Open Mike

So apparently somebody heard me playing at the Open Mike last Friday and posted this picture on his Facebook: 

Image-1.jpg

I don’t personally use Facebook, but I knew something was up as soon as I hit the downtown main strip this morning.  All these people who know me as a social activist were coming up and saying: “I didn’t know you were a musician!”

By the way, the song I played and sang was The Word from Beyond from my new musical, Eden in Babylon.  The link is to the lyrics, and if you want to hear an instrumental rendition of it on my SoundCloud, be my guest:

Otherwise, I must confess the obvious.  I mainly posted this here in lieu of a piano video because I once again didn’t get it together.  I didn’t get it together because it takes two people to produce those vids — one to play the piano, and one to make sure the recording device (i.e., the smartphone) is mounted in its proper place.  And each of the people who usually help me happen to be on extended holiday vacation.  :(

So, after much consternation, I have decided to postpone the piano posting till next Friday.  At that time, I hope to provide my unique rendition of “Wintertime Love” to whoever is available to receive it.  And may Jim Morrison be rolling over in his grave — with laughter. 

Please donate to Eden in Babylon.
A little bit goes a long, long way.

Free “Exile” Playlist

I’ve been under the weather this week and have not practiced my piano piece at all.  I told people I would actually be singing tomorrow — but my voice is not in very good shape.  Still, I’m going to venture forth toward the church in a bit, where that nice Baldwin grand piano is, along with all the very nice people who don’t mind me playing on it from time to time.

So, I might pull through.  I just want to leave it up in the air.  In the meanwhile, anyone who wants my Exile album, or at least wants to listen to it to check it out, but who doesn’t want to shell out fifteen bucks for it, here it is online:

Also, in isolation this week, I have been pondering my life’s direction.  I’ve felt as though I’ve been in something of a lull ever since I finished the script and demo to my musical I’ve been working here and there, on my various projects as well as on the necessities of living.  But my heart, by and large, has not been in what I’m about.

I think this is because I am being cosmically nudged to get cracking on the Eden in Babylon vocal score. I finished the first five numbers a while back, but got sidetracked when I encountered a few setbacks earlier on.   I’ve dealt with the setbacks sufficiently that there’s no real remaining excuse for slacking.

So I’m going to prioritize scoring all the singing parts for Eden in Babylon, and it’s going to have to take priority over this blog.  I found earlier that I was spending too much time blogging, and not getting the vocal score done.  Life does present itself occasionally, and it will interfere with my creative flow.  But in the meantime, there’s no valid reason for not pressing onward with the goal.

So – I’ll try to have something posted tomorrow.  No promises, but you might as well check back in a day or so, and see if anything looks different.  After that, if you don’t hear from me a while, take it to be good news.  Only so many hours in the day, and occasionally one has to get on the ball.  

Please donate to Eden in Babylon.
A little bit goes a long, long way.

 

 

Exile

My third piano album, entitled Exile, is now available on CD for $15 USD, including shipping costs to your postal address. ($20 if overseas)

Image result for exile clipartThe album contains eleven clips from my youtube channel, performed in the past three months; that is to say, August, September, and October.   The sound quality is distinctly better, however, than on the youtubes.  I think you will enjoy it.

Unfortunately, I can’t post these clips on my bandcamp page, due to bandcamp restrictions.  (They only allow originals and songs that are public domain.  No covers.)   A CD is honestly the best way for me to manifest this music at this time.  I hope you have a player in your possession.

Here is a list of the songs you will find on the album (in this order):

  1. Chaos in Camelot — Frederick Loewe, Andy Pope
  2. Brian’s Song   —   Michel Legrand
  3. Killing Me Softly   —   Charles Fox
  4. Hermit   —   Andy Pope
  5. Circumstance   —   Edward Elgar, Stephen Schwartz, Andy Pope
  6. Bubbles Taboo   —   Andy Pope
  7. Berlin-Porter Medley   —   Irving Berlin, Cole Porter
  8. Look to the Rainbow   —   E.Y. Harburg
  9. Autumn Leaves   —   Joseph Kosma
  10. Summertime   —   George Gershwin
  11. The Host Awaits   —   Andy Pope
  12. Together in Turmoil   — Andy PopeGarry Bonner & Alan Gorden

If you wish to buy an album, please drop $15 into the pool by clicking on the word “donate” in this sentence, or at the bottom of the page.  Then, please leave me a postal mailing address on my contact page.   — unless, of course, you live within walking distance of my current abode.  (I walk fast, by the way.)

