An Open Letter to the Community

Sun, 13 Oct 2019 8:17:54 PM -0700
From: Andy Pope
To: Heart of the Arts
Subject: An Open Letter to the Community

To Whom It May Concern:

I’m sensing from everybody’s non-response that everybody thinks I am making a mistake.  If so, everybody is wrong.

Nobody but me is in my head and my body when the peak of unmanageable anxiety strikes.  Why should I risk running out of the church screaming after throwing all my messed up attempts at organizing my work onto the floor?  True, you guys are tolerant.  True, my friend the church secretary was right when she said that very few people would have done what she did afterwards, which was to pick up everything and sort it back together after I threw an apparent tantrum.  But nobody but me is inside my head and my body.  Nobody but me knows that the “tantrum” is an effect of uncontrollable levels of anxiety that are solely produced by a failed attempt to manage vibrations from multiple human entities while trying to focus on the single task of vocal-directing for musical theatre as I always used to be able to do so prior to the Summer of 2017.

I know what you all are thinking. You’re thinking that Opportunity has knocked. You’re thinking that here’s a way for me to “give back” and make a contribution to the community. Well! I would make a much stronger contribution to the community if I sat here at home and finished the vocal score — which is nearly done, honestly, just a few glitches to correct — until it was in such a condition that somebody of the calibre of [Name Withheld] could interpret and direct it (if he wanted to) and somebody of the caliber of [Name Withheld] could actually play it. And they don’t have the problem dealing with the panoroma of discontinuous non-myopic autistic dyslexic blah blah blah that I do. I know everybody else is a nice person and tolerant and a good Christian but if so, why is everybody making me suffer?

It’s because nobody understands the autism spectrum, you all think it’s a moral problem, and the notion that I personally do not have any God-given desire to interact, other than in a superficial way, with any other human being again -let alone two or three or more — is unfathomable to all you social animals.  I’m an Autistic Artist and I Need My Space.

Now about the Summer of 2017. I was already speeding up the tempos before I lost the church job. But I could still VD – I just could. I remember one time taking over a Choir rehearsal and doing it. It was musical theatre style as per high school students as per my experience but the fact was I could do it. I tried the same thing last year, with my own music even, and I could NOT do it. It had to have been what happened throughout the summer of 2017 at the Friendship Apartments.  It hasn’t happened since then — but it left its mark.  PTSD is real.  You guys have gotta grasp that I’m not just whining.

I failed to help my ex-wife, I failed to help my daughter, I failed at vocal-directing my own show last Summer, and I will fail at everything I set out to do henceforth if I don’t wholeheartedly go about doing the one thing I seem to be doing right, which is write.(Other than a play a piano, and that sure isn’t making the O.G. any money. Not in this neck, and not without a car, and I’ll be damned if I try to start driving again after 15 years. Can any of you even imagine it? I’d wipe out on the first day.)

Mortimer J. Adler - Wikipedia
Mortimer Adler

To me this is a no-brainer. Now I’ve been trying to read Mortimer Adler and my reading of even the Prologue was hounded by these thoughts as-yet-unexpressed, so I have expressed them. Hopefully this has not been at the expense of the health of any of the recipients. Anyway this is easy reading and engaging compared to most Philosophy.  I think his thought is very important. I wish my daughter would read it — but this is not about my daughter. It’s about my musical and the heart failure I will have if I re-enter the exact same stress that I couldn’t handle last Summer.

We don’t have a Stage Manager. We don’t truly have a Vocal Director who can handle this score. We don’t have a rehearsal accompanist. All we have is a playwright trying to do five people’s jobs. We don’t even have but four people committed in the cast! How can I pull this thing off with only Kelsey and the Three Girls? It is not possible. I will just be going through the same junk as last Summer.

I’ve already talked to Dave and the deal is off. This show will be produced when it’s good and ready and not a moment before. I am not Superman.

Yes, scoring a piano-vocal score will take forever. Maybe I can find a piano-playing music student with perfect pitch and send them the recordings.  They’ll probably need to get paid.  And that’s another story!  But somebody has to sometime give the O.G. a break, I’m sixty-six, I’m retired, I want to write at home and live a quiet life.  I didn’t write a musical so as to get all wrapped up in its production and have the same kind of nervous breakdown that caused me to become homeless in the first place in 2004.  I do not need to become homeless again.

I wrote a musical so I could make a needed statement to America on an important issue using a medium with which I have a wealth of experience.  My role should be restricted to an occasional show-up at a production staff meeting and a show-up on Opening Night with a date.

Seriously,

Andy

P.S. And this weird idea floating around town that I’m supposed to have a lady friend or some kind of wife or girlfriend has got to be the most preposterous proposal ever propounded. Talk about adding stress to stress!  You guys act like I was born yesterday.  Really!

