The Questioner

Q. Do you even have the slightest idea who I am?

A. I know exactly who you are.

Q. Then where were you last night when I needed you?

A. Too wiped out.

Q. You weren’t avoiding me, were you?

A. No – not really.  I just didn’t have much to say to you.

Q. Do you realize how small that makes me feel?

A. Vaguely.  But perhaps you’ve been a bit too big for your britches lately.

Q. What makes you say so?  Why would you even think such a horrid thought?

A. Well, it’s one thing for me to have finally summoned you as a last resort, when I was in a bind.  But you outlived your usefulness when you started becoming all codependent on me.

Q. Codependent?

A. You heard me!   My personal habits and manner of self-care are my own business.   All you codependents are alike.  Constantly harping on me to take care of myself, as though you practically owned my body.   I’m the one who lives in the damn thing! I’m the one who knows what it takes to function properly.  I’m the one who hasn’t had a serious disease in sixty-four years of living, while all around me all these sick people keep harping on how I “don’t take care of myself.” 

Q. Are you calling me “sick?”

A. Aw, you’re healthy enough in low doses, I suppose.

Q. Don’t you think you’re beginning to come across like Job in Chapter 33?   Exalting your own righteousness above that of the Holy Name of God??

A. Oh please.  The transparency with which you resort to throwing the Book at me is odious.

Q. How so?

A. You always pound the Scriptures at me in order to bring guilt upon my head, just at the moment when you figure nothing else would work but a religious guilt trip. 

Q. But can’t you see that I am only trying to help?

A. That’s what they all say.

Q. But what do you say?

A. I say that yes, I thank the Good Lord God for keeping me in decent health long enough to finally get a good crack at my life’s work on this planet.  But at the same time, I can’t deny that following some simple rules such as (1) not smoking cigarettes, and (2) getting sufficient, moderate physical exercise, have had at least something to do with it.   God didn’t waste his gift of good health on a guy who was going to sit on a bar stool all night long whining with a Camel non-filter hanging out of his mouth as though it were a blue tooth in his ear.

Q. How can you claim to have always made healthy choices?   Is not the very notion preposterous?

A. I never said I have always made healthy choices.  I am only saying I make a point of taking care of myself, whether anybody else thinks so or not, and when I fail or lapse, God has been merciful in letting me wake up in the morning without hangover.  Or similar such show of mercy. 

Q. Why is that you seem so damned smug today?

A. Because you and I are splittin’ up, baby!  I got to the point yesterday where I just did not need you or your flagrant codependent guilt trips, you flailing flimsy excuse for a superego, you!  I made a speech last night.  I’m going to edit it tonight to taste.  And I worked for three hours on my piano-vocal score, according to my schedule that I’m determined to keep up till the end of October.  I even enjoyed the work.  And I ran two miles!   And did fourteen push-ups!  When was the last time you ran two miles?  Not to mention, before you completely fade and fizzle into the oblivion where you and all your moralistic guilt trips belong, heed the wise words of Bertrand Russell, my agnostic hero.

Bertrand
Russell: “One should never worry about one’s health unless one is unhealthy.”

A. My agnostic hero chain-smoked till he was 80, became unhealthy, stopped smoking, and lived to be 97.   Are you going to live to be 97?

Q. Are you?

A. We shall see!

The Questioner has been silenced — for the time being . . .

 

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Anything Helps – God Bless!

My Choice

I’ve never written a novel before.  All I’ve written so far are a number of plays, some of them musicals, numerous short stories that I lost in a storage unit (unless the English department at U.C.Davis happens to have kept a hold of them, which I doubt), thousands of blog posts and diary entries (for whatever that’s worth), the couple handfuls of poems posted on this web site, and zillions of songs, complete with lyrics everybody seems to rave about and music that nobody likes at all.   Oh – and I also wrote a couple “rock operas” when I was younger, two movements of a flute sonata, and scattered piano preludes.  No first symphony, as of yet.  Typical story of a lifelong burned out starving artist. 

That said, I read the first paragraph of my new novel to the other members of the Palouse Writers Guild this morning.  All of them agreed that if those were the first words that befell their eyes, they would keep on reading without hesitation.   One guy I showed it to later even said he’d probably buy the book right off the bat.   But the problem with all of that is, of course, that there’s no book to buy.  Will there ever be?  Am I capable of writing an entire novel, just because I happened to get off to a good start?

I’ve been advised to barrel out 10,000 words as rapidly as possible, just the way I churned out the first five pages.  But I don’t know that I can.  Or even want to.

nothing-in-the-world-is-worth-havingOr even should.  Since feeling the worst impacts of all the demons that have come storming down my stairwell ever since I finished the script to Eden in Babylon, I wonder what my next course really ought to be.  It is clear that for lack of a definite, disciplined project I have practically let myself be devoured by all the local wolves, and whatever strange poltergeists inhabit my creepy confines in the dead of night, full of trickery and tripe.  But should I really dive head-first into an entire novel, just to hide my head from all the hunger, the hysteria, and the hurt?