All proceeds will go toward the production of my musical Eden in Babylon.  I will resume posting piano pieces on this page next Friday.  Thank you all for your support.

Please donate to Eden in Babylon.
Every little bit helps!

 

Hunted

There was neither a speech nor a piano recording this week, for the simple reason that I’ve been relying on the high-quality microphone in my lady friend’s Motorola smartphone in order to make these recordings, and while she’s away visiting our friend on the Coast, I could not manage to locate another device.

On another level, however, I am still dealing with enormous exhaustion after having put my all into the creation of this new musical, Eden in Babylon, and having at last received the recordings on the demo for that musical.  The third and final song in the demo, my song “Hunted,” is below.

Hopefully the present innervation precedes a future innovation.  It’s going to take quite a bit of ingenuity to instigate the initiation of this initial production.   I can’t just sit at home idling with incessant alliterations, to no avail.  I have believed in this message to the Mainstream of Modern American Life.   Now all I need to do is make sure the message is heard.  

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

The Very Same World

In lieu of offering a speech this week according to schedule, I’m writing to let you know that I’ve received the 2nd number from my Eden in Babylon demo.  It’s “The Very Same World,” (link is to lyrics), and I’m posting the demo now.

I should have the third speech in my new series, entitled “Homeless by Condition, Part Two,” posted by next Wednesday or Thursday, or thereabouts.   If you feel like going back and listening to the first two speeches, here they are:

Homeless by Condition, Part One

Homeless by Choice

Finally, if you want to make an any-amount donation and help me produce my musical about homelessness in America, now’s your chance.    At this stage, every little bit helps.  

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

Tuesday Tuneup 17

Q. Do you know who I am?

A. Yes.  You are a part of me.

Q. Why have you summoned me?

A. Quick, spot-check tuneup.  I know, I know — it’s Thursday, not Tuesday.  I’m two days late.

Q. Why so late?

A. Exhaustion.  Sleeping round the clock ever since July 4th, for eight days barely fitting in all the things I’m supposed to be doing in this world.

new-beginning-quotes-picturesQ. What happened on July 4th?

A. Independence.

Q. Independence from what?

A. From Eden in Babylon. 

Q. You were — enslaved by Eden in Babylon?

A. I was indeed.  Enslaved by my own work.

Q. And now you are free?

A. In a very real sense, yes.  I need no longer belabor this script.   It’s as good as it needs to be, in order for me to submit it.

Q. Don’t you need the demo in order to submit it?

A. The demo is on its way.   The pieces for the final mix are coming in.  Listen to this one, the first one — you gotta admit it’s not bad:

Q. Who’s the singer?

A. Her name’s Erika.  Very good singer, classically trained with a degree in Voice, and having musical theatre experience.  Obviously, she put her whole heart into it.  I acknowledge her in full, along with the sound engineer, on the credits.

Q. But don’t you need more than one song on the demo?

A. They’re on their way.  I’ve heard drafts of the mixes.  The engineer is in the process of preparing a final mix.   It won’t be long now.

Q. And then what?

A. Then I package the show, of course.  I send out packages to theatre companies who accept submissions of new musicals.  And also, to theatre companies where I’ve worked in the past, or where I know people with whom I’ve worked, people who might think well of me from the start (as opposed to hearing from a total stranger.)   

Q. Won’t this cost money?

A. Gee, I thought you’d never ask.  Of course it will cost money.  And this could take a long time.

Q. Won’t that be a drag?

A. Maybe.  But the way I look at it, it’s all part of the process.  It could take a long time, or it might not take very long at all, depending on how it’s meant to be. 

