of an Unjust Judge to validate my mediocrity.  I’m bigger than that.  I’m better than that!   I’m an Artist!!   I’m an Artist — and I hate money.  I hate what it does to me, and I don’t like seeing what it does in others.  I’m an Artist. Somebody else manage my damn money!! I’m an Artist! I want out.

The Questioner is silent.

Please donate to Eden in Babylon.
Anything Helps – God Bless!

Spamalot

I’m being majorly spammed on the My Pitch post by multiple trolls – probably the same entity under different guises.   I keep marking the comments as spam and then removing them, but I might just let them accumulate so I can show them to the Happiness Engineers when the time comes. 

fat catProbably their motive is to get my goat, knowing that since My Pitch is an obvious appeal to get money for my demo recording and the ultimate packaging of my musical, I will always head very eagerly toward that post in hopes that it’s money I might be receiving, rather than incoherent inter-babble from fat guys drinking whiskey who, unlike Yours Truly, do not have a life.

(Oh well.   At least I learned that I don’t like the picture of the Rainbow Kids dancing around making music.   It just seems weird and phony.    I’ll replace it with something more along the lines of “Power to the People” and see if that works better.)

On the money note, we did receive a $100 donation on the latest bid for seven hundred bucks.   I also want to make a true confession here, which will at least assuage my guilty conscience, if not make me any money.

More than once I have taken money intended to be used for the project and instead have paid my phone bill or bought groceries.  I did it out of desperation, and it has not helped my cause.  It’s true that my rent is $175 more per month than it used to be, and that I am also a disabled man on a fixed income.   However, it is also true that $175 is worth the fact that there are no more tweakers knocking on my door day in and out asking me for cigarette lighters (although I do not smoke) and where I’m hiding the drugs (because nobody can possibly type as fast as I do unless they’re high on speed.)

Unfortunately, there are limits to human compassion.   Ah, but I digress.

Because of my earlier indiscretions, Danielle and I have set up a fund site where all donations will simply sit in limbo until the $700 is achieved.   At this point, I am happy to announce that $100 has already been received toward that goal.  So we only have $600 to go.

Let’s get the $600 together, guys — and let’s get this show on the road.  It’s not as though the cat has nine lives here.   Enough said.

Please donate to Eden in Babylon.
Anything Helps – God Bless!

About That Insecure Creative

“A successful writer is one who finishes what they start while striving to improve their craft. It’s as simple as that. And the only one who can stop you from doing this is you.” – Hugh Howey*

If any of my more regular readers got the idea that perhaps I was obfuscating a hidden agenda behind the seemingly innocuous postings of three successive morning “gratitude lists,’ then I must concede.   That idea is sound.   While trying to hold everyone at bay by posting my gratitude lists, I have secretly been absorbed in the task of cleaning up both the lyrics and music to The Oracle Sequence at the end of Act One of Eden in Babylon.

This is something that I can and must do. When I wrote that sequence, though I was “on fire,” I was also quite hasty in places.  And I knew it at the time.   I knew it — but I buried it beneath the sense of fiery inspiration that I permitted to delude me.  I found thrilling the mere fact that I was finishing the Act at all.   Add to that the sense that I actually stood a chance of finishing it in a dynamic way — a way that would intrigue and delight the audience, and give them all something to talk about during intermission — and believe you me, I was overjoyed.  So overjoyed was I, that I readily overlooked the rough spots, vaguely expecting myself to patch them up later (that is, if I remembered to do so, or even decided to bother).

But then, after I had the great revelation reported earlier, I found I could no longer overlook these glaring errors.  It was time for me to perform the logical clean-up, and not to feel bad about myself in the process.   So I set about to do so.   But I kept getting snagged.   Snagged, for reasons that themselves seemed trivial, if not maddening.  Maddening, in the degree of power I rendered them, despite their insignificance. 

For example, I gave one verse of very quickly spewed, poorly written lyrics to three of my strongest supporting characters.  If those had been real life Actors, playing those characters, I’d feel as though I had dumped on them for assigning them those lousy parts.  All three of those characters, as later developed in my second complete draft are worth more to the world than the lousy lyrics I threw down on them. They’re my babies — I need to bless them with better lyrics.

Sad-alone-cute-girl-playing-guitar-sunsetNot only that, but in my haste, I took no thought as to what keys all these different characters should be singing their bits in the Sequence.  Right after the verse I just mentioned, for example, the ingénue Taura begins to sing a solo to the main theme of the song “Oracle.”  All the lights should be lowered and all the previous frenetic conflict be dissolved, as she begins to sing this song of spiritual calling.   It needs to be her defining moment, where she sings to her guitar, as they all are gather in Nature, in the Outdoors, beneath the Stars.  This is only her second solo in the show — and it is the first one that features her voice en masse before the multitudes, rather than restricted in a romantic setting between her and Winston alone.  Obviously, this crucial performance of hers should feature her voice in its optimum range.  But alas, as I just now have confessed, I took no thought for such a practical matter, so infused was I with the creative fury at the time. 

As a result, Taura winds up having to sing this theme in the key of G, with notes much too high for the contralto whom I have intended her to be.  I cursed myself.  “What an oversight!”  I exclaimed.  Yet at the same time, I recall having furiously sped from one section in the sequence to another, overlooking every peccadillo in my path in the spirit of honoring the long-awaited arrival of the finishing of the first Act, which arrival now loomed imminently on the near horizon, a virtual, visible certainty of a happy event to come.

So I consoled myself with the memory of past faith.  I figured that if I had faith beforehand — way back when — even as I plowed over every glaring error in my path like a bulldozer — I could probably summon up that same faith, and use the present day as an occasion to atone fully for my earlier carelessness, and craft the End of Act One in a manner befitting a musical of this caliber.  

When I began to exercise this renewed faith, the landscape brightened considerably.  True, the lousy lyrics were the devil to replace.  Moreover, I had to change the key in that section, in order to create a key that could easily modulate into a better key to spotlight Taura’s voice during her solo.    But  then, with renewed faith, I realized that I need not be enamored to the music itself in the section where the lyrics fell short.  I now could write new music along with the new lyrics, and make that section more transitional, and less overt.  Ah!  It all began to come together, at last.

And it continues to come together.  What is the difference?  Only faith.  Only being open to new and better gifts from that great Beyond whence all ideas are formed.  And people may mock me and scoff, if indeed they pay any attention to me at all.  I hear their imagined voices already:

“Will you never stop messing with this thing?
It’s been years now, Andy!
Get off of it! Get real!”

It puts me on the defensive, to have to answer to such objections — real or imagined.  I want to say I’ll stop messing with it when somebody finally picks it up and decides to produce it — and not a minute before.  But that’s a line of malarkey – blatant baloney and balderdash.

I’ll stop messing with it when I’m finally tired of it, and when I finally abandon it.  That’s the naked truth, unveiled.  I pray this happens before someone picks it up, and not after.  If it doesn’t happen till after, I could be hell on any production staff unfortunate enough to have picked up my baby while still in the womb.  Let’s hope for an on-time delivery.  In my heart of hearts, I wouldn’t want it any other way.   

Please donate to Eden in Babylon.
Anything Helps – God Bless!

(* The Hugh Howey quote comes courtesy of  M. C. Tuggle — a blog well worth the read, by the way.)