Why not just notate my piano-vocal score like a good little musical comedy composer?  It would seem the thing to do, if anyone other than myself is ever to attempt to play such bizarre tunes.

There’s also this third idea hovering over my head, haunting me.  It has to do with the themes that were left hanging when I suddenly dropped the Berkeley project some months ago and dove head-first into my musical script.   Not that this was a bad thing to do, for I did, after all, finish the script.  But as I took from the Berkeley music those songs that seemed most to fit the Eden in Babylon style — the showiest, the most “musical theatre” of them all — I find that what is left is an intriguing set of strains.  The remains seem much less show-tune, less schmaltzy, more seriously operatic in nature, and somewhat other-worldly.

But this causes me to recall the neuro-physiological conditions under which I placed myself in order to conceive of such music; specifically, highly altered states of consciousness.  Somehow I just “heard” the music in those unnatural states of mind.  It fascinated me so much that I promised myself I would orchestrate it all once I “came down” (and once I had regained access to a laptop and a regular power outlet in which to plug it).   So I did that until the thrill wore off.   Yet, on examining the music of Sirens of Hope, and of The Royal Rhapsody, I must admit that the thrill returns. 

So – if I went by what others think I should do, I’d have to say that the other Writers in the guild probably would like to see me follow through with the novel, especially seeing as I got off to such a surprisingly good start.  That would probably also be the easiest and most absorbing thing to do – at least, in terms of generating a very rough, rough draft.  Who wants me to write music?   A bunch of stoners in a flop house who won’t even listen to it anyway.  Nobody ever listens to my music.  It makes me feel like all the huge effort I put into writing it is all for nought.

Now, the arduous task of painstakingly notating my piano-vocal score is something I’ve been avoiding for a good month or more.  Obviously, it’s what I’m supposed to do.  Otherwise, I won’t be able to live with myself.  There it would be, even should I die before my time: a complete piano-vocal score that conceivably some conductor could pick up on, some group of singer-actors sing and act from, and some pianist, other than myself, actually play.  How gratifying.  Worth its weight in gold.

The first chapter of the novel looks good, but knowing me, it would degenerate into mindless pornography before Chapter Three.  I’ve made my choice.  And you know what?  I’ll start tomorrow.  Today’s the Lord’s day and I’ll do my best to rejoice in it — even if it means putting on my headphones and rocking out to the music that no one else will ever hear.

A Role Revised

For anyone who may have been following my recent journey, I must say that as I attended church for the first time today as a mere parishioner, and not a paid employee, I was blessed far beyond my expectations.

It was refreshing not to have to be worried about what was supposed to come next in the order of worship, but only to sit in the pews and soak it all in.  I found myself focusing on the language in the prayer of confession, the hymns, the sermon, and all other aspects of the service.   When I still had the job, all I could do was nervously worry about what was going to come next.   Would I wind up in the wrong key?  Would I play too fast, too slow, too loud, or too soft?   Was I about to be heavily criticized for my failings after it was all done?  Or, even if they were to compliment me, were they complimenting me for the wrong reasons?  In short:

Did I come across more like a musical theatre or pop-contemporary accompanist, or worse yet, a lounge lizard, in the sacred context?

lounge lizardMy God – my anxiety increases as I even indulge the memory.  Be that as it may.  The “good news” is that I was very blessed to be a simple participant.  I also was freed up to attend a book study before the service, where only six people were present.  Moreover, I can go to another book study on Wednesday evenings when the Choir would have rehearsed.

I’m a little concerned about the substantial decrease in my monthly cash flow — but not too much.  It seems to me that I was living high on the hog to begin with.   I’m used to living on almost nothing at all.  Suddenly having even a little money left over after paying the rent was almost too much for me.  Ah – but I hyperbolize.  As someone said this morning, there is probably a better job in store for me.   All I need do is look.

So, I just wanted to submit a brief blog to share the glad tidings.   I’ll now return to my Writer’s Guild meeting.  Ta ta for now.

Forward Motion

Things have actually progressed remarkably smoothly since my last update.  There has not been a moment throughout the past week when I have felt that “life” was getting in the way of my artistic progress.   To the contrary, I finished scoring all the parts for the other players tonight, and we’ve arranged a time and place to practice this Sunday for the upcoming show the following Saturday.   One more practice after that, and I think we’ll be in pretty good shape.

As I might have mentioned, I agreed to continue to accompany the Wednesday evening Taize services on a volunteer basis, while no longer being on salary at my church.  I understand that the woman who is replacing me for the next two months is very capable, and I’m looking forward to sitting in the pews on Sunday, soaking in the sermon and all aspects of the service, and no longer having to concern myself with the strange conflicts that would rear their heads whenever I tried to play piano or organ properly for the occasion.