Q. What if it’s not meant to be?

A. Oh, it’s meant to be all right.  If it weren’t meant to be, it wouldn’t have gotten this far. 

Q.  But once you’ve sent out your script and your music, won’t you have to wait to hear from these companies?  For months on end?  Possibly years?  What if you never hear from them at all?

A. Then there’s another alternative.  Rather than put most of the money into submissions, put only a little bit of the money toward that aspect.  Say, 20%.  The other 80% will go toward funding a trial production — a local production, renting out a local house that will be ideal for the show.  And then — inviting key people to the production.

Q. So then you can invite the people to whom you’ve submitted the show to come to this local production?

A. Yes.  And not only them – but all kinds of other people.  We’ll run the show for six nights only, over three weekends.  

hartungQ. Can you get this venue for three weekends in a row?

A. If I start soon enough, I can.

Q. How much does it rent for per night?

A. Two hundred bucks.

Q. So that’s $1200 you need already?

A. More than that.  Add an extra four nights for tech week, and make it $2000.  Plus, they provide the technical staff, and I have to pay them $15/hr.

Q. And won’t there be other costs?

A. All kinds of costs.  I need to print out scripts.  I might need to rent a rehearsal space, some building on campus somewhere, a space to use only to rehearse.  Then of course I have to hold auditions somewhere, and get a cast together.  Prior to that, there will be advertising costs.   This thing could cost me hella money, let’s face it.

Q. Won’t there be some kind of return?  Or profit margin?

A. I wouldn’t say profit.  But a partial return, in terms of box office receipts.  Even for the trial production at the perfect 400-seat theatre I have in mind, there will be ticket costs.  I won’t let people in for free.

Q. So some money will be coming back?

A. To somebody, yes.  Maybe that can go to the investor, or investors.

Q. Investor?  Investors?

A. Yeah.  That’s what I’m thinking,.  Some detached person with little more than a monetary interest, might kick down some reasonable sum of money in exchange for box office receipts, and a small profit.

Q. But will that be enough to produce the show?

A. Naw, it would only be a jump start.  A drop in the bucket, maybe.

Q. Where will the rest of the money come from?

A. Grants.  Loans.  Financial aid.   LP sales.

Q. LP sales?  

A. Yes.  First off, I’m trying to sell my LP.  I’ve managed to sell over 15 CD’s – you know, hard copies, to people in the hood who like my stuff.  But online, last I checked, only two people had bought one.  And they were both, like, friends of mine.

Q. Isn’t that discouraging?

A. I try not to think in those terms.  I just have to push harder.

Q. But doesn’t this all go against your grain?

A. What grain?  You gotta do what you gotta do.  And relax in the process, knowing that the outcome is inevitable.

commitmentQ. Inevitable?

A. Inevitable.  It’s meant to be.

Q. How can you say that?

A. I just can.  I just know.  It has something to do with the nature of complete commitment, and forging forward continuously, despite obstacles.  

Q. But how do you know that your commitment is complete?  I mean, if you did nothing but sleep for eight days after you finished your script, that hardly indicates the kind of commitment that suggests hard work and fortitude.  

A. Maybe not.  But it shows how much work went into that script, and why an eight day crashout would be warranted.   And besides, there’s a universal nature to all of this that plays upon my very laziness, the very burnout of which you speak.

Q. How so?

A. It’s like this.  Whenever I sink, whenever I crash, whenever I begin to feel that the whole project is random, and senseless, and pointless, and useless, and doomed to failure from the start, something happens in the Universe that alerts me back to the program.

Q. What do you mean?

A. Take for example when this demo came about.  I had all but given up on the project.  I had turned my attention to other things, more tangible, lucrative ventures.  But at that very moment of disillusionment, the sound engineer appeared, willing to provide his services for free.   This revitalized me.

And then, the money for the singers manifested at the exact time when we could do the studio work, and I could actually pay them.   Saving up for months to pay competent, trained singers, actually worked.  It was frustrating having to scrimp and save, while former associates of mine, people with money to spare, were only laughing at me and scoffing at me.  But they too were a provision of the Universe.

