Tuesday Tuneup 51

Q.  What’s been bugging you lately?

A.  The Tuesday Tuneups.

Q.  Why?

A.  They’ve lost something.

Q.  How so?

A.  I think it started around about the time it would be a nice “game” to ask my readers to select a question for me, rather than me selecting one that I knew would work.

Q. How would you know?

A. Because I’ve been doing the “tuneups” since 1987, though not online, and not always on Tuesdays.   So I’ve accumulated a compendium of questions that do work.

Q. So are you going to select a new question for next week?

A. No.  I’m going to discontinue them for a while.

Q. Why?

A. Overloaded.   I’ve been dealing with what I call “Mainstream Stress” and it’s affecting my sense of integrity.

Q. Mainstream Stress?

A. The kind of stress one gets only in the Mainstream; that is, when one has multiple commitments, and has to show up at many specific places at specific times, prepared to conduct oneself according to an expected fashion.

Q. Are you trying to say you’ve been working too hard?

A. Something like that.  But I’ve always worked very hard.  I just haven’t done it to deadlines, or under pressure, in recent years.

Q. Why not?

A. Because I don’t believe that deadlines and pressures are good for the human spirit.  I also believe that my not having operated according to these Mainstream values is what has kept me generally happy and healthy over the years.

Q. And you are not happy and healthy now?

A. Still healthy, though at risk.

Q. And happy?

A. That depends upon what is meant by happiness.

Q. Why are you evading the question?

A. Scripture equates happiness with God’s blessings.  I have definitely been in receipt of God’s blessings.

Q. Then why aren’t you happy?

A. Because, apparently, I have been seeking happiness from a source other than God.

Q. What source is that?

A. Art.

Q. You have a friend named Art?

A. Um, no — I do know one guy named Art, but he’s only a casual acquaintance.   I’m talking about Art — as in Music.  Writing.  Singing.  All the things I have turned to in order to give beauty to an ugly situation.

Art


Q. What situation?

A. I can’t answer that.  I am sorry.  It’s too deep and too personal.

Q. May I then therefore be excused?

A. Not just yet.  Let’s decide when the Tuneups will recur.

Q. When would you like them to recur?

A. October 1, 2019.

Q. Deal?

A. Deal.

Angel and demon deal Vector Image #131294 – RFclipart

 

The Questioner is silent. 

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A little bit goes a long, long way.  

 

The Crying of the Muse

I thought about calling this post “I’ll Be Brief” in order to remind myself to do so.  Yesterday I set out to write a “brief” post, and yet somehow it consumed five hours of the early morning, and wound up becoming eleven paragraphs in length.

In all that verbosity, it seems I inadvertently obfuscated the information that I have moved.  Yes – I have finally left my 14-month tenure at the apartments euphemistically known as “Friendship Square.”  The good news is that I am no longer surrounded by felons, cons, tweakers, thieves, and hustlers.   The bad news is that it’s going to cost me an extra $175/mo.   But the good news is that it’s worth it.

In the confusion, I have been composing compulsively.   When I compose music, I am somehow completely focused.  I enjoy the process very much, even if the product is lacking.  When I write text, however, I am almost completely unfocused.  Yet, yet, yet — everybody seems to like my verbal writings, and almost nobody appreciates my musical writings.  It’s a sore spot for me.  I didn’t go to a Conservatory of Music in order to spend all my time writing about Homelessness.

Then again, what is it that made me homeless to begin with?  I mean — outside of socio-economic factors, what was it about me that caused me not only to become homeless, but actually to embrace Homelessness?  (That is, before I literally got the sense knocked into me.)

Quite simply, life was not rendering me enough space to focus on writing my music.  Ah – I remember it well – the last straw.   In April 2011, I was living in a small house with the landlord, his four year old boy, and another roommate.   I had been homeless before, off and on for seven years.   So I knew that I could generally handle it.   But could I handle the four year old boy bursting into my bedroom, right at the moment when I was making the final edits to The Crying of the Muse, shouting “Hiya!” and waving a large plastic spear over his head?

It seems the young fellow wanted to joust with me.   And don’t get me wrong – I would gladly have taken up my spear, and jousted with him at another time.  But he just happened to throw me off of my delicate musical balance at that moment — and enough was enough.  I needed space. 

So, in order to find the space I needed, I quite naturally headed to Berkeley, California, where I figured I would “blend” with approximately 1,000 other homeless blokes, and write my music invisibly, without such annoying intrusions.

It worked for a while, till the thrill was gone.   And Friendship Square worked for a while, too.   Here’s to a new and more productive chapter of my highly-driven, restless life.   I’ve gotten as far with my current compulsive composing as meets the eyes and ears below.  The eyes see a telling view of Friendship Square at night, illuminated as if with fireworks.   The ears will hear a fraction of the piece tentatively entitled the New Royal Rhapsody.   Please enjoy — if at all possible.  

Art is Hard Work.
They keep firing me because I’m absent-minded and too easily stressed.
Art will never fire me, nor will I quit Art.
Please pay me for it here.
Thank you.