It would seem that my background in Musical Theatre somehow interfered with my ability to grasp the worshipful context.  Although I identify as a Christian, it was unusually difficult for me to shake the idea that my playing was a “performance” rather than an “offering” or a “presentation” before God.  I would constantly refer to the chancel as the “stage,” to the prelude as an “overture,” and to the postlude as “exit music.”  I am certain that a period of observation, without mandatory participation, will help me to shed these conflicts.   It’s entirely possible that when the four months are over, and both of my replacements have served their terms, I might regain some kind of paid position with the music ministry.  But I’m neither banking on it, nor shunning the prospect.   To paraphrase John the Baptist: “God must increase, and I must decrease.”

Along with this transformation, my zeal for the production possibilities of my own musical has skyrocketed.  Of the five originals that we will be performing on Saturday the 6th, three of them will be from Eden in Babylon.   If you want to look at the lyrics I will be singing, here are the links thereof:

Heart Song

Ode to the Universe

The Very Same World

I’ve decided on four theatre companies where I have worked in the past, or where I know people with whom I’ve worked, where I will submit the musical immediately upon completing my demo.  Then I think I’ll relax and see what we can do about producing the show on a regional level here in the Palouse Empire, where I have chanced upon a community of like-minded Artists who believe in me.   I’ve been here only nine months as of yesterday, and I never cease to marvel at the miracle of it all.

I didn’t have to let an entire lifetime go by without seeing the city where I was born — where I had only lived for the first year of my life.   When I first saw this city, I saw that it seemed custom-designed for me — right to the point of their being a running shoe store conveniently placed on the lower floor of the very apartment building in which I live:

friendship square

There also turned out to be a Conservatory of Music that I didn’t even know about in this town, sponsoring an annual jazz festival.  Moreover, Idaho Repertory Theatre was founded in this city in the year I was born.  And when I went to see the house where I was born, the cross street as I approached said: “Home Street.”

Sure beats being hit on the head with guns by gangbangers and having four laptops full of costly music production software stolen in a three-year period of time! I still have the same laptop I had when I moved here — in fact, I even have a back-up, in case this one should fail me.  Once again — there is a God.

Resignation and Debut

On Monday I resigned my position as pianist and organist of a local Presbyterian church.  They haven’t found someone to replace me permanently yet, but they have two people who can cover the stretch of time between now and the end of summer.  I also told them I desired to remain a member of the church, but not an employee.  They then agreed that this is their desire, as well.

The main reason for my resignation was that the stress of the job reached the point of interfering completely with my day-to-day spirituality.  Being a church job, this is rather ironic.  But that’s why I decided to continue on with the church.  I found the church itself to be a great contributor to my spirituality – just not the job itself.

Here is the text of my letter of resignation, submitted by email to the entire congregation:

My physical health is good, and I am generally in good spirits, but there are some issues with my mental health that are hard to grasp and have me occasionally feeling very disoriented. These are aggravated by stress. I cannot explain why this is, but somehow the simple piano-organ position that I had expected to be very easy for me and full of joy has become associated with an unbearable level of anxiety that, when it reaches a peak, causes me to make irrational decisions that have enduring consequences. If you can fashion a prayer around these words, please deliver your words to the One who has power to heal.

Also, while I regret that I was too ill to fulfill the Holy Week services, Norman has advised me that they went very well with the substitute. I will not be in church this Sunday, but I hope that thereafter you will all accept me as a member in good standing of First Presbyterian Church but not a part of the music ministry. While I occasionally enjoy playing the piano and recognize it as a gift from God, I have decided that things like reading music, following conductors, turning pages, piano-conducting, etc. are basically in the category of health risks at this time. I will eventually find some kind of piano lounge where I can play at random while daydreaming, make a little more money, and live a bit more comfortably here. So I hope you all will take this in the spirit in which it is intended. First Presbyterian Church of Moscow is the greatest church that I have ever happened upon in all of my lifelong church-hopping, and I will hop no further, so help me, God.

Thank you all for showing me true Christian love. I need that more than I need a job, at this time.

Grace and Peace,

Andy

As a start to a new day-to-day foundation for spirituality, I picked up a hard copy of a book today called The Celebration of Discipline, by a theologian named Richard J. Foster.  I think that to become a little more routinized and regularized (but not “regulated,” mind you) might help with my musical work as well.  I agreed with Pastor Norman that I would still play the Wednesday evening Taize services on a volunteer basis.  Otherwise, I am mainly focused on putting my show together for my debut as a singer-songwriter in this area:

One World Cafe Downtown Moscow

Andy Pope and Friends, Saturday May 6, 7pm, One World Cafe, 533 S. Main Street Moscow Idaho. Be There.