Q. How so?

A. They provided the Resistance.  Without resistance, there is no creation.  Without an enemy, there is no battle.

Q. Then this whole thing is a battle?

A. Yes. I am at war.

Q. At war with whom?

A. With you, to be truthful.

Q. Why me?

A. Because you always question everything I do.  

The Questioner is silent. 

Please donate to Eden in Babylon.
Anything Helps – God Bless!

 

Gratitude List 850

(1) Coffee tastes great this morning.  Once again, it’s nice to be able to get a cup of coffee in my own apartment, having used my very own coffee maker. 

There was a time not too long ago when, if I wanted a morning cup of coffee, I had to wait at the bottom of a church stairway with about forty other people, enduring orders being barked at me by a security guard, being made to feel as though I were a criminal, even though I was a free man with no criminal record.

(2) Somebody left a great Black & Decker coffee maker out by the bin, and my lady friend prepares nice Seattle’s Best coffee every night. 

All I have to do these days if I want a cup of coffee is flip a switch when I get up.  I am truly living the dream.

(3) I think I’ll have my second cup right now.   

There was a time when they denied me a cup of coffee because I didn’t have forty cents, even though I had just played piano in the same building to a group of applauding fans.

(4) I slept in a nice warm bed last night, with the mother of my daughter and the love of my life. 

There was a time when I slept in a tent made of cardboard, worried that the approaching thief would find me, recognize me, and steal everything that I had – with violence.

(5) It’s been almost two years now since Somebody Up There snatched me off of an all-night bus on the S.F.Bay Area Peninsula and set me down in a studio apartment in another State, in a warm-hearted, Art-positive community where people took me seriously from the start.

(6) It used to be that I was widely disrespected, and literally mocked whenever I spoke of my work, or of Music, or of Art, or even of God.  I was thought to be either impudently arrogant or incorrigibly insane if I spoke of anything higher than the widespread assumption that I was nothing more than a worthless piece of homeless scum.  People these days may think I’m an oddball, but it sure is a relief they don’t think that I’m “scum.”

(7) I must never forget that a single 48-hour bus ride and a $200 loan landed me in a community where I was instantly accepted, and nobody doubted my words of truth, nor judged me as a pariah, nor cast me out as a leper.

There was a time when, for the life of me, I could not find anyone who would accept me as I am. 

(8) I have since then wanted to shout to the world that my personality did not change on a single 48-hour bus trip.  And in so many words, I am doing so.  Homelessness is not the problem.  It is the result of the problem.   When the world sees that, it will be a Great Day Indeed.

(9) That man who has not changed still comes across as a ding bat to many, all over the map, hard to follow, maybe even hard to work with, with impulse control issues, and dyslexia, and all kinds of other strange mental processes working against his ability to survive.  But my once and future wife came back to me when she saw this on the Internet, and saw therein the man whom she loved.  The words of the Preacher have never rung more true:

Two are better than one,
    because they have a good return for their labor:
If either of them falls down,
    one can help the other up.
But pity anyone who falls
    and has no one to help them up.
 Also, if two lie down together, they will keep warm.
    But how can one keep warm alone?
 Though one may be overpowered,
    two can defend themselves.
A cord of three strands is not quickly broken.
–Ecclesiastes 4:9-12

(10) After twelve years of struggling to survive on the San Francisco Bay Area streets, I’ve been able to write a full length musical about Homelessness in America, all because I was finally able to get inside.  Yesterday I received the mix of the first song in my demo for that musical, the demo that  it took me months to save up $950 to record.  I worry that my bumbling personality might be a pain in the ass in the eyes of the very orderly engineer who helped me to produce that song.  But that worry is nothing compared to what I and countless other homeless people had to worry about on the streets, in a hole so deep you’d have to live it to know how hard it was to climb out of it.

We were assumed to be criminals.  We were assumed to be, as the singer states, “litter, scum and slime.”  Please help me to get the truth about Homelessness to the People of America.  Please support me in getting this message across, in the manner I know best — before it is too late.

Please donate to Eden in Babylon.
Anything Helps – God Bless!