The Blog and the Blues

For those who have been anticipating a Friday piano offering, I want you all to know that I have not forgotten.  I wasn’t able to get to the church piano earlier than this morning.  So right now I’m in the process of uploading.  I should have the piece posted later on tonight.

Meanwhile, I’m trying to call attention to an earlier post of which I am proud.  I earlier received the following comment on A Homily for the Homeless at Heart from Lauren Sapala, a San Francisco-based writing coach who has authored several fine books, including Firefly Magic, The INFJ Writer, and Between the Shadow and Lo:

kudos.JPG

I found it interesting that I was about to trash the post before I received this comment.  Believe it or not, I had actually thought it was the worst piece I had ever written about homelessness in America! Thanks to Ms. Sapala, I had a change of heart.  I then edited it four times to polish it until I was able to feel proud of it.  As I started the fifth edit, my friend Danielle sent me an email reading: “Please don’t make many more changes.”

So I didn’t.   Here it is, in finished form:

A Homily for the Homeless at Heart

Hopefully this will give you something to chew on while you’re waiting for my somewhat chaotic version of “Billy’s Blues” by the late Laura Nyro.   I hope you enjoy both the blog and the blues.   

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A Role Revised

For anyone who may have been following my recent journey, I must say that as I attended church for the first time today as a mere parishioner, and not a paid employee, I was blessed far beyond my expectations.

It was refreshing not to have to be worried about what was supposed to come next in the order of worship, but only to sit in the pews and soak it all in.  I found myself focusing on the language in the prayer of confession, the hymns, the sermon, and all other aspects of the service.   When I still had the job, all I could do was nervously worry about what was going to come next.   Would I wind up in the wrong key?  Would I play too fast, too slow, too loud, or too soft?   Was I about to be heavily criticized for my failings after it was all done?  Or, even if they were to compliment me, were they complimenting me for the wrong reasons?  In short:

Did I come across more like a musical theatre or pop-contemporary accompanist, or worse yet, a lounge lizard, in the sacred context?

lounge lizardMy God – my anxiety increases as I even indulge the memory.  Be that as it may.  The “good news” is that I was very blessed to be a simple participant.  I also was freed up to attend a book study before the service, where only six people were present.  Moreover, I can go to another book study on Wednesday evenings when the Choir would have rehearsed.

I’m a little concerned about the substantial decrease in my monthly cash flow — but not too much.  It seems to me that I was living high on the hog to begin with.   I’m used to living on almost nothing at all.  Suddenly having even a little money left over after paying the rent was almost too much for me.  Ah – but I hyperbolize.  As someone said this morning, there is probably a better job in store for me.   All I need do is look.

So, I just wanted to submit a brief blog to share the glad tidings.   I’ll now return to my Writer’s Guild meeting.  Ta ta for now.

Forward Motion

Things have actually progressed remarkably smoothly since my last update.  There has not been a moment throughout the past week when I have felt that “life” was getting in the way of my artistic progress.   To the contrary, I finished scoring all the parts for the other players tonight, and we’ve arranged a time and place to practice this Sunday for the upcoming show the following Saturday.   One more practice after that, and I think we’ll be in pretty good shape.

As I might have mentioned, I agreed to continue to accompany the Wednesday evening Taize services on a volunteer basis, while no longer being on salary at my church.  I understand that the woman who is replacing me for the next two months is very capable, and I’m looking forward to sitting in the pews on Sunday, soaking in the sermon and all aspects of the service, and no longer having to concern myself with the strange conflicts that would rear their heads whenever I tried to play piano or organ properly for the occasion.

It would seem that my background in Musical Theatre somehow interfered with my ability to grasp the worshipful context.  Although I identify as a Christian, it was unusually difficult for me to shake the idea that my playing was a “performance” rather than an “offering” or a “presentation” before God.  I would constantly refer to the chancel as the “stage,” to the prelude as an “overture,” and to the postlude as “exit music.”  I am certain that a period of observation, without mandatory participation, will help me to shed these conflicts.   It’s entirely possible that when the four months are over, and both of my replacements have served their terms, I might regain some kind of paid position with the music ministry.  But I’m neither banking on it, nor shunning the prospect.   To paraphrase John the Baptist: “God must increase, and I must decrease.”

Along with this transformation, my zeal for the production possibilities of my own musical has skyrocketed.  Of the five originals that we will be performing on Saturday the 6th, three of them will be from Eden in Babylon.   If you want to look at the lyrics I will be singing, here are the links thereof:

Heart Song

Ode to the Universe

The Very Same World

I’ve decided on four theatre companies where I have worked in the past, or where I know people with whom I’ve worked, where I will submit the musical immediately upon completing my demo.  Then I think I’ll relax and see what we can do about producing the show on a regional level here in the Palouse Empire, where I have chanced upon a community of like-minded Artists who believe in me.   I’ve been here only nine months as of yesterday, and I never cease to marvel at the miracle of it all.

I didn’t have to let an entire lifetime go by without seeing the city where I was born — where I had only lived for the first year of my life.   When I first saw this city, I saw that it seemed custom-designed for me — right to the point of their being a running shoe store conveniently placed on the lower floor of the very apartment building in which I live:

friendship square

There also turned out to be a Conservatory of Music that I didn’t even know about in this town, sponsoring an annual jazz festival.  Moreover, Idaho Repertory Theatre was founded in this city in the year I was born.  And when I went to see the house where I was born, the cross street as I approached said: “Home Street.”

Sure beats being hit on the head with guns by gangbangers and having four laptops full of costly music production software stolen in a three-year period of time! I still have the same laptop I had when I moved here — in fact, I even have a back-up, in case this one should fail me.  Once again — there is a God.