Hermit

I believe that we who write lyrics and music tend to remember the music we write better than we remember the lyrics.   At least, that is true of me, and especially if the song was written long ago, and then more-or-less abandoned.

The song that is featured today is something I wrote in April of 1976 in an effort to come out of a long period of isolation and creative famine.  I remember it took me a month to write the song.   This was also the first month of my now 42 years as a long-distance runner.  Writing this song was part of a complete lifestyle change.

Since it took me so long to squeeze it all out of me, I remembered the music very clearly, and continued to remember it over the years, even though I hardly ever played it.  But I forgot a lot of the lyrics, which I never sang.

At some point in the 42 years since I wrote the song “Hermit,” I forgot all about it.  But this past week, the song for some reason resurfaced in my consciousness.  This time, it had been so long, I didn’t even remember some of the music.   But as the week progressed, I remembered more and more of it; and I practiced it several times on the piano.

As for the lyrics?  Here are the ones I remember:

Shifting back and forth
Between one reckless thought and the next,
Trapped inside a rented room
Behind a world that’s too complex.

And later:

Your life is just a rented room!

Still later:

We all need our time to think –
But how much?  That’s all I ask!
You could spend a lifetime claiming you’re close to the cure,
But when life itself is such a task,
You’re never sure . . .
Never sure . .  .

Interesting.  I was 23 at the time.  I wonder why the song came back to me this week?  I hadn’t thought about it in years.  Here’s what it sounds like.

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The Template of My Dreams

There is a lot of pent up frustration inside me right now.  My computer pretty much crashed earlier, and I lost it emotionally. I’d just gotten geared up to use a new template I’d created for the instrumental accompaniment score to this most recent release of Eden in Babylon obviously the winner in my book. With added instruments from the original score, it amounts to two drum sets (midi trap and electronic GPO kit), Fender jazz fretted bass, clean Gibson electric rhythm guitar, distortion Ibanez electric lead guitar, solo viola, string section, Steinway grand piano, Hautwerp all stops organ, tenor sax section, trombone section, trumpet section, harpsichord, and flute solo.

I was gleeful as I created a new sound for Winston’s central number, The Word from Beyond until all of a sudden BAM! I overloaded the system entirely and soon was faced with a total crash.

I was able to recover my file, and start over after I let the machine cool down a bit, but things were pretty dicey there for a while. The old 2011 Dell Latitude was distinctly complaining. I, meanwhile, freaked out, as I said. Screamed and yelled and cussed. I was pretty pissed.

While I was still angry, I called a friend at my church for emotional support.  After a lengthy conversation, he agreed to help me with a new computer — although that was not the initial reason why I had called him.  He believes in me.  He feels that I truly need a new computer by now, and that my project is of value. I sent him my tune in its current condition. (I don’t dare add the singing to it — even my own measly voice — at this unstable, highly tenuous stage.)

So, when he asked what my requirements were, I decided to err on the side of caution.  I woudn’t want to get a computer with similar specs to the current one.  So I shot for bigger and better than that.  Boldly, as it were, I asked him to get me a Windows 10 machine with 6gb RAM and at least a dual core 2.7ghz processor, hopefully one with a wide screen.  I asked this huge boon of him in a spirit of necessity — because as far as further future Finale music scoring is concerned, this puppy is toast.

“The Word from Beyond”
from the new musical Eden in Babylon

Copyright © 2017 by Andrew Michael Pope.
All Rights Reserved.

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Anything Helps – God Bless!