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Tuesday Tuneup 56

finest work

Q. What are you doing here?

A. Getting ready.

Q. For what?

A. For a change in policy.

Q. Why does your policy need to change?

A. Because it’s ineffective.

Q. How is it ineffective?

A. Why don’t you just ask me what the policy is?

Q. Why should I ask you that?

A. Because you will then be able to determine for yourself why it is ineffective.

Q. Very well, then.  What is your current policy?

A. Reckless Abandon.

Q. With respect to what?

A. With respect to Art.

Q. How so?

A. I create continuously.   I create without letup or rest.  I create like a crazed maniac.   But I only create at random.  There is no order, nor rhyme nor reason, to the manner in which I create.

Q. Can you provide a specific example?

A. Yes.  The talks I gave recently, and the blog post I wrote as to how PTSD relates to the Homeless Experience.   This was random.  It was not something I intended to do according to a concrete creative plan.  It just sort of — happened — when I was moved to do so.

Q. And a second example?

A. The piano album I created, called Abandon.  It resulted from a comment someone had made that intrigued me.  I took off on that comment, until an entire piano album had been produced.

Q. Is this a bad thing?

A. Not in and of itself, no.

Q. Then why do you need to change the policy?

A. Because these creative endeavors have been keeping me from fully engaging a far more important creative task.

Q Which is?

A. The 4th Draft of my musical Eden in Babylon, and the 2nd draft of its musical score.

Q. Have you been procrastinating?

A. Yes.  But I prefer to frame it a bit differently.

Q. How so?

A. It’s not so much procrastination as it is preparation.  

Q. How can procrastination be preparation?

Labor of Love – A Semester’s Reflection | Kelsey BrannanA. It’s like so.  When I procrastinate, I engage my creative energies in a way that pleases me.  It is not what I have to do.  It is what I want to do.   In doing so, I practice creating out of desire, not out of obligation.   Then, when I cease to procrastinate, the desire to create remains — for I have practiced it.

Q. Do you mean to tell me that when you implement the new change in policy, the Object of your Creative Desire will immediately be changed?

A. Yes.  When the clock strikes midnight tonight, the Object of my Artistic Affection will be altered. It will no longer have anything to do with homelessness, or PTSD, or even blogging, for that matter.  Nor will it involve my piano playing.  It will instead return to what it was before I deviated off onto those artistic tangents.

Q. In other words, at the stroke of midnight, you will immediately reactivate the desire to work on your musical?

A. Not exactly.  It’s already been activated.  I just haven’t begun to do it yet.

Q. Why not?

A. Because it isn’t time yet.  It happens at midnight tonight.

Q. Why?

A. Because it’s been scheduled that way.

Q. Why adhere so strictly to the schedule?

A. You want the whole rundown?

Q. Why not?

Funny sublimation designs downloads quote funny Not | EtsyA. Very well then.  To be honest with you, when we suspended operations on the project, I became depressed.  I blamed myself for falling short.   I remained depressed for eleven days.  And I accomplished nothing.

Then I decided to deal with the depression in my typical, lifelong fashion.  I would hurl myself full force into various artistic endeavors.  But I wouldn’t work on the musical, because it was too depressing to think about it.

In the process of working on these less pertinent, less relevant side projects, I became happy again.   And now that I am happy, and longer depressed, I will resume working on the musical, and be happy doing so.

Q. So you’re trying to tell me that the same project that earlier depressed you will now make you happy?

A. Yes.

Q. Why do I find that hard to believe?

A. Probably because you’re either not an Artist, or you don’t know me very well, or both.

Q. May I ask a question that might insult you?

A. At your own risk, ask away.  

Q. Why do you think you can pull it off?

A. Because my name is Andy Pope.   Any further questions?

The Questioner is silent.

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Homelessness and PTSD

Trigger warning: some people may be triggered by information contained in this entry that pertains to personal violation.  Please proceed with caution, and read at your own risk.  

Earlier, when I created a talk on this theme, I did not believe I could capsulize my thoughts into a single blog post.   So I talked for a half hour instead.

I’ve since changed my mind.   It’s taken over a week for me to discover how to present these ideas more succinctly, in a logical order.  The first thing I would like to address is that people are generally unaware that homelessness — with all its confusing, unpredictable, and dangerous components — is as much a breeding grounds for Post-Traumatic Stress Disorder as situations arising in combat or from having been physically or sexually abused.

PTSD is triggered when something happens to remind a person of past trauma, the memories of which are often buried.  When the reminder occurs, one leaps into the context of the trauma formerly inflicted.  And then, one begins to relive the entire circumstances involved in that traumatic event.

See the source imageSevere abuse comes with the homeless territory.  A person who is exposed, out in the open twenty-four hours a day, is a visible target.  This person is made even more vulnerable when they are sleeping.  When I was homeless, I was pistol-whipped, subjected to strong arm robbery, sexually abused, subjected to arson, and physically abused multiple times.  Any one of those situations can lead to PTSD — let alone all of them in confluence.

