Tuesday Tuneup 79

Q. What’s going on inside?

A. Decision making.

Q. And what are you using to make your decisions?

A. What kind of a question is that?

Q. What do you mean?

A. Well uh — using as in what?   Am I using a slide rule?   Am I using a compass?

Q. No no no – I mean, are you using your sound reason to make decisions?   Or are you using your fickle and volatile emotions?

A. How dare you accuse me of making my decisions based on emotions!

Q. Methinks he doth protest too much?   Ya think?    

A. All right, smartypants.  I’ll admit I’m a bit of an emotional guy.   In fact, the subject came up last night in counseling.  I do seem to have made a few decisions based on strong emotions lately.

Q. Such as?

A. I gotta tell you – I was so jazzed about rehearsal on Tuesday, it just went so great — when I came back home, I was sky high with elation.

Q. Don’t tell me –  you then made a decision based on elation?

A. Yes.

Q. Did you go out and celebrate?   Did you party?

A. No, I did not.  I cranked up the headphones and my new Finale 26.3 music notation software, and I didn’t stop until I’d completed the whole accompaniment score to the opening number of my musical.   

Q. Then how did you feel?

A. Even more elated.

Q. But why?

A. Because I didn’t think I could do it!

Q. Why wouldn’t you have been able to do it?

A. Well, I hadn’t really worked with the software before, and I hadn’t used Finale much at all since 2016.

Q. What happened in 2016?

A.  You already know.   I emerged from years of homelessness in the Bay Area with a bunch of tunes in my head, found a coffeehouse and with a nice little round table, sat down, and sequenced most of the music that had been whirling around between my ears.

Q. So you did it then.  Why did you not think you could do it now?

A. I dunno.   Low self-esteem maybe.   Lack of confidence.

Q. But you did do it?

A. Yes!

Q. And this led to further elation?

A. I believe it’s called over-elation.   

Q. Ah.   Then did you make a decision based on over-elation at that time?

A. Not so much a decision — more like an expectation.  

Q. What kind of expectation?   

A. Well, I was really rockin’ on that song, man.  In a way, it kinda was like a party.   I was snappin’ my fingers, boppin’ my head, and rockin’ out to the beat.   A friend of mine was also rockin’ too, a gal named Kathy – ordinarily a very quiet and studious person.  As I was working on it, I sent her updates.   She kept writing back and saying: “Yeah!   Makes me want to get up and dance!”   So I was further spurred on by her enthusiasm, and —

Q. Cut!  You haven’t answered the question!

A. Sorry, I was getting around to that.  My expectation was that, since me & Kathy had rocked out to it, everybody else would too.

Q. And they didn’t?

A. Only on WordPress.   Nobody anywhere else ever said anything about it, so I may assume they did not listen to it.   Either that, or they listened, but didn’t rock out.  :(

Q. How did that make you feel?

A. Ultimately, thankful for WordPress.   But at first, I was pretty disgruntled.  And maybe a little angry.   More than a little, perhaps, at moments . . . 

Q. Moments?

A. All right, so I was mad for twelve hours straight.   Pacing the floor all night, messaging people, talking out loud, trying to figure it all out, and not getting a wink of sleep till five in the morning.

Q. How do you account for this?

A. First off, the expectation that people would groove on it like me and Kathy did was pretty unrealistic.   Most people didn’t even know I was working on it.   Secondly, why should they listen to my music at all?   Especially these days — people naturally have a lot of other things on their minds.   But thirdly, and most importantly, I believe that when I found myself disgruntled, it was the natural reaction to the over-elation.  Law of gravity.  What goes up must come down.

Q. And where are you now?   Up or down?

A.  Neither.   I’m in the Middle.   

Q. What are you going to do from there?

A. What do you think I am going to do?   I’m going to start working on the second song in the show!

Q.  Do you think you can do it in three days?

A.  I tell you what — why don’t you check back on Friday and find out for yourself?

The Questioner is silent.     

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Sirens of Hope

I’ve been arranging the Opening Number of my musical for our interactive production.  This is a teaser.  It stops and fades about halfway thru the number.   You can check the script and picture the singing that will be coming on later.     

This was done, by the way, with Finale 26 music notation software.  No real human musicians were used at any point.   

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Heart of the Arts

No doubt you’re aware by now that I’ve resumed my search for singers for the Eden in Babylon demo wholeheartedly, after being discouraged at an earlier stage, and sinking into an unweildy period of deep depression that I am determined to demolish.  Well, I’ve got some encouraging news to share with you!

I think I’ve found a singer for the main female part on my song  The Very Same World.  She’s the new Choir director at my church, a young woman involved with the Lionel Hampton School of Music.   She sings very well — and the song is in her range, too.

In the clip below, she would come in solo at 1:44, where you may notice a key change.  Prior to that, she would have entered at 1:06 (the first hook) with myself and a second female vocalist of unknown identity.  I can sing the main male part from the start – for now – but I’ll need three more voices for the second hook, coming in at 2:32.  I faded this version at 3:02, but you probably get the point.  In the one minute and forty-two seconds that follow, it only gets bigger.  And it’s all scored on Finale: piano, six voices, and all other instruments.

I only told her that there “might” be money in it, since after all, I’m not sure.  If she didn’t mind doing this one for free, that would certainly be very kind of her.  However, as far as requesting she sing the other two songs on the demo, it doesn’t seem right not to be able to pay her something.  It would be good if I could just get a team of three men and three women together, including myself.  If would be great if I could rehearse three songs in three rehearsals adequately before we record — and then proceed to pay them what they’re worth.   If I really want to find talented singers who can help me create a demo of decent quality, I need to pay each of them at least $125 for the three songs I’d like to put on the demo.  Then I can at least begin to submit the show to theater companies — with or without a complete piano-vocal score — because they’ll at least have some idea what the music sounds like when they read the script.  

The words below are those of the second hook.  The complete lyrics may be found here.  I put a picture of the entrance way to my new and favorite city, just so you can get a grasp of how golden it is, for me.  If I can pull this thing off anywhere, I can pull it off in Moscow, Idaho – in the city I knew absolutely nothing about before I found my home here on July 27, 2016 — in the Very Same City where I was born.  

The Very Same World
That has seen tragedy
Will now see majesty
Stand at her door.
The Very Same World
That had been torn apart
Will show her golden heart –
Let her heart pour
All over the world,
And put an end to shame.
That world will bear the name:
World Beyond War.

The Very Same World

from the new musical Eden in Babylon,
exploring the effects of homelessness on the young people of 21st Century America.
Copyright © 2017 by Andrew Michael Pope

All Rights Reserved.

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Anything Helps – God Bless!