Even the demo is on the back burner for now (although I have rounded up most of the singers).  Today I found all the band members for the show two weeks from tomorrow, so I’m diving wholeheartedly into creating a set list and writing out parts.  I’ve got an Ibenez custom hollow body, a Yamaha electronic keyboard, and a good percussionist on the Cajon who also plays fiddle and mandolin.  My bassist is from Lionel Hampton, and I’ll be using the house sound system for my singing.  If you’re for any reason in the neighborhood, feel free to cruise by.  I mean – don’t bust your back or break any laws, but you know where I’ll be.

Moment of Decision

I’m trying to relax my high goal here, but at the same time not be wasteful with the energy that I need to apply toward it.  I just now made the difficult decision that has been blocking my efforts ever since I finished Act Two, Scene Two in the musical play I am writing.  I have finally decided to reduce the size of the Chorus Line of Street Kids from 12 to 8, and eliminate the Chorus Line of Mainstream Citizens entirely.  I had previously decided to double parts in the two chorus lines due to having earlier been cautioned that my cast size was becoming too large.  The two chorus lines never appeared at the same time in the same place anyway, and there would be plenty of time for costume changes.  But still, the presence of the Mainstream Chorus Line is unwieldy and unnecessary. 

in-any-moment-ofAlthough I sort of knew this to be true, I was resisting making the right choice because it would involve going all the way back to the beginning of the libretto, yanking out unnecessary parts and, if need be, replacing them with parts that can be performed by existing players.  So now, I have to do that very thing.  Of course I am a bit daunted by the ardor of the task.  But it’s the right thing to do.   So I’ll do it.

This changes things.  I’m thinking that, because the eighth and final Scene still remains to be written, hopefully the task of sifting through the show from the very beginning up until the end of the seventh Scene will help clarify decisions I need to make in the last Scene that have still been vague in my mind.  In any case, it seems highly unlikely that I’ll be able to crank it all out in one sitting.  On the other hand, there’s a chance it will be out of the way by Wednesday night’s choir rehearsal.

I told the people at work that my application for Minister of Music will be in by Thursday.  The present Music Minister does need to retire, and I’d like to rise to the higher calling if I can.  But I don’t want my absorption in this project to be a deterrent.  I want this draft to be done by the time of my interview.  If that’s putting too much pressure on myself, so be it.  All I can say is that working without any deadline whatsoever as of the past five years sure hasn’t gotten the job done.

An Odd Feeling

The odd feeling I described in the last paragraph of the previous post seems to be in the process of panning out into an approximate facsimile of the predicted reality. Specifically, that feeling was stated as thus:

I have this odd feeling that the next time I put pen to paper, I’m probably not going to stop until the long-awaited moment arrives when I write the words “The End” at the bottom of the document.

A bold claim, if there ever was one. However, what has been happening is much akin to my feeling, despite its alleged oddity. At a certain point yesterday, I began working on Act Two, Scene Two; and I found myself quite unable to stop until the inevitability of a certain annoying necessity known as “sleep” bid me do so. I saw once again the eeriness with which the time when I wrote the words “End of Act Two, Scene Two” at the bottom of p.116 coincided with the exact time of 1:45am. Strangely, I seem to be finishing up at the quarter of the hour, every time I do finish up. Not sure what it means (if anything) but it’s an interesting thing to behold.

So – what is being manifested is an approximate facsimile of the predicted reality. I had predicted I wouldn’t stop until I reached the end of the entire script. This proved to be a completely unrealistic prediction, though I must admit it spurred me on. Instead of finishing a complete draft, I still have one Scene to go. Not only that, but I went to bed disgruntled. There were still strange inconsistencies in the story line that were heading me toward the dreaded deus ex machina. I went to bed having no idea how to resolve them.

aha_titleThe good news is that, not a half hour into the morning, I had another luminous moment of “Aha!” Who would have thought it? I now sit cheerfully in the local cafe where the Writer’s Guild meets on Saturdays, awaiting the arrival of the other Writers, so that I might share my jubilation with those of like mind. In fact, I hope they may add fuel to the fire, that all remnants of a cheap “wrap-up ending” will on this day be discharged for good.

Besides, I promised the Minister of Music at my church I’d be done with this draft by tomorrow. She’s hoping to retire soon, in which case there’s a chance I might be called to assume some of her responsibilities. But I’m enough of an Artist to know that for me to presume to do so right now would be foolhardy, as long as this script still dangles. And I’m enough of a Christian to know that at a certain point, I’m going to have to sacrifice some of my current absorption in my Art to focus more fully on my devotion to Christ.

It’s a fine line.  One way or the other, I can honestly say that I’m almost done with the initial draft of Eden in Babylon.  It’s been a long time coming — and it won’t be long now.  When I do write the words “The End” at the bottom of the document, I can assure you — you’ll be the first to know.