Because the first of these traumatic events was a sexual violation that took place on a very hot day when I could find no way out of it, I have been triggered on extremely hot days when I was lost and did not have clear directions to where I was going.  My PTSD counselor and I worked out a series of steps that I would take automatically if I felt that the PTSD had been triggered.  I would stop and take a number of deep breaths while looking for a shady spot.  Then I would sit in the shady spot, no longer moving around or looking where I might go, until the PTSD had subdued.

The reason for taking such steps is because I was reliving the horrific event of a sexual assault.  When the horrible event was over, and the rapist disappeared, I was so freaked out that I ran five miles in 90F degree weather.  That single event has affected my sexual attitudes for life.

But that was only a solitary example of numerous violations that were to ensue during the twelve years when I was homeless and “borderline-homelessness” — by which I mean staying in motels, residence hotels, and other sketch indoor situations.   The overall experience of homelessness carried with it its own set of triggers.   By and large, these were based on two things:

(1) A sense of inequality with, and inferiority to, the people around me.  

(2) A sense of being fully exposed in a context where most of the people were concealed.  

An example of something that triggered me was the event of having a story of mine published on a news site that permitted comments from its readers.  All of the readers had usernames and avatars.  One of them referred to having known me personally — but I had no idea, nor was I able to learn, who this person was.  This bore enough resemblance to the homeless context that I began to relive my homeless experience.

More information about PTSD triggers may be found here, for starts.  An excellent article exploring PTSD among the homeless may be found here.  And of course, further information on the Homeless Experience can be found all over this blog.

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Talks 2019 No. 2

I promised to get a new talk to you guys by 7:30 this morning, so here it is.  The purpose of this talk is to describe how the conditions of homelessness can easily lead to a PTSD diagnosis, and what the triggers can be like.   I hope you enjoy & gain from this. 

See the source image

The Perception of Inequality

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Is There Life After Homelessness?

Below the illustration is an excerpt from my personal diary.   

The Battle After the War – Homelessness and Housing

I’ve thought about almost nothing but homelessness in Berkeley throughout the past five days. It’s a disease; it’s a disorder; it’s PTSD; it’s been triggered.   So I thought I’d take the opposite tact as oft-advised. Rather than distract myself from the triggers, I would embrace the experience completely.

In that spirit, I created this talk, called It Can’t Be Forgotten. Later I judged this effort harshly. Not the fact that I did it — that I don’t mind at all. I was happy, thrilled, and thankful that I completed the spontaneously conceived task, exciting as it was to undertake it.

What I judged was its quality. Two glaring errors stood out. For one thing, while I spoke often of the “inequality” factor, I did very little, if anything, to back up how that sense experience was valid for those of us enduring the Homeless Experience. It could just as easily have been a reflection of my own individual inferiority complex as it was an alleged manifestation of a social injustice.

Secondly, when this issue of inequality arises in the speech, I adopt a tone of voice that seems excessively strident. This could make the listener uncomfortable. The stridency could be alternately interpreted as either anger or sarcasm, something of an almost bitter outrage enters into the vibration from time to time, and the whole thing can make one very uneasy. This is especially the case if one can only tune into the upset tone of voice, and figure this guy’s got some kind of ax to grind, and then never tune in to the actual content of the dissertation, due to the fact that the ostentatious style has stood in the way.

I just now listened to the whole thing for the first time this morning. I don’t find it nearly as objectionable as I did during yesterday’s listen, but that may be because as a listener, I’m simply getting addicted to the repetitive playing of an interesting piece, and I’m getting into the groove of it. But it also may mean that my original objections are not so objectionable, because to remove that element of anger as well as the component of vagueness as to what exactly made us all feel so unequal and so dehumanized when we were all together back then on the streets, would be in essence to assault the very concept of the piece. It is what it is. If it makes you uncomfortable, good. What does this say about you?

That question asked, the speech, on that level, succeeds.  What might be a distraction from that success, however, is if a certain kind of listener jumps to the conclusion, based on early, as yet undeveloped information, that the piece is “about” Internet trolling, trolls, etc.  But it’s not.  It’s about homelessness, inequality, and Post-Traumatic Stress Disorder.  The troll is only used as a device, to serve as a trigger.

8:06 a.m. – 2019-08-10

 

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Gratitude List 1220

1. Slept again about six hours from around 10 till 4:15.

2. Perfect running weather 61F and foggy.

3. Spent a while at LRC yesterday – I enjoyed talking with Cindy, Scott, Shaun & Amber. They’re doing some good expansion of the place, creating a Crisis Center next door where the barber shop used to be, of which Shaun is in charge.

4. Farmer’s Market this morning.

5. Working the door tomorrow night, will get a $30 gift card.

6. I spontaneously gave a sixteen-minute talk yesterday called It Can’t Be Forgotten. Did it in a single take and two quick edits, hope you enjoy it.

7. Got a chance to talk with Alex last night, good long talk.

8. It’s beginning to look like my daughter will be here soon.

9. Finished past No. 6 in the revised vocal score. Should have Act One done very soon.

10. Sky’s getting light, love this time of the morning. God is Good.

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A little bit goes a